Bibliography for Reading Film and Television (CULT1029) (W51240) (CULT1028) (W51241) BETA

Adams, J. and ProQuest (Firm) (2015) ‘O Brother, Where Art Thou? The Hayseed Epic’, in The cinema of the Coen brothers: hard-boiled entertainments. London, [England]: Wallflower Press, pp. 148–161. Available at: https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=1980197.

All that mise en scène allows: Douglas Sirk’s expressive use of gesture (no date) BFI Sight & Sound. Available at: http://www.bfi.org.uk/news-opinion/sight-sound-magazine/comment/bradlands/all-heaven-allows-douglas-sirk-mise-en-scene.

Allen, R.C. and Gomery, D. (1985) Film history: theory and practice. Boston, Mass: McGraw-Hill.

Altman, R. and British Film Institute (1999) Film/genre. London: BFI.

Babington, B. and Evans, P.W. (1985) Blue skies and silver linings: aspects of the Hollywood musical. Manchester: Manchester University Press.

Baker, S. et al. (2016) The radical eye: modernist photography from the Sir Elton John Collection. London: Tate Publishing.

Balio, T. (1995) Grand design: Hollywood as a modern business enterprise, 1930-1939. Berkeley: University of California Press.

Balio, T. and ebrary, Inc (1985) The American film industry [electronic resource]. Rev. ed. Madison, Wis: University of Wisconsin Press. Available at: https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=3445105.

Barsam, R.M. and Monahan, D. (2015) Looking at movies: an introduction to film. 5th ed. New York: W.W. Norton & Company.

Belton, J. (1992) Widescreen cinema. Cambridge, Mass: Harvard University Press.

Benjamin, W., Leslie, E., and ProQuest (Firm) (2015) On photography. London, England: Reaktion Books. Available at: https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=4438926.

Bordwell, D. (1988) Narration in the fiction film. London: Routledge.

Bordwell, D. (no date) ‘Three Dimensions of Film Narrative’, in Poetics of Cinema, pp. 1–56. Available at: http://www.davidbordwell.net/books/poetics_03narrative.pdf.

Bordwell, D., Staiger, J. and Thompson, K. (1988a) The classical Hollywood cinema: film style & mode of production to 1960. London: Routledge.

Bordwell, D., Staiger, J. and Thompson, K. (1988b) The classical Hollywood cinema: film style & mode of production to 1960. London: Routledge.

Bordwell, D., Thompson, K. and Smith, J. (2017) Film art: an introduction. 11th ed. New York: McGraw-Hill Education.

Brookes, I. (2009) ‘The Eye of Power: POSTWAR FORDISM AND THE PANOPTIC CORPORATION IN’, Journal of Popular Film and Television, 37(4), pp. 150–160. Available at: https://doi.org/10.1080/01956050903227928.

Brothers, C. (1997) War and photography: a cultural history. London: Routledge.

Brown, M. et al. (2002) ‘Moulin Rouge!’ [Los Angeles, Calif.]: Twentieth Century Fox. Available at: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.nottingham.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F0162EB0B%3Fbcast%3D50745328.

Butler, J.G. (2012) Television: critical methods and applications [electronic resource]. 4th ed. London: Routledge. Available at: http://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=957900.

Byars, J. (1991) All that Hollywood allows: re-reading gender in 1950s melodrama. London: Routledge.

Coen, J. and Universal Pictures (Firm) (2001) ‘O brother, where art thou?’ [London?]: Momentum Pictures. Available at: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.nottingham.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F001FF6A5%3Fbcast%3D3018768.

Cohan, S. (2002) Hollywood musicals: the film reader. London: Routledge.

Cook, D.A. (2016a) A history of narrative film. 5th ed. New York: W.W. Norton & Company.

Cook, D.A. (2016b) A history of narrative film. 5th ed. New York: W.W. Norton & Company.

Du Maurier, D. (2003) Rebecca. London: Virago.

Dunleavy, T. (2009) Television drama: form, agency, innovation. Basingstoke: Palgrave Macmillan.

Eisenstein, S. et al. (2000) ‘The Battleship Potemkin’. [London?]: Eureka Video. Available at: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.nottingham.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F01FCF8C0%3Fbcast%3D99885053.

Fabe, M. (2004) ‘The Art of Montage: Sergei Eisenstein’s Battleship Potemkin’, in Closely watched films: an introduction to the art of narrative film technique. Oakland, California: University of California Press. Available at: https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=1711019.

Fabe, M. and ebrary (2004) Closely watched films: an introduction to the art of narrative film technique. Oakland, California: University of California Press. Available at: https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=1711019.

Fauer, J. (2008) Cinematographer style: the complete interviews. Hollywood, Calif: American Society of Cinematographers.

Feuer, J. (1993) The Hollywood musical. 2nd ed. Bloomington: Indiana University Press.

Filmsite Move Review: Citizen Kane (no date). Available at: https://www.filmsite.org/citi.html.

Geiger, J. and Rutsky, R.L. (2013) Film analysis: a Norton reader. 2nd ed. New York: W.W. Norton.

Gledhill, C. and British Film Institute (1987) Home is where the heart is: studies in melodrama and the woman’s film. London: British Film Institute.

Gomery, D. and British Film Institute (2005) The Hollywood studio system: a history. London: BFI Publishing.

Grant, B.K. (2008) Auteurs and authorship: a film reader. Malden, Mass: Blackwell Publishing.

Grant, B.K. and ebrary, Inc (2012) Film genre reader IV [electronic resource]. Austin, Tex: University of Texas Press. Available at: https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=3443619.

Gray, H. (1960) ‘The Ontology of the Photographic Image’, Film Quarterly, 13(4), pp. 4–9. Available at: https://doi.org/10.2307/1210183.

Gunning, T. (1991) D.W. Griffith and the origins of American narrative film: the early years at Biograph. Urbana: University of Illinois Press.

Hanson, H. (2007a) Hollywood heroines: women in film noir and the female gothic film. London: I.B. Tauris.

Hanson, H. (2007b) ‘Narrative Journeys of the Female Gothic Heroine’, in Hollywood Heroines : Women in Film Noir and the Female Gothic Film. I.B.Tauris, pp. 63–96.

Hitchcock, A. et al. (2007) ‘Rebecca’. [S.l.]: FremantleMedia. Available at: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.nottingham.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F000B52ED%3Fbcast%3D131653129.

Hopkins, L. and ebrary, Inc (2005) Screening the gothic [electronic resource]. 1st ed. Austin, TX: University of Texas Press. Available at: https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=3443053.

Hubbert, J. (2011) ‘The Recession Soundtrack: From Albums to Auteurs, Songs to Serialism (1960-1977)’, in Celluloid Symphonies: Texts and Contexts in Film Music History. 1st ed. Berkeley: University of California Press, pp. 289–314. Available at: https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=646810.

Jelavich, P. and ebrary, Inc (1996) Berlin cabaret [electronic resource]. 1st Harvard Univeristy Press pbk. ed. Cambridge, MA: Harvard University Press. Available at: https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=3300725.

Kael, P. (no date) Raising Kane—I | The New Yorker. Available at: https://www.newyorker.com/magazine/1971/02/20/raising-kane-i.

Kael, P. and British Film Institute (2002) Raising Kane. London: Methuen Publishing.

Kawin, B.F. (1992) How movies work. Berkeley: University of California Press.

Keating, P. (2010) Hollywood lighting from the silent era to film noir. New York: Columbia University Press.

Keating, P. (ed.) (2014) Cinematography. New Brunswick, New Jersey: Rutgers University Press.

Kessler, K. (2010) Destabilizing the Hollywood musical: music, masculinity and mayhem. Basingstoke, Hampshire: Palgrave Macmillan.

Kinder, M. (2002) ‘Moulin Rouge’, Film Quarterly, 55(3), pp. 52–59. Available at: https://doi.org/10.1525/fq.2002.55.3.52.

Kirby, T. et al. (2009) ‘The genius of photography’. London: 2 entertain Video. Available at: https://learningonscreen.ac.uk/ondemand/playlists/349429.

Kirkegaard, J.V. (2004) Preston Sturges • Great Director profile • Senses of Cinema. Available at: http://sensesofcinema.com/2004/great-directors/sturges/.

Klinger, B. (1994) Melodrama and meaning: history, culture, and the films of Douglas Sirk. Bloomington: Indiana University Press.

Landy, M. (1991) Imitations of life: a reader on film and television melodrama. Detroit: Wayne State University Press.

Langford, B. (2010a) ‘Introduction’, in Post-Classical Hollywood: Film Industry, Style and Ideology since 1945. 1st ed. Edinburgh: Edinburgh University Press, pp. xi–xviii. Available at: https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=615832.

Langford, B. (2010b) ‘Part 1: Hollywood in Transition’, in Post-Classical Hollywood: Film Industry, Style and Ideology since 1945. 1st ed. Edinburgh: Edinburgh University Press, pp. 1–95. Available at: https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=615832.

Le Fanu, M. (1998) ‘On Editing’, POV, 6, pp. 5–19. Available at: http://pov.imv.au.dk/Issue_06/section_1/artc1A.html.

Liman, D. et al. (2004) ‘The Bourne identity’. Universal City, Calif: Universal. Available at: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.nottingham.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F004CB0E1%3Fbcast%3D135977631.

Lisa Kernan (2004) Coming Attractions : Reading American Movie Trailers. University of Texas Press. Available at: https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=3443122.

Maltby, R. (2003) Hollywood cinema. 2nd ed. Malden, Mass: Blackwell Publishing.

Marshall, B. and Stilwell, R.J. (2000) Musicals: Hollywood and beyond. Exeter: Intellect.

McCullin, D. and Sontag, S. (2003) Don McCullin. London: Jonathan Cape.

Mercer, J. and Shingler, M. (2004) Melodrama: genre, style, sensibility. London: Wallflower.

Monaco, J. (2009) How to read a film: movies, media, and beyond : art, technology, language, history, theory. 4th ed., completely rev. and expanded. New York: Oxford University Press.

Mundy, J. (1999) Popular music on screen: from the Hollywood musical to music video. Manchester: Manchester University Press.

Neale, S. (2000) Genre and Hollywood. London: Routledge. Available at: http://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=240335.

Neale, S. (2002) Genre and contemporary Hollywood. London: British Film Institute.

Neale, S. (2015) ‘Gestures, Movements and Actions in Rio Bravo’, in Howard Hawks: new perspectives. London: BFI, pp. 110–121.

Neale, S. and MyiLibrary (2012) The classical Hollywood reader [electronic resource]. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=1075077.

Netburn, S. et al. (2005) ‘Coming attractions: a history of the movie trailer’. Laguna Beach, Calif: Andrew J. Kuehn Jr. Foundation.

Perkins, V.F. (1972) Film as film: understanding and judging movies. Harmondsworth: Penguin.

Perkins, V.F. (2006) ‘Moments of Choice’, Rouge 9 [Preprint]. Available at: http://www.rouge.com.au/9/moments_choice.html.

Philip Booth (2007) ‘Hemingway’s “The Killers” and Heroic Fatalism: From Page to Screen (Thrice)’, Literature/Film Quarterly, 35(1). Available at: https://bit.ly/2B4WC0l.

Ray, N. et al. (2000) ‘Rebel without a cause’. [London]: Warner Home Video. Available at: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.nottingham.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F000C8F9C%3Fbcast%3D46695138.

Ryall, T. (2015) ‘Hawks and the Western’, in Howard Hawks: new perspectives. London: BFI, pp. 97–109.

Ryan, D.C. (no date) Dreams of Postmodernism and Thoughts of Mortality: A Twenty-Fifth Anniversary Retrospective of Blade Runner, Senses of Cinema. Available at: http://sensesofcinema.com/2007/feature-articles/blade-runner/.

Salt, B. (2009) Film style and technology: history and analysis. 3rd ed. London: Starword.

Schatz, T. (1997) Boom and bust: the American cinema in the 1940s. New York: Charles Scribner’s Sons.

Schatz, T. (1998) The genius of the system: Hollywood filmmaking in the studio era. London: Faber and Faber.

Scheibel, W. (2016) ‘Rebel masculinities of star/director/text: James Dean, Nicholas Ray, and’, Journal of Gender Studies, 25(2), pp. 125–140. Available at: https://doi.org/10.1080/09589236.2014.916203.

Scott, R. et al. (2007) ‘Blade runner: the final cut’. [London?]: Warner Home Video. Available at: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.nottingham.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F0002E219%3Fbcast%3D55376018.

Sirk, D. (2007) ‘Directed by Douglas Sirk’. [London]: Universal Studios.

Sirk, D. and Halliday, J. (1971) Sirk on Sirk: interviews with Jon Halliday. London: Secker and Warburg in association with the British Film Institute.

Sirk, D. and Universal Pictures Company (2007) ‘All that heaven allows’, Directed by Douglas Sirk. [London]: Universal Studios. Available at: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.nottingham.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F00199901%3Fbcast%3D98655032.

Sontag, S. (1979) On photography. Harmondsworth: Penguin.

Staiger, J. (1995) The studio system. New Brunswick, N.J.: Rutgers University Press.

Sturges, P., Paramount Publix Corporation, and Universal Studios Home Video (Firm) (2005) ‘Sullivan’s travels’. Universal City, Calif: Universal Studios Home Video.

Taylor, R. (2014) ‘Production History’, in Battleship Potemkin : The Film Companion. 1st edn. I.B.Tauris, pp. 1–13.

Thompson, K. and Bordwell, D. (2010) Film history: an introduction. 3rd ed., International ed. Boston, N.Y.: McGraw-Hill Higher Education.

Welles, O., Universal Pictures (UK) Ltd, and RKO Radio Pictures (2003) ‘Citizen Kane’. [London]: Universal Pictures (U.K.). Available at: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.nottingham.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F01787544%3Fbcast%3D120790147.

Wells, L. and MyiLibrary (2015) Photography: a critical introduction [electronic resource]. 5th ed. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=1968918.

Wilder, B. et al. (2001) ‘The apartment’. [London?]: MGM Home Entertainment.