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Thompson K, Bordwell D. Film History: An Introduction. 3rd ed., International ed. McGraw-Hill Higher Education; 2010.
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Cook DA. A History of Narrative Film. 5th ed. W.W. Norton & Company; 2016.
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Dunleavy T. Television Drama: Form, Agency, Innovation. Palgrave Macmillan; 2009.
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Bordwell D, Staiger J, Thompson K. The Classical Hollywood Cinema: Film Style & Mode of Production to 1960. Routledge; 1988.
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Schatz T. Boom and Bust: The American Cinema in the 1940s. Vol History of the American cinema. Charles Scribner’s Sons; 1997.
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Bordwell D. Narration in the Fiction Film. Routledge; 1988.
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Cook DA. A History of Narrative Film. 5th ed. W.W. Norton & Company; 2016.
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Fabe M, ebrary. Closely Watched Films: An Introduction to the Art of Narrative Film Technique. University of California Press; 2004. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=1711019
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Gunning T. D.W. Griffith and the Origins of American Narrative Film: The Early Years at Biograph. University of Illinois Press; 1991.
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Sirk D, Universal Pictures Company. All that heaven allows. Directed by Douglas Sirk. Published online 2007. https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.nottingham.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F00199901%3Fbcast%3D98655032
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Altman R, British Film Institute. Film/Genre. BFI; 1999.
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Grant BK, ebrary, Inc. Film Genre Reader IV. University of Texas Press; 2012. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=3443619
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Neale S. Genre and Contemporary Hollywood. British Film Institute; 2002.
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Neale S. Genre and Hollywood. Routledge; 2000. http://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=240335
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Byars J. All That Hollywood Allows: Re-Reading Gender in 1950s Melodrama. Routledge; 1991.
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Gledhill C, British Film Institute. Home Is Where the Heart Is: Studies in Melodrama and the Woman’s Film. British Film Institute; 1987.
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Klinger B. Melodrama and Meaning: History, Culture, and the Films of Douglas Sirk. Indiana University Press; 1994.
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Landy M. Imitations of Life: A Reader on Film and Television Melodrama. Vol Contemporary film and television series. Wayne State University Press; 1991.
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Mercer J, Shingler M. Melodrama: Genre, Style, Sensibility. Vol Short cuts. Wallflower; 2004.
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Brown M, Luhrmann B, Baron F, Pearce C, Bazmark Design (Firm), Twentieth Century-Fox Film Corporation. Moulin Rouge! Published online 2002. https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.nottingham.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F0162EB0B%3Fbcast%3D50745328
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Kinder M. Moulin Rouge. Film Quarterly. 2002;55(3):52-59. doi:10.1525/fq.2002.55.3.52
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Kessler K. Destabilizing the Hollywood Musical: Music, Masculinity and Mayhem. Palgrave Macmillan; 2010.
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Marshall B, Stilwell RJ. Musicals: Hollywood and Beyond. Intellect; 2000.
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Hitchcock A, Selznick DO, Du Maurier D, FremantleMedia. Rebecca. Published online 2007. https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.nottingham.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F000B52ED%3Fbcast%3D131653129
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Hanson H. Narrative Journeys of the Female Gothic Heroine. In: Hollywood Heroines : Women in Film Noir and the Female Gothic Film. I.B.Tauris; 2007:63-96.
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Du Maurier D. Rebecca. Vol Virago modern classics. Virago; 2003.
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Hanson H. Hollywood Heroines: Women in Film Noir and the Female Gothic Film. I.B. Tauris; 2007.
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Hopkins L, ebrary, Inc. Screening the Gothic. 1st ed. University of Texas Press; 2005. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=3443053
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Netburn S, Greene F, Shapiro M, Andrew J. Kuehn Jr. Foundation. Coming attractions: a history of the movie trailer. Published online 2005.
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Lisa Kernan. Coming Attractions : Reading American Movie Trailers. University of Texas Press; 2004. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=3443122
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Wilder B, Diamond IAL, Deutsch A, et al. The apartment. Published online 2001.
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Langford B. Introduction. In: Post-Classical Hollywood: Film Industry, Style and Ideology since 1945. 1st ed. Edinburgh University Press; 2010:xi-xviii. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=615832
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Langford B. Part 1: Hollywood in Transition. In: Post-Classical Hollywood: Film Industry, Style and Ideology since 1945. 1st ed. Edinburgh University Press; 2010:1-95. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=615832
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Brookes I. The Eye of Power: POSTWAR FORDISM AND THE PANOPTIC CORPORATION IN. Journal of Popular Film and Television. 2009;37(4):150-160. doi:10.1080/01956050903227928
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Taylor R. Production History. In: Battleship Potemkin : The Film Companion. 1st ed. I.B.Tauris; 2014:1-13.
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Scott R, Fancher H, Peoples DW, et al. Blade runner: the final cut. Published online 2007. https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.nottingham.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F0002E219%3Fbcast%3D55376018
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Hubbert J. The Recession Soundtrack: From Albums to Auteurs, Songs to Serialism (1960-1977). In: Celluloid Symphonies: Texts and Contexts in Film Music History. 1st ed. University of California Press; 2011:289-314. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=646810
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Coen J, Universal Pictures (Firm). O brother, where art thou? Published online 2001. https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.nottingham.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F001FF6A5%3Fbcast%3D3018768
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Adams J, ProQuest (Firm). O Brother, Where Art Thou? The Hayseed Epic. In: The Cinema of the Coen Brothers: Hard-Boiled Entertainments. Vol Directors’ Cuts. Wallflower Press; 2015:148-161. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=1980197
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Philip Booth. Hemingway’s ‘The Killers’ and Heroic Fatalism: From Page to Screen (Thrice). Literature/Film Quarterly. 2007;35(1). https://bit.ly/2B4WC0l
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Neale S. Gestures, Movements and Actions in Rio Bravo. In: Howard Hawks: New Perspectives. BFI; 2015:110-121.
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Welles O, Universal Pictures (UK) Ltd, RKO Radio Pictures. Citizen Kane. Published online 2003. https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.nottingham.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F01787544%3Fbcast%3D120790147
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Filmsite Move Review: Citizen Kane. https://www.filmsite.org/citi.html
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Kael P. Raising Kane—I | The New Yorker. https://www.newyorker.com/magazine/1971/02/20/raising-kane-i
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Kael P, British Film Institute. Raising Kane. Methuen Publishing; 2002.
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Grant BK. Auteurs and Authorship: A Film Reader. Blackwell Publishing; 2008.
