Adams J and ProQuest (Firm), ‘O Brother, Where Art Thou? The Hayseed Epic’, The cinema of the Coen brothers: hard-boiled entertainments, vol Directors’ Cuts (Wallflower Press 2015) <https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=1980197>
‘All That Mise En Scène Allows: Douglas Sirk’s Expressive Use of Gesture’ (BFI Sight & Sound) <http://www.bfi.org.uk/news-opinion/sight-sound-magazine/comment/bradlands/all-heaven-allows-douglas-sirk-mise-en-scene>
Allen RC and Gomery D, Film History: Theory and Practice (McGraw-Hill 1985)
Altman R and British Film Institute, Film/Genre (BFI 1999)
Babington B and Evans PW, Blue Skies and Silver Linings: Aspects of the Hollywood Musical (Manchester University Press 1985)
Baker S and others, The Radical Eye: Modernist Photography from the Sir Elton John Collection (Tate Publishing 2016)
Balio T, Grand Design: Hollywood as a Modern Business Enterprise, 1930-1939, vol History of the American cinema (University of California Press 1995)
Balio T and ebrary, Inc, The American Film Industry (Rev ed, University of Wisconsin Press 1985) <https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=3445105>
Barsam RM and Monahan D, Looking at Movies: An Introduction to Film (5th ed, WW Norton & Company 2015)
Belton J, Widescreen Cinema (Harvard University Press 1992)
Benjamin W, Leslie E, and ProQuest (Firm), On Photography (Reaktion Books 2015) <https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=4438926>
Bordwell D, Narration in the Fiction Film (Routledge 1988)
——, ‘Three Dimensions of Film Narrative’, Poetics of Cinema <http://www.davidbordwell.net/books/poetics_03narrative.pdf>
Bordwell D, Staiger J and Thompson K, The Classical Hollywood Cinema: Film Style & Mode of Production to 1960 (Routledge 1988)
——, The Classical Hollywood Cinema: Film Style & Mode of Production to 1960 (Routledge 1988)
Bordwell D, Thompson K and Smith J, Film Art: An Introduction (11th ed, McGraw-Hill Education 2017)
Brookes I, ‘The Eye of Power: POSTWAR FORDISM AND THE PANOPTIC CORPORATION IN’ (2009) 37 Journal of Popular Film and Television 150
Brothers C, War and Photography: A Cultural History (Routledge 1997)
Brown M and others, ‘Moulin Rouge!’ <https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.nottingham.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F0162EB0B%3Fbcast%3D50745328>
Butler JG, Television: Critical Methods and Applications (4th ed, Routledge 2012) <http://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=957900>
Byars J, All That Hollywood Allows: Re-Reading Gender in 1950s Melodrama (Routledge 1991)
Coen J and Universal Pictures (Firm), ‘O Brother, Where Art Thou?’ <https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.nottingham.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F001FF6A5%3Fbcast%3D3018768>
Cohan S, Hollywood Musicals: The Film Reader, vol In focus--Routledge film readers (Routledge 2002)
Cook DA, A History of Narrative Film (5th ed, WW Norton & Company 2016)
——, A History of Narrative Film (5th ed, WW Norton & Company 2016)
Du Maurier D, Rebecca, vol Virago modern classics (Virago 2003)
Dunleavy T, Television Drama: Form, Agency, Innovation (Palgrave Macmillan 2009)
Eisenstein S and others, ‘The Battleship Potemkin’ <https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.nottingham.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F01FCF8C0%3Fbcast%3D99885053>
Fabe M, ‘The Art of Montage: Sergei Eisenstein’s Battleship Potemkin’, Closely watched films: an introduction to the art of narrative film technique (University of California Press 2004) <https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=1711019>
Fabe M and ebrary, Closely Watched Films: An Introduction to the Art of Narrative Film Technique (University of California Press 2004) <https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=1711019>
Fauer J, Cinematographer Style: The Complete Interviews (American Society of Cinematographers 2008)
Feuer J, The Hollywood Musical (2nd ed, Indiana University Press 1993)
‘Filmsite Move Review: Citizen Kane’ <https://www.filmsite.org/citi.html>
Geiger J and Rutsky RL, Film Analysis: A Norton Reader (2nd ed, WW Norton 2013)
Gledhill C and British Film Institute, Home Is Where the Heart Is: Studies in Melodrama and the Woman’s Film (British Film Institute 1987)
Gomery D and British Film Institute, The Hollywood Studio System: A History (BFI Publishing 2005)
Grant BK, Auteurs and Authorship: A Film Reader (Blackwell Publishing 2008)
Grant BK and ebrary, Inc, Film Genre Reader IV (University of Texas Press 2012) <https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=3443619>
Gray H, ‘The Ontology of the Photographic Image’ (1960) 13 Film Quarterly 4
Gunning T, D.W. Griffith and the Origins of American Narrative Film: The Early Years at Biograph (University of Illinois Press 1991)
Hanson H, Hollywood Heroines: Women in Film Noir and the Female Gothic Film (IB Tauris 2007)
——, ‘Narrative Journeys of the Female Gothic Heroine’, Hollywood Heroines : Women in Film Noir and the Female Gothic Film (IBTauris 2007)
Hitchcock A and others, ‘Rebecca’ <https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.nottingham.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F000B52ED%3Fbcast%3D131653129>
Hopkins L and ebrary, Inc, Screening the Gothic (1st ed, University of Texas Press 2005) <https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=3443053>
Hubbert J, ‘The Recession Soundtrack: From Albums to Auteurs, Songs to Serialism (1960-1977)’, Celluloid Symphonies: Texts and Contexts in Film Music History (1st ed, University of California Press 2011) <https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=646810>
Jelavich P and ebrary, Inc, Berlin Cabaret, vol Studies in cultural history (1st Harvard Univeristy Press pbk. ed, Harvard University Press 1996) <https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=3300725>
Kael P, ‘Raising Kane—I | The New Yorker’ <https://www.newyorker.com/magazine/1971/02/20/raising-kane-i>
Kael P and British Film Institute, Raising Kane (Methuen Publishing 2002)
Kawin BF, How Movies Work (University of California Press 1992)
Keating P, Hollywood Lighting from the Silent Era to Film Noir, vol Film and culture (Columbia University Press 2010)
—— (ed), Cinematography, vol 3 (Rutgers University Press 2014)
Kessler K, Destabilizing the Hollywood Musical: Music, Masculinity and Mayhem (Palgrave Macmillan 2010)
Kinder M, ‘Moulin Rouge’ (2002) 55 Film Quarterly 52
Kirby T and others, ‘The Genius of Photography’ <https://learningonscreen.ac.uk/ondemand/playlists/349429>
Kirkegaard JV, ‘Preston Sturges • Great Director Profile • Senses of Cinema’ (2004) <http://sensesofcinema.com/2004/great-directors/sturges/>
Klinger B, Melodrama and Meaning: History, Culture, and the Films of Douglas Sirk (Indiana University Press 1994)
Landy M, Imitations of Life: A Reader on Film and Television Melodrama, vol Contemporary film and television series (Wayne State University Press 1991)
Langford B, ‘Introduction’, Post-Classical Hollywood: Film Industry, Style and Ideology since 1945 (1st ed, Edinburgh University Press 2010) <https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=615832>
——, ‘Part 1: Hollywood in Transition’, Post-Classical Hollywood: Film Industry, Style and Ideology since 1945 (1st ed, Edinburgh University Press 2010) <https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=615832>
Le Fanu M, ‘On Editing’ (1998) 6 POV 5 <http://pov.imv.au.dk/Issue_06/section_1/artc1A.html>
Liman D and others, ‘The Bourne Identity’ <https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.nottingham.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F004CB0E1%3Fbcast%3D135977631>
Lisa Kernan, Coming Attractions : Reading American Movie Trailers (University of Texas Press 2004) <https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=3443122>
Maltby R, Hollywood Cinema (2nd ed, Blackwell Publishing 2003)
Marshall B and Stilwell RJ, Musicals: Hollywood and Beyond (Intellect 2000)
McCullin D and Sontag S, Don McCullin (Jonathan Cape 2003)
Mercer J and Shingler M, Melodrama: Genre, Style, Sensibility, vol Short cuts (Wallflower 2004)
Monaco J, How to Read a Film: Movies, Media, and beyond : Art, Technology, Language, History, Theory (4th ed., completely rev. and expanded, Oxford University Press 2009)
Mundy J, Popular Music on Screen: From the Hollywood Musical to Music Video, vol Music and society (Manchester University Press 1999)
Neale S, Genre and Hollywood (Routledge 2000) <http://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=240335>
——, Genre and Contemporary Hollywood (British Film Institute 2002)
Neale S, ‘Gestures, Movements and Actions in Rio Bravo’, Howard Hawks: new perspectives (BFI 2015)
Neale S and MyiLibrary, The Classical Hollywood Reader (Routledge 2012) <https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=1075077>
Netburn S and others, ‘Coming Attractions: A History of the Movie Trailer’
Perkins VF, Film as Film: Understanding and Judging Movies, vol Pelican original (Penguin 1972)
Perkins VF, ‘Moments of Choice’ [2006] Rouge 9 <http://www.rouge.com.au/9/moments_choice.html>
Philip Booth, ‘Hemingway’s “The Killers” and Heroic Fatalism: From Page to Screen (Thrice)’ (2007) 35 Literature/Film Quarterly <https://bit.ly/2B4WC0l>
Ray N and others, ‘Rebel without a Cause’ <https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.nottingham.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F000C8F9C%3Fbcast%3D46695138>
Ryall T, ‘Hawks and the Western’, Howard Hawks: new perspectives (BFI 2015)
Ryan DC, ‘Dreams of Postmodernism and Thoughts of Mortality: A Twenty-Fifth Anniversary Retrospective of Blade Runner’ (Senses of Cinema) <http://sensesofcinema.com/2007/feature-articles/blade-runner/>
Salt B, Film Style and Technology: History and Analysis (3rd ed, Starword 2009)
Schatz T, Boom and Bust: The American Cinema in the 1940s, vol History of the American cinema (Charles Scribner’s Sons 1997)
——, The Genius of the System: Hollywood Filmmaking in the Studio Era (Faber and Faber 1998)
Scheibel W, ‘Rebel Masculinities of Star/Director/Text: James Dean, Nicholas Ray, And’ (2016) 25 Journal of Gender Studies 125
Scott R and others, ‘Blade Runner: The Final Cut’ <https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.nottingham.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F0002E219%3Fbcast%3D55376018>
Sirk D, ‘Directed by Douglas Sirk’
Sirk D and Halliday J, Sirk on Sirk: Interviews with Jon Halliday, vol Cinema one (Secker and Warburg in association with the British Film Institute 1971)
Sirk D and Universal Pictures Company, ‘All That Heaven Allows’ <https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.nottingham.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F00199901%3Fbcast%3D98655032>
Sontag S, On Photography (Penguin 1979)
Staiger J, The Studio System, vol Rutgers depth of field series (Rutgers University Press 1995)
Sturges P, Paramount Publix Corporation, and Universal Studios Home Video (Firm), ‘Sullivan’s Travels’
Taylor R, ‘Production History’, Battleship Potemkin : The Film Companion (1st edn, IBTauris 2014)
Thompson K and Bordwell D, Film History: An Introduction (3rd ed., International ed, McGraw-Hill Higher Education 2010)
Welles O, Universal Pictures (UK) Ltd, and RKO Radio Pictures, ‘Citizen Kane’ <https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.nottingham.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F01787544%3Fbcast%3D120790147>
Wells L and MyiLibrary, Photography: A Critical Introduction (5th ed, Routledge 2015) <https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=1968918>
Wilder B and others, ‘The Apartment’
