Adams, Jeffrey and ProQuest (Firm). 2015. ‘O Brother, Where Art Thou? The Hayseed Epic’, in The Cinema of the Coen Brothers: Hard-Boiled Entertainments (London, [England]: Wallflower Press), pp. 148–61 <https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=1980197>
‘All That Mise En Scène Allows: Douglas Sirk’s Expressive Use of Gesture’. [n.d.]. BFI Sight & Sound <http://www.bfi.org.uk/news-opinion/sight-sound-magazine/comment/bradlands/all-heaven-allows-douglas-sirk-mise-en-scene>
Allen, Robert Clyde, and Douglas Gomery. 1985. Film History: Theory and Practice (Boston, Mass: McGraw-Hill)
Altman, Rick and British Film Institute. 1999. Film/Genre (London: BFI)
Babington, Bruce, and Peter William Evans. 1985. Blue Skies and Silver Linings: Aspects of the Hollywood Musical (Manchester: Manchester University Press)
Baker, Simon, Shoair Mavlian, Newell Harbin, Elton John, and Tate Modern (Gallery). 2016. The Radical Eye: Modernist Photography from the Sir Elton John Collection (London: Tate Publishing)
Balio, Tino. 1995. Grand Design: Hollywood as a Modern Business Enterprise, 1930-1939 (Berkeley: University of California Press)
Balio, Tino and ebrary, Inc. 1985. The American Film Industry, Rev. ed (Madison, Wis: University of Wisconsin Press) <https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=3445105>
Barsam, Richard Meran, and Dave Monahan. 2015. Looking at Movies: An Introduction to Film, 5th ed (New York: W.W. Norton & Company)
Belton, John. 1992. Widescreen Cinema (Cambridge, Mass: Harvard University Press)
Benjamin, Walter, Esther Leslie, and ProQuest (Firm). 2015. On Photography (London, England: Reaktion Books) <https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=4438926>
Bordwell, David. 1988. Narration in the Fiction Film (London: Routledge)
———. [n.d.]. ‘Three Dimensions of Film Narrative’, in Poetics of Cinema, pp. 1–56 <http://www.davidbordwell.net/books/poetics_03narrative.pdf>
Bordwell, David, Janet Staiger, and Kristin Thompson. 1988a. The Classical Hollywood Cinema: Film Style & Mode of Production to 1960 (London: Routledge)
———. 1988b. The Classical Hollywood Cinema: Film Style & Mode of Production to 1960 (London: Routledge)
Bordwell, David, Kristin Thompson, and Jeff Smith. 2017. Film Art: An Introduction, 11th ed (New York: McGraw-Hill Education)
Brookes, Ian. 2009. ‘The Eye of Power: POSTWAR FORDISM AND THE PANOPTIC CORPORATION IN’, Journal of Popular Film and Television, 37.4: 150–60 <https://doi.org/10.1080/01956050903227928>
Brothers, Caroline. 1997. War and Photography: A Cultural History (London: Routledge)
Brown, Martin, Baz Luhrmann, Fred Baron, Craig Pearce, Bazmark Design (Firm), and others. 2002. ‘Moulin Rouge!’ ([Los Angeles, Calif.]: Twentieth Century Fox) <https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.nottingham.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F0162EB0B%3Fbcast%3D50745328>
Butler, Jeremy G. 2012. Television: Critical Methods and Applications, 4th ed (London: Routledge) <http://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=957900>
Byars, Jackie. 1991. All That Hollywood Allows: Re-Reading Gender in 1950s Melodrama (London: Routledge)
Coen, Joel and Universal Pictures (Firm). 2001. ‘O Brother, Where Art Thou?’ ([London?]: Momentum Pictures) <https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.nottingham.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F001FF6A5%3Fbcast%3D3018768>
Cohan, Steven. 2002. Hollywood Musicals: The Film Reader (London: Routledge)
Cook, David A. 2016a. A History of Narrative Film, 5th ed (New York: W.W. Norton & Company)
———. 2016b. A History of Narrative Film, 5th ed (New York: W.W. Norton & Company)
Du Maurier, Daphne. 2003. Rebecca (London: Virago)
Dunleavy, Trisha. 2009. Television Drama: Form, Agency, Innovation (Basingstoke: Palgrave Macmillan)
Eisenstein, Sergei, Grigoriĭ Vasilʹevich Aleksandrov, Aleksandr Pavlovich Antonov, Dmitriĭ Dmitrievich Shostakovich, Vladmir Barskiĭ, and others. 2000. ‘The Battleship Potemkin’ ([London?]: Eureka Video) <https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.nottingham.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F01FCF8C0%3Fbcast%3D99885053>
Fabe, Marilyn. 2004. ‘The Art of Montage: Sergei Eisenstein’s Battleship Potemkin’, in Closely Watched Films: An Introduction to the Art of Narrative Film Technique (Oakland, California: University of California Press) <https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=1711019>
Fabe, Marilyn and ebrary. 2004. Closely Watched Films: An Introduction to the Art of Narrative Film Technique (Oakland, California: University of California Press) <https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=1711019>
Fauer, Jon. 2008. Cinematographer Style: The Complete Interviews (Hollywood, Calif: American Society of Cinematographers)
Feuer, Jane. 1993. The Hollywood Musical, 2nd ed (Bloomington: Indiana University Press)
‘Filmsite Move Review: Citizen Kane’. [n.d.]. <https://www.filmsite.org/citi.html>
Geiger, Jeffrey, and R. L. Rutsky. 2013. Film Analysis: A Norton Reader, 2nd ed (New York: W.W. Norton)
Gledhill, Christine and British Film Institute. 1987. Home Is Where the Heart Is: Studies in Melodrama and the Woman’s Film (London: British Film Institute)
Gomery, Douglas and British Film Institute. 2005. The Hollywood Studio System: A History (London: BFI Publishing)
Grant, Barry Keith. 2008. Auteurs and Authorship: A Film Reader (Malden, Mass: Blackwell Publishing)
Grant, Barry Keith and ebrary, Inc. 2012. Film Genre Reader IV (Austin, Tex: University of Texas Press) <https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=3443619>
Gray, Hugh. 1960. ‘The Ontology of the Photographic Image’, Film Quarterly, 13.4: 4–9 <https://doi.org/10.2307/1210183>
Gunning, Tom. 1991. D.W. Griffith and the Origins of American Narrative Film: The Early Years at Biograph (Urbana: University of Illinois Press)
Hanson, Helen. 2007a. Hollywood Heroines: Women in Film Noir and the Female Gothic Film (London: I.B. Tauris)
———. 2007b. ‘Narrative Journeys of the Female Gothic Heroine’, in Hollywood Heroines : Women in Film Noir and the Female Gothic Film (I.B.Tauris), pp. 63–96
Hitchcock, Alfred, David O. Selznick, Daphne Du Maurier, and FremantleMedia. 2007. ‘Rebecca’ ([S.l.]: FremantleMedia) <https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.nottingham.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F000B52ED%3Fbcast%3D131653129>
Hopkins, Lisa and ebrary, Inc. 2005. Screening the Gothic, 1st ed (Austin, TX: University of Texas Press) <https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=3443053>
Hubbert, Julie. 2011. ‘The Recession Soundtrack: From Albums to Auteurs, Songs to Serialism (1960-1977)’, in Celluloid Symphonies: Texts and Contexts in Film Music History, 1st ed (Berkeley: University of California Press), pp. 289–314 <https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=646810>
Jelavich, Peter and ebrary, Inc. 1996. Berlin Cabaret, 1st Harvard Univeristy Press pbk. ed (Cambridge, MA: Harvard University Press) <https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=3300725>
Kael, Pauline. [n.d.]. ‘Raising Kane—I | The New Yorker’ <https://www.newyorker.com/magazine/1971/02/20/raising-kane-i>
Kael, Pauline and British Film Institute. 2002. Raising Kane (London: Methuen Publishing)
Kawin, Bruce F. 1992. How Movies Work (Berkeley: University of California Press)
Keating, Patrick. 2010. Hollywood Lighting from the Silent Era to Film Noir (New York: Columbia University Press)
——— (ed.). 2014. Cinematography (New Brunswick, New Jersey: Rutgers University Press), iii
Kessler, Kelly. 2010. Destabilizing the Hollywood Musical: Music, Masculinity and Mayhem (Basingstoke, Hampshire: Palgrave Macmillan)
Kinder, Marsha. 2002. ‘Moulin Rouge’, Film Quarterly, 55.3: 52–59 <https://doi.org/10.1525/fq.2002.55.3.52>
Kirby, Tim, Chris Rodley, Deborah Lee, 2 Entertain Video (Firm), and British Broadcasting Corporation. 2009. ‘The Genius of Photography’ (London: 2 entertain Video) <https://learningonscreen.ac.uk/ondemand/playlists/349429>
Kirkegaard, Jonas Varsted. 2004. ‘Preston Sturges • Great Director Profile • Senses of Cinema’ <http://sensesofcinema.com/2004/great-directors/sturges/>
Klinger, Barbara. 1994. Melodrama and Meaning: History, Culture, and the Films of Douglas Sirk (Bloomington: Indiana University Press)
Landy, Marcia. 1991. Imitations of Life: A Reader on Film and Television Melodrama (Detroit: Wayne State University Press)
Langford, Barry. 2010a. ‘Introduction’, in Post-Classical Hollywood: Film Industry, Style and Ideology since 1945, 1st ed (Edinburgh: Edinburgh University Press), pp. xi–xviii <https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=615832>
———. 2010b. ‘Part 1: Hollywood in Transition’, in Post-Classical Hollywood: Film Industry, Style and Ideology since 1945, 1st ed (Edinburgh: Edinburgh University Press), pp. 1–95 <https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=615832>
Le Fanu, Mark. 1998. ‘On Editing’, POV, 6: 5–19 <http://pov.imv.au.dk/Issue_06/section_1/artc1A.html>
Liman, Doug, Patrick Crowley, Richard N. Gladstein, Tony Gilroy, William Blake Herron, and others. 2004. ‘The Bourne Identity’ (Universal City, Calif: Universal) <https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.nottingham.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F004CB0E1%3Fbcast%3D135977631>
Lisa Kernan. 2004. Coming Attractions : Reading American Movie Trailers (University of Texas Press) <https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=3443122>
Maltby, Richard. 2003. Hollywood Cinema, 2nd ed (Malden, Mass: Blackwell Publishing)
Marshall, Bill, and Robynn Jeananne Stilwell. 2000. Musicals: Hollywood and Beyond (Exeter: Intellect)
McCullin, Don, and Susan Sontag. 2003. Don McCullin (London: Jonathan Cape)
Mercer, John, and Martin Shingler. 2004. Melodrama: Genre, Style, Sensibility (London: Wallflower)
Monaco, James. 2009. How to Read a Film: Movies, Media, and beyond : Art, Technology, Language, History, Theory, 4th ed., completely rev. and expanded (New York: Oxford University Press)
Mundy, John. 1999. Popular Music on Screen: From the Hollywood Musical to Music Video (Manchester: Manchester University Press)
Neale, Stephen. 2000. Genre and Hollywood (London: Routledge) <http://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=240335>
———. 2002. Genre and Contemporary Hollywood (London: British Film Institute)
Neale, Stephen and MyiLibrary. 2012. The Classical Hollywood Reader (London: Routledge) <https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=1075077>
Neale, Steve. 2015. ‘Gestures, Movements and Actions in Rio Bravo’, in Howard Hawks: New Perspectives (London: BFI), pp. 110–21
Netburn, Stephen, Frederick Greene, Michael Shapiro, and Andrew J. Kuehn Jr. Foundation. 2005. ‘Coming Attractions: A History of the Movie Trailer’ (Laguna Beach, Calif: Andrew J. Kuehn Jr. Foundation)
Perkins, V. F. 1972. Film as Film: Understanding and Judging Movies (Harmondsworth: Penguin)
Perkins, V.F. 2006. ‘Moments of Choice’, Rouge 9 <http://www.rouge.com.au/9/moments_choice.html>
Philip Booth. 2007. ‘Hemingway’s “The Killers” and Heroic Fatalism: From Page to Screen (Thrice)’, Literature/Film Quarterly, 35.1 <https://bit.ly/2B4WC0l>
Ray, Nicholas, David Weisbart, Stewart Stern, James Dean, Natalie Wood, and others. 2000. ‘Rebel without a Cause’ ([London]: Warner Home Video) <https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.nottingham.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F000C8F9C%3Fbcast%3D46695138>
Ryall, Tom. 2015. ‘Hawks and the Western’, in Howard Hawks: New Perspectives (London: BFI), pp. 97–109
Ryan, David C. [n.d.]. ‘Dreams of Postmodernism and Thoughts of Mortality: A Twenty-Fifth Anniversary Retrospective of Blade Runner’, Senses of Cinema <http://sensesofcinema.com/2007/feature-articles/blade-runner/>
Salt, Barry. 2009. Film Style and Technology: History and Analysis, 3rd ed (London: Starword)
Schatz, Thomas. 1997. Boom and Bust: The American Cinema in the 1940s (New York: Charles Scribner’s Sons)
———. 1998. The Genius of the System: Hollywood Filmmaking in the Studio Era (London: Faber and Faber)
Scheibel, Will. 2016. ‘Rebel Masculinities of Star/Director/Text: James Dean, Nicholas Ray, And’, Journal of Gender Studies, 25.2: 125–40 <https://doi.org/10.1080/09589236.2014.916203>
Scott, Ridley, Hampton Fancher, David Webb Peoples, Jerry Perenchio, Harrison Ford, and others. 2007. ‘Blade Runner: The Final Cut’ ([London?]: Warner Home Video) <https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.nottingham.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F0002E219%3Fbcast%3D55376018>
Sirk, Douglas. 2007. ‘Directed by Douglas Sirk’ ([London]: Universal Studios)
Sirk, Douglas, and Jon Halliday. 1971. Sirk on Sirk: Interviews with Jon Halliday (London: Secker and Warburg in association with the British Film Institute)
Sirk, Douglas and Universal Pictures Company. 2007. ‘All That Heaven Allows’, Directed by Douglas Sirk ([London]: Universal Studios) <https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.nottingham.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F00199901%3Fbcast%3D98655032>
Sontag, Susan. 1979. On Photography (Harmondsworth: Penguin)
Staiger, Janet. 1995. The Studio System (New Brunswick, N.J.: Rutgers University Press)
Sturges, Preston, Paramount Publix Corporation, and Universal Studios Home Video (Firm). 2005. ‘Sullivan’s Travels’ (Universal City, Calif: Universal Studios Home Video)
Taylor, Richard. 2014. ‘Production History’, in Battleship Potemkin : The Film Companion, 1st edn (I.B.Tauris), pp. 1–13
Thompson, Kristin, and David Bordwell. 2010. Film History: An Introduction, 3rd ed., International ed (Boston, N.Y.: McGraw-Hill Higher Education)
Welles, Orson, Universal Pictures (UK) Ltd, and RKO Radio Pictures. 2003. ‘Citizen Kane’ ([London]: Universal Pictures (U.K.)) <https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.nottingham.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F01787544%3Fbcast%3D120790147>
Wells, Liz and MyiLibrary. 2015. Photography: A Critical Introduction, 5th ed (London: Routledge) <https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=1968918>
Wilder, Billy, I. A. L. Diamond, Adolph Deutsch, Jack Lemmon, Shirley MacLaine, and others. 2001. ‘The Apartment’ ([London?]: MGM Home Entertainment)
