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Gunning T. D.W. Griffith and the origins of American narrative film: the early years at Biograph. Urbana: University of Illinois Press; 1991.
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Sirk D, Universal Pictures Company. All that heaven allows [Internet]. Directed by Douglas Sirk. [London]: Universal Studios; 2007. Available from: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.nottingham.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F00199901%3Fbcast%3D98655032
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Neale S. Genre and contemporary Hollywood. London: British Film Institute; 2002.
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Byars J. All that Hollywood allows: re-reading gender in 1950s melodrama. London: Routledge; 1991.
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Kessler K. Destabilizing the Hollywood musical: music, masculinity and mayhem. Basingstoke, Hampshire: Palgrave Macmillan; 2010.
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Netburn S, Greene F, Shapiro M, Andrew J. Kuehn Jr. Foundation. Coming attractions: a history of the movie trailer. Laguna Beach, Calif: Andrew J. Kuehn Jr. Foundation; 2005.
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Wilder B, Diamond IAL, Deutsch A, Lemmon J, MacLaine S, MacMurray F, Metro-Goldwyn-Mayer, United Artists Corporation, Mirisch Company, MGM Home Entertainment Inc. The apartment. [London?]: MGM Home Entertainment; 2001.
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Langford B. Introduction. Post-Classical Hollywood: Film Industry, Style and Ideology since 1945 [Internet]. 1st ed. Edinburgh: Edinburgh University Press; 2010. p. xi–xviii. Available from: https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=615832
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Langford B. Part 1: Hollywood in Transition. Post-Classical Hollywood: Film Industry, Style and Ideology since 1945 [Internet]. 1st ed. Edinburgh: Edinburgh University Press; 2010. p. 1–95. Available from: https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=615832
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Brookes I. The Eye of Power: POSTWAR FORDISM AND THE PANOPTIC CORPORATION IN. Journal of Popular Film and Television. 2009 Nov 30;37(4):150–160.
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Taylor R. Production History. Battleship Potemkin : The Film Companion. 1st ed. I.B.Tauris; 2014. p. 1–13.
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Ray N, Weisbart D, Stern S, Dean J, Wood N, Warner Bros. Pictures (1923-1967), Warner Home Video (Firm). Rebel without a cause [Internet]. [London]: Warner Home Video; 2000. Available from: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.nottingham.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F000C8F9C%3Fbcast%3D46695138
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Hubbert J. The Recession Soundtrack: From Albums to Auteurs, Songs to Serialism (1960-1977). Celluloid Symphonies: Texts and Contexts in Film Music History [Internet]. 1st ed. Berkeley: University of California Press; 2011. p. 289–314. Available from: https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=646810
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Coen J, Universal Pictures (Firm). O brother, where art thou? [Internet]. Special ed. [London?]: Momentum Pictures; 2001. Available from: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.nottingham.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F001FF6A5%3Fbcast%3D3018768
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Adams J, ProQuest (Firm). O Brother, Where Art Thou? The Hayseed Epic. The cinema of the Coen brothers: hard-boiled entertainments [Internet]. London, [England]: Wallflower Press; 2015. p. 148–161. Available from: https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=1980197
88.
Philip Booth. Hemingway’s ‘The Killers’ and Heroic Fatalism: From Page to Screen (Thrice). Literature/Film Quarterly [Internet]. 2007;35(1). Available from: https://bit.ly/2B4WC0l
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Neale S. Gestures, Movements and Actions in Rio Bravo. Howard Hawks: new perspectives. London: BFI; 2015. p. 110–121.
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Welles O, Universal Pictures (UK) Ltd, RKO Radio Pictures. Citizen Kane [Internet]. Special ed. [London]: Universal Pictures (U.K.); 2003. Available from: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.nottingham.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F01787544%3Fbcast%3D120790147
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Grant BK. Auteurs and authorship: a film reader. Malden, Mass: Blackwell Publishing; 2008.
