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Allen RC, Gomery D. Film history: theory and practice. Boston, Mass: : McGraw-Hill 1985.
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Barsam RM, Monahan D. Looking at movies: an introduction to film. 5th ed. New York: : W.W. Norton & Company 2015.
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Bordwell D, Staiger J, Thompson K. The classical Hollywood cinema: film style & mode of production to 1960. London: : Routledge 1988.
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Bordwell D, Thompson K, Smith J. Film art: an introduction. 11th ed. New York: : McGraw-Hill Education 2017.
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Thompson K, Bordwell D. Film history: an introduction. 3rd ed., International ed. Boston, N.Y.: : McGraw-Hill Higher Education 2010.
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Butler JG. Television: critical methods and applications. 4th ed. London: : Routledge 2012. http://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=957900
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Cook DA. A history of narrative film. 5th ed. New York: : W.W. Norton & Company 2016.
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Dunleavy T. Television drama: form, agency, innovation. Basingstoke: : Palgrave Macmillan 2009.
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Monaco J. How to read a film: movies, media, and beyond : art, technology, language, history, theory. 4th ed., completely rev. and expanded. New York: : Oxford University Press 2009.
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Perkins VF. Film as film: understanding and judging movies. Harmondsworth: : Penguin 1972.
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Salt B. Film style and technology: history and analysis. 3rd ed. London: : Starword 2009.
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Sturges P, Paramount Publix Corporation, Universal Studios Home Video (Firm). Sullivan’s travels. 2005.
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Balio T, ebrary, Inc. The American film industry. Rev. ed. Madison, Wis: : University of Wisconsin Press 1985. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=3445105
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Balio T. Grand design: Hollywood as a modern business enterprise, 1930-1939. Berkeley: : University of California Press 1995.
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Bordwell D, Staiger J, Thompson K. The classical Hollywood cinema: film style & mode of production to 1960. London: : Routledge 1988.
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Gomery D, British Film Institute. The Hollywood studio system: a history. London: : BFI Publishing 2005.
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Maltby R. Hollywood cinema. 2nd ed. Malden, Mass: : Blackwell Publishing 2003.
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Neale S, MyiLibrary. The classical Hollywood reader. London: : Routledge 2012. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=1075077
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Schatz T. Boom and bust: the American cinema in the 1940s. New York: : Charles Scribner’s Sons 1997.
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Schatz T. The genius of the system: Hollywood filmmaking in the studio era. London: : Faber and Faber 1998.
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Staiger J. The studio system. New Brunswick, N.J.: : Rutgers University Press 1995.
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Gray H. The Ontology of the Photographic Image. Film Quarterly 1960;13:4–9. doi:10.2307/1210183
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Baker S, Mavlian S, Harbin N, et al. The radical eye: modernist photography from the Sir Elton John Collection. London: : Tate Publishing 2016.
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Benjamin W, Leslie E, ProQuest (Firm). On photography. London, England: : Reaktion Books 2015. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=4438926
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Brothers C. War and photography: a cultural history. London: : Routledge 1997.
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McCullin D, Sontag S. Don McCullin. London: : Jonathan Cape 2003.
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Sontag S. On photography. Harmondsworth: : Penguin 1979.
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Wells L, MyiLibrary. Photography: a critical introduction. 5th ed. London: : Routledge 2015. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=1968918
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Kirby T, Rodley C, Lee D, et al. The genius of photography. 2009.https://learningonscreen.ac.uk/ondemand/playlists/349429
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Perkins VF. Moments of Choice. Rouge 9 Published Online First: 2006.http://www.rouge.com.au/9/moments_choice.html
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Belton J. Widescreen cinema. Cambridge, Mass: : Harvard University Press 1992.
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Fauer J. Cinematographer style: the complete interviews. Hollywood, Calif: : American Society of Cinematographers 2008.
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Keating P, editor. Cinematography. New Brunswick, New Jersey: : Rutgers University Press 2014.
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Keating P. Hollywood lighting from the silent era to film noir. New York: : Columbia University Press 2010.
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Liman D, Crowley P, Gladstein RN, et al. The Bourne identity. 2004.https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.nottingham.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F004CB0E1%3Fbcast%3D135977631
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Bordwell D. Three Dimensions of Film Narrative. In: Poetics of Cinema.1–56.http://www.davidbordwell.net/books/poetics_03narrative.pdf
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Bordwell D. Narration in the fiction film. London: : Routledge 1988.
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Cook DA. A history of narrative film. 5th ed. New York: : W.W. Norton & Company 2016.
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Fabe M, ebrary. Closely watched films: an introduction to the art of narrative film technique. Oakland, California: : University of California Press 2004. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=1711019
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Gunning T. D.W. Griffith and the origins of American narrative film: the early years at Biograph. Urbana: : University of Illinois Press 1991.
44
Sirk D, Universal Pictures Company. All that heaven allows. Directed by Douglas Sirk. 2007.https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.nottingham.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F00199901%3Fbcast%3D98655032
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All that mise en scène allows: Douglas Sirk’s expressive use of gesture. BFI Sight & Sound. http://www.bfi.org.uk/news-opinion/sight-sound-magazine/comment/bradlands/all-heaven-allows-douglas-sirk-mise-en-scene
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Altman R, British Film Institute. Film/genre. London: : BFI 1999.
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Grant BK, ebrary, Inc. Film genre reader IV. Austin, Tex: : University of Texas Press 2012. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=3443619
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Neale S. Genre and contemporary Hollywood. London: : British Film Institute 2002.
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Neale S. Genre and Hollywood. London: : Routledge 2000. http://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=240335
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Byars J. All that Hollywood allows: re-reading gender in 1950s melodrama. London: : Routledge 1991.
51
Gledhill C, British Film Institute. Home is where the heart is: studies in melodrama and the woman’s film. London: : British Film Institute 1987.
52
Klinger B. Melodrama and meaning: history, culture, and the films of Douglas Sirk. Bloomington: : Indiana University Press 1994.
53
Landy M. Imitations of life: a reader on film and television melodrama. Detroit: : Wayne State University Press 1991.
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Mercer J, Shingler M. Melodrama: genre, style, sensibility. London: : Wallflower 2004.
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Sirk D, Halliday J. Sirk on Sirk: interviews with Jon Halliday. London: : Secker and Warburg in association with the British Film Institute 1971.
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Sirk D. Directed by Douglas Sirk. 2007.
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Brown M, Luhrmann B, Baron F, et al. Moulin Rouge! 2002.https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.nottingham.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F0162EB0B%3Fbcast%3D50745328
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Kinder M. Moulin Rouge. Film Quarterly 2002;55:52–9. doi:10.1525/fq.2002.55.3.52
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Babington B, Evans PW. Blue skies and silver linings: aspects of the Hollywood musical. Manchester: : Manchester University Press 1985.
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Cohan S. Hollywood musicals: the film reader. London: : Routledge 2002.
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Feuer J. The Hollywood musical. 2nd ed. Bloomington: : Indiana University Press 1993.
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Jelavich P, ebrary, Inc. Berlin cabaret. 1st Harvard Univeristy Press pbk. ed. Cambridge, MA: : Harvard University Press 1996. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=3300725
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Kessler K. Destabilizing the Hollywood musical: music, masculinity and mayhem. Basingstoke, Hampshire: : Palgrave Macmillan 2010.
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Marshall B, Stilwell RJ. Musicals: Hollywood and beyond. Exeter: : Intellect 2000.
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Mundy J. Popular music on screen: from the Hollywood musical to music video. Manchester: : Manchester University Press 1999.
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Hitchcock A, Selznick DO, Du Maurier D, et al. Rebecca. 2007.https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.nottingham.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F000B52ED%3Fbcast%3D131653129
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Hanson H. Narrative Journeys of the Female Gothic Heroine. In: Hollywood Heroines : Women in Film Noir and the Female Gothic Film. I.B.Tauris 2007. 63–96.
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Du Maurier D. Rebecca. London: : Virago 2003.
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Hanson H. Hollywood heroines: women in film noir and the female gothic film. London: : I.B. Tauris 2007.
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Hopkins L, ebrary, Inc. Screening the gothic. 1st ed. Austin, TX: : University of Texas Press 2005. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=3443053
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Netburn S, Greene F, Shapiro M, et al. Coming attractions: a history of the movie trailer. 2005.
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Lisa Kernan. Coming Attractions : Reading American Movie Trailers. University of Texas Press 2004. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=3443122
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Wilder B, Diamond IAL, Deutsch A, et al. The apartment. 2001.
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Langford B. Introduction. In: Post-Classical Hollywood: Film Industry, Style and Ideology since 1945. Edinburgh: : Edinburgh University Press 2010. xi–xviii.https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=615832
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Langford B. Part 1: Hollywood in Transition. In: Post-Classical Hollywood: Film Industry, Style and Ideology since 1945. Edinburgh: : Edinburgh University Press 2010. 1–95.https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=615832
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Brookes I. The Eye of Power: POSTWAR FORDISM AND THE PANOPTIC CORPORATION IN. Journal of Popular Film and Television 2009;37:150–60. doi:10.1080/01956050903227928
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Eisenstein S, Aleksandrov GV, Antonov AP, et al. The Battleship Potemkin. 2000.https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.nottingham.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F01FCF8C0%3Fbcast%3D99885053
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Le Fanu M. On Editing. POV 1998;6:5–19.http://pov.imv.au.dk/Issue_06/section_1/artc1A.html
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Fabe M. The Art of Montage: Sergei Eisenstein’s Battleship Potemkin. In: Closely watched films: an introduction to the art of narrative film technique. Oakland, California: : University of California Press 2004. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=1711019
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Taylor R. Production History. In: Battleship Potemkin : The Film Companion. I.B.Tauris 2014. 1–13.
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Scott R, Fancher H, Peoples DW, et al. Blade runner: the final cut. 2007.https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.nottingham.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F0002E219%3Fbcast%3D55376018
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Ryan DC. Dreams of Postmodernism and Thoughts of Mortality: A Twenty-Fifth Anniversary Retrospective of Blade Runner. Senses of Cinema. http://sensesofcinema.com/2007/feature-articles/blade-runner/
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Ray N, Weisbart D, Stern S, et al. Rebel without a cause. 2000.https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.nottingham.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F000C8F9C%3Fbcast%3D46695138
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Scheibel W. Rebel masculinities of star/director/text: James Dean, Nicholas Ray, and. Journal of Gender Studies 2016;25:125–40. doi:10.1080/09589236.2014.916203
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Hubbert J. The Recession Soundtrack: From Albums to Auteurs, Songs to Serialism (1960-1977). In: Celluloid Symphonies: Texts and Contexts in Film Music History. Berkeley: : University of California Press 2011. 289–314.https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=646810
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Coen J, Universal Pictures (Firm). O brother, where art thou? 2001.https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.nottingham.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F001FF6A5%3Fbcast%3D3018768
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Adams J, ProQuest (Firm). O Brother, Where Art Thou? The Hayseed Epic. In: The cinema of the Coen brothers: hard-boiled entertainments. London, [England]: : Wallflower Press 2015. 148–61.https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=1980197
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Philip Booth. Hemingway’s ‘The Killers’ and Heroic Fatalism: From Page to Screen (Thrice). Literature/Film Quarterly 2007;35.https://bit.ly/2B4WC0l
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Neale S. Gestures, Movements and Actions in Rio Bravo. In: Howard Hawks: new perspectives. London: : BFI 2015. 110–21.
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Ryall T. Hawks and the Western. In: Howard Hawks: new perspectives. London: : BFI 2015. 97–109.
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Welles O, Universal Pictures (UK) Ltd, RKO Radio Pictures. Citizen Kane. 2003.https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.nottingham.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F01787544%3Fbcast%3D120790147
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Filmsite Move Review: Citizen Kane. https://www.filmsite.org/citi.html
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Kael P. Raising Kane—I | The New Yorker. https://www.newyorker.com/magazine/1971/02/20/raising-kane-i
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Kael P, British Film Institute. Raising Kane. London: : Methuen Publishing 2002.
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Grant BK. Auteurs and authorship: a film reader. Malden, Mass: : Blackwell Publishing 2008.
