Adams, Jeffrey and ProQuest (Firm). ‘O Brother, Where Art Thou? The Hayseed Epic’. The Cinema of the Coen Brothers: Hard-Boiled Entertainments. Directors’ Cuts. London, [England]: Wallflower Press, 2015. 148–161. Web. <https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=1980197>.
‘All That Mise En Scène Allows: Douglas Sirk’s Expressive Use of Gesture’. BFI Sight & Sound. N.p., n.d. Web. <http://www.bfi.org.uk/news-opinion/sight-sound-magazine/comment/bradlands/all-heaven-allows-douglas-sirk-mise-en-scene>.
Allen, Robert Clyde, and Douglas Gomery. Film History: Theory and Practice. Boston, Mass: McGraw-Hill, 1985. Print.
Altman, Rick and British Film Institute. Film/Genre. London: BFI, 1999. Print.
Babington, Bruce, and Peter William Evans. Blue Skies and Silver Linings: Aspects of the Hollywood Musical. Manchester: Manchester University Press, 1985. Print.
Baker, Simon et al. The Radical Eye: Modernist Photography from the Sir Elton John Collection. London: Tate Publishing, 2016. Print.
Balio, Tino. Grand Design: Hollywood as a Modern Business Enterprise, 1930-1939. History of the American cinema. Berkeley: University of California Press, 1995. Print.
Balio, Tino and ebrary, Inc. The American Film Industry. Rev. ed. Madison, Wis: University of Wisconsin Press, 1985. Web. <https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=3445105>.
Barsam, Richard Meran, and Dave Monahan. Looking at Movies: An Introduction to Film. 5th ed. New York: W.W. Norton & Company, 2015. Print.
Belton, John. Widescreen Cinema. Cambridge, Mass: Harvard University Press, 1992. Print.
Benjamin, Walter, Esther Leslie, and ProQuest (Firm). On Photography. London, England: Reaktion Books, 2015. Web. <https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=4438926>.
Bordwell, David. Narration in the Fiction Film. London: Routledge, 1988. Print.
---. ‘Three Dimensions of Film Narrative’. Poetics of Cinema. N.p. 1–56. Web. <http://www.davidbordwell.net/books/poetics_03narrative.pdf>.
Bordwell, David, Janet Staiger, and Kristin Thompson. The Classical Hollywood Cinema: Film Style & Mode of Production to 1960. London: Routledge, 1988. Print.
---. The Classical Hollywood Cinema: Film Style & Mode of Production to 1960. London: Routledge, 1988. Print.
Bordwell, David, Kristin Thompson, and Jeff Smith. Film Art: An Introduction. 11th ed. New York: McGraw-Hill Education, 2017. Print.
Brookes, Ian. ‘The Eye of Power: POSTWAR FORDISM AND THE PANOPTIC CORPORATION IN’. Journal of Popular Film and Television 37.4 (2009): 150–160. Web.
Brothers, Caroline. War and Photography: A Cultural History. London: Routledge, 1997. Print.
Brown, Martin et al. ‘Moulin Rouge!’ 2002. Web. <https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.nottingham.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F0162EB0B%3Fbcast%3D50745328>.
Butler, Jeremy G. Television: Critical Methods and Applications. 4th ed. London: Routledge, 2012. Web. <http://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=957900>.
Byars, Jackie. All That Hollywood Allows: Re-Reading Gender in 1950s Melodrama. London: Routledge, 1991. Print.
Coen, Joel and Universal Pictures (Firm). ‘O Brother, Where Art Thou?’ 2001. Web. <https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.nottingham.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F001FF6A5%3Fbcast%3D3018768>.
Cohan, Steven. Hollywood Musicals: The Film Reader. In focus--Routledge film readers. London: Routledge, 2002. Print.
Cook, David A. A History of Narrative Film. 5th ed. New York: W.W. Norton & Company, 2016. Print.
---. A History of Narrative Film. 5th ed. New York: W.W. Norton & Company, 2016. Print.
Du Maurier, Daphne. Rebecca. Virago modern classics. London: Virago, 2003. Print.
Dunleavy, Trisha. Television Drama: Form, Agency, Innovation. Basingstoke: Palgrave Macmillan, 2009. Print.
Eisenstein, Sergei et al. ‘The Battleship Potemkin’. 2000. Web. <https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.nottingham.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F01FCF8C0%3Fbcast%3D99885053>.
Fabe, Marilyn. ‘The Art of Montage: Sergei Eisenstein’s Battleship Potemkin’. Closely Watched Films: An Introduction to the Art of Narrative Film Technique. Oakland, California: University of California Press, 2004. Web. <https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=1711019>.
Fabe, Marilyn and ebrary. Closely Watched Films: An Introduction to the Art of Narrative Film Technique. Oakland, California: University of California Press, 2004. Web. <https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=1711019>.
Fauer, Jon. Cinematographer Style: The Complete Interviews. Hollywood, Calif: American Society of Cinematographers, 2008. Print.
Feuer, Jane. The Hollywood Musical. 2nd ed. Bloomington: Indiana University Press, 1993. Print.
‘Filmsite Move Review: Citizen Kane’. N.p., n.d. Web. <https://www.filmsite.org/citi.html>.
Geiger, Jeffrey, and R. L. Rutsky. Film Analysis: A Norton Reader. 2nd ed. New York: W.W. Norton, 2013. Print.
Gledhill, Christine and British Film Institute. Home Is Where the Heart Is: Studies in Melodrama and the Woman’s Film. London: British Film Institute, 1987. Print.
Gomery, Douglas and British Film Institute. The Hollywood Studio System: A History. London: BFI Publishing, 2005. Print.
Grant, Barry Keith. Auteurs and Authorship: A Film Reader. Malden, Mass: Blackwell Publishing, 2008. Print.
Grant, Barry Keith and ebrary, Inc. Film Genre Reader IV. Austin, Tex: University of Texas Press, 2012. Web. <https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=3443619>.
Gray, Hugh. ‘The Ontology of the Photographic Image’. Film Quarterly 13.4 (1960): 4–9. Web.
Gunning, Tom. D.W. Griffith and the Origins of American Narrative Film: The Early Years at Biograph. Urbana: University of Illinois Press, 1991. Print.
Hanson, Helen. Hollywood Heroines: Women in Film Noir and the Female Gothic Film. London: I.B. Tauris, 2007. Print.
---. ‘Narrative Journeys of the Female Gothic Heroine’. Hollywood Heroines : Women in Film Noir and the Female Gothic Film. I.B.Tauris, 2007. 63–96. Print.
Hitchcock, Alfred et al. ‘Rebecca’. 2007. Web. <https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.nottingham.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F000B52ED%3Fbcast%3D131653129>.
Hopkins, Lisa and ebrary, Inc. Screening the Gothic. 1st ed. Austin, TX: University of Texas Press, 2005. Web. <https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=3443053>.
Hubbert, Julie. ‘The Recession Soundtrack: From Albums to Auteurs, Songs to Serialism (1960-1977)’. Celluloid Symphonies: Texts and Contexts in Film Music History. 1st ed. Berkeley: University of California Press, 2011. 289–314. Web. <https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=646810>.
Jelavich, Peter and ebrary, Inc. Berlin Cabaret. 1st Harvard Univeristy Press pbk. ed. Studies in cultural history. Cambridge, MA: Harvard University Press, 1996. Web. <https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=3300725>.
Kael, Pauline. ‘Raising Kane—I | The New Yorker’. N.p., n.d. Web. <https://www.newyorker.com/magazine/1971/02/20/raising-kane-i>.
Kael, Pauline and British Film Institute. Raising Kane. London: Methuen Publishing, 2002. Print.
Kawin, Bruce F. How Movies Work. Berkeley: University of California Press, 1992. Print.
Keating, Patrick, ed. Cinematography. Vol. 3. New Brunswick, New Jersey: Rutgers University Press, 2014. Print.
---. Hollywood Lighting from the Silent Era to Film Noir. Film and culture. New York: Columbia University Press, 2010. Print.
Kessler, Kelly. Destabilizing the Hollywood Musical: Music, Masculinity and Mayhem. Basingstoke, Hampshire: Palgrave Macmillan, 2010. Print.
Kinder, Marsha. ‘Moulin Rouge’. Film Quarterly 55.3 (2002): 52–59. Web.
Kirby, Tim et al. ‘The Genius of Photography’. 2009. Web. <https://learningonscreen.ac.uk/ondemand/playlists/349429>.
Kirkegaard, Jonas Varsted. ‘Preston Sturges • Great Director Profile • Senses of Cinema’. N.p., 2004. Web. <http://sensesofcinema.com/2004/great-directors/sturges/>.
Klinger, Barbara. Melodrama and Meaning: History, Culture, and the Films of Douglas Sirk. Bloomington: Indiana University Press, 1994. Print.
Landy, Marcia. Imitations of Life: A Reader on Film and Television Melodrama. Contemporary film and television series. Detroit: Wayne State University Press, 1991. Print.
Langford, Barry. ‘Introduction’. Post-Classical Hollywood: Film Industry, Style and Ideology since 1945. 1st ed. Edinburgh: Edinburgh University Press, 2010. xi–xviii. Web. <https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=615832>.
---. ‘Part 1: Hollywood in Transition’. Post-Classical Hollywood: Film Industry, Style and Ideology since 1945. 1st ed. Edinburgh: Edinburgh University Press, 2010. 1–95. Web. <https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=615832>.
Le Fanu, Mark. ‘On Editing’. POV 6 (1998): 5–19. Web. <http://pov.imv.au.dk/Issue_06/section_1/artc1A.html>.
Liman, Doug et al. ‘The Bourne Identity’. 2004. Web. <https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.nottingham.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F004CB0E1%3Fbcast%3D135977631>.
Lisa Kernan. Coming Attractions : Reading American Movie Trailers. University of Texas Press, 2004. Web. <https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=3443122>.
Maltby, Richard. Hollywood Cinema. 2nd ed. Malden, Mass: Blackwell Publishing, 2003. Print.
Marshall, Bill, and Robynn Jeananne Stilwell. Musicals: Hollywood and Beyond. Exeter: Intellect, 2000. Print.
McCullin, Don, and Susan Sontag. Don McCullin. London: Jonathan Cape, 2003. Print.
Mercer, John, and Martin Shingler. Melodrama: Genre, Style, Sensibility. Short cuts. London: Wallflower, 2004. Print.
Monaco, James. How to Read a Film: Movies, Media, and beyond : Art, Technology, Language, History, Theory. 4th ed., completely rev. and expanded. New York: Oxford University Press, 2009. Print.
Mundy, John. Popular Music on Screen: From the Hollywood Musical to Music Video. Music and society. Manchester: Manchester University Press, 1999. Print.
Neale, Stephen. Genre and Contemporary Hollywood. London: British Film Institute, 2002. Print.
---. Genre and Hollywood. London: Routledge, 2000. Web. <http://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=240335>.
Neale, Stephen and MyiLibrary. The Classical Hollywood Reader. London: Routledge, 2012. Web. <https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=1075077>.
Neale, Steve. ‘Gestures, Movements and Actions in Rio Bravo’. Howard Hawks: New Perspectives. London: BFI, 2015. 110–121. Print.
Netburn, Stephen et al. ‘Coming Attractions: A History of the Movie Trailer’. 2005 : n. pag. Print.
Perkins, V. F. Film as Film: Understanding and Judging Movies. Pelican original. Harmondsworth: Penguin, 1972. Print.
Perkins, V.F. ‘Moments of Choice’. Rouge 9 (2006): n. pag. Web. <http://www.rouge.com.au/9/moments_choice.html>.
Philip Booth. ‘Hemingway’s “The Killers” and Heroic Fatalism: From Page to Screen (Thrice)’. Literature/Film Quarterly 35.1 (2007): n. pag. Web. <https://bit.ly/2B4WC0l>.
Ray, Nicholas et al. ‘Rebel without a Cause’. 2000. Web. <https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.nottingham.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F000C8F9C%3Fbcast%3D46695138>.
Ryall, Tom. ‘Hawks and the Western’. Howard Hawks: New Perspectives. London: BFI, 2015. 97–109. Print.
Ryan, David C. ‘Dreams of Postmodernism and Thoughts of Mortality: A Twenty-Fifth Anniversary Retrospective of Blade Runner’. Senses of Cinema. N.p., n.d. Web. <http://sensesofcinema.com/2007/feature-articles/blade-runner/>.
Salt, Barry. Film Style and Technology: History and Analysis. 3rd ed. London: Starword, 2009. Print.
Schatz, Thomas. Boom and Bust: The American Cinema in the 1940s. History of the American cinema. New York: Charles Scribner’s Sons, 1997. Print.
---. The Genius of the System: Hollywood Filmmaking in the Studio Era. London: Faber and Faber, 1998. Print.
Scheibel, Will. ‘Rebel Masculinities of Star/Director/Text: James Dean, Nicholas Ray, And’. Journal of Gender Studies 25.2 (2016): 125–140. Web.
Scott, Ridley et al. ‘Blade Runner: The Final Cut’. 2007. Web. <https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.nottingham.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F0002E219%3Fbcast%3D55376018>.
Sirk, Douglas. ‘Directed by Douglas Sirk’. 2007 : n. pag. Print.
Sirk, Douglas, and Jon Halliday. Sirk on Sirk: Interviews with Jon Halliday. Cinema one. London: Secker and Warburg in association with the British Film Institute, 1971. Print.
Sirk, Douglas and Universal Pictures Company. ‘All That Heaven Allows’. Directed by Douglas Sirk 2007. Web. <https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.nottingham.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F00199901%3Fbcast%3D98655032>.
Sontag, Susan. On Photography. Harmondsworth: Penguin, 1979. Print.
Staiger, Janet. The Studio System. Rutgers depth of field series. New Brunswick, N.J.: Rutgers University Press, 1995. Print.
Sturges, Preston, Paramount Publix Corporation, and Universal Studios Home Video (Firm). ‘Sullivan’s Travels’. 2005 : n. pag. Print.
Taylor, Richard. ‘Production History’. Battleship Potemkin : The Film Companion. 1st ed. I.B.Tauris, 2014. 1–13. Print.
Thompson, Kristin, and David Bordwell. Film History: An Introduction. 3rd ed., International ed. Boston, N.Y.: McGraw-Hill Higher Education, 2010. Print.
Welles, Orson, Universal Pictures (UK) Ltd, and RKO Radio Pictures. ‘Citizen Kane’. 2003. Web. <https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.nottingham.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F01787544%3Fbcast%3D120790147>.
Wells, Liz and MyiLibrary. Photography: A Critical Introduction. 5th ed. London: Routledge, 2015. Web. <https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=1968918>.
Wilder, Billy et al. ‘The Apartment’. 2001 : n. pag. Print.
