@inbook{Adams_ProQuest (Firm)_2015, address={London, [England]}, title={O Brother, Where Art Thou? The Hayseed Epic}, volume={Directors’ Cuts}, url={https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=1980197}, booktitle={The cinema of the Coen brothers: hard-boiled entertainments}, publisher={Wallflower Press}, author={Adams, Jeffrey and ProQuest (Firm)}, year={2015}, pages={148–161} }
@book{Allen_Gomery_1985, address={Boston, Mass}, title={Film history: theory and practice}, publisher={McGraw-Hill}, author={Allen, Robert Clyde and Gomery, Douglas}, year={1985} }
@book{Altman_British Film Institute_1999, address={London}, title={Film/genre}, publisher={BFI}, author={Altman, Rick and British Film Institute}, year={1999} }
@book{Babington_Evans_1985, address={Manchester}, title={Blue skies and silver linings: aspects of the Hollywood musical}, publisher={Manchester University Press}, author={Babington, Bruce and Evans, Peter William}, year={1985} }
@book{Baker_Mavlian_Harbin_John_Tate Modern (Gallery)_2016, address={London}, title={The radical eye: modernist photography from the Sir Elton John Collection}, publisher={Tate Publishing}, author={Baker, Simon and Mavlian, Shoair and Harbin, Newell and John, Elton and Tate Modern (Gallery)}, year={2016} }
@book{Balio_1995, address={Berkeley}, title={Grand design: Hollywood as a modern business enterprise, 1930-1939}, volume={History of the American cinema}, publisher={University of California Press}, author={Balio, Tino}, year={1995} }
@book{Balio_ebrary, Inc_1985, address={Madison, Wis}, edition={Rev. ed}, title={The American film industry}, url={https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=3445105}, publisher={University of Wisconsin Press}, author={Balio, Tino and ebrary, Inc}, year={1985} }
@book{Barsam_Monahan_2015, address={New York}, edition={5th ed}, title={Looking at movies: an introduction to film}, publisher={W.W. Norton & Company}, author={Barsam, Richard Meran and Monahan, Dave}, year={2015} }
@book{Belton_1992, address={Cambridge, Mass}, title={Widescreen cinema}, publisher={Harvard University Press}, author={Belton, John}, year={1992} }
@book{Benjamin_Leslie_ProQuest (Firm)_2015, address={London, England}, title={On photography}, url={https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=4438926}, publisher={Reaktion Books}, author={Benjamin, Walter and Leslie, Esther and ProQuest (Firm)}, year={2015} }
@book{Bordwell_1988, address={London}, title={Narration in the fiction film}, publisher={Routledge}, author={Bordwell, David}, year={1988} }
@inbook{Bordwell, title={Three Dimensions of Film Narrative}, url={http://www.davidbordwell.net/books/poetics_03narrative.pdf}, booktitle={Poetics of Cinema}, author={Bordwell, David}, pages={1–56} }
@book{Bordwell_Staiger_Thompson_1988a, address={London}, title={The classical Hollywood cinema: film style & mode of production to 1960}, publisher={Routledge}, author={Bordwell, David and Staiger, Janet and Thompson, Kristin}, year={1988} }
@book{Bordwell_Staiger_Thompson_1988b, address={London}, title={The classical Hollywood cinema: film style & mode of production to 1960}, publisher={Routledge}, author={Bordwell, David and Staiger, Janet and Thompson, Kristin}, year={1988} }
@book{Bordwell_Thompson_Smith_2017, address={New York}, edition={11th ed}, title={Film art: an introduction}, publisher={McGraw-Hill Education}, author={Bordwell, David and Thompson, Kristin and Smith, Jeff}, year={2017} }
@article{Brookes_2009, title={The Eye of Power: POSTWAR FORDISM AND THE PANOPTIC CORPORATION IN}, volume={37}, DOI={10.1080/01956050903227928}, number={4}, journal={Journal of Popular Film and Television}, author={Brookes, Ian}, year={2009}, month={Nov}, pages={150–160} }
@book{Brothers_1997, address={London}, title={War and photography: a cultural history}, publisher={Routledge}, author={Brothers, Caroline}, year={1997} }
@misc{Brown_Luhrmann_Baron_Pearce_Bazmark Design (Firm)_Twentieth Century-Fox Film Corporation_2002, address={[Los Angeles, Calif.]}, title={Moulin Rouge!}, url={https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.nottingham.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F0162EB0B%3Fbcast%3D50745328}, publisher={Twentieth Century Fox}, author={Brown, Martin and Luhrmann, Baz and Baron, Fred and Pearce, Craig and Bazmark Design (Firm) and Twentieth Century-Fox Film Corporation}, year={2002} }
@book{Butler_2012, address={London}, edition={4th ed}, title={Television: critical methods and applications}, url={http://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=957900}, publisher={Routledge}, author={Butler, Jeremy G.}, year={2012} }
@book{Byars_1991, address={London}, title={All that Hollywood allows: re-reading gender in 1950s melodrama}, publisher={Routledge}, author={Byars, Jackie}, year={1991} }
@misc{Coen_Universal Pictures (Firm)_2001, address={[London?]}, edition={Special ed}, title={O brother, where art thou?}, url={https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.nottingham.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F001FF6A5%3Fbcast%3D3018768}, publisher={Momentum Pictures}, author={Coen, Joel and Universal Pictures (Firm)}, year={2001} }
@book{Cohan_2002, address={London}, title={Hollywood musicals: the film reader}, volume={In focus--Routledge film readers}, publisher={Routledge}, author={Cohan, Steven}, year={2002} }
@book{Cook_2016a, address={New York}, edition={5th ed}, title={A history of narrative film}, publisher={W.W. Norton & Company}, author={Cook, David A.}, year={2016} }
@book{Cook_2016b, address={New York}, edition={5th ed}, title={A history of narrative film}, publisher={W.W. Norton & Company}, author={Cook, David A.}, year={2016} }
@book{Du Maurier_2003, address={London}, title={Rebecca}, volume={Virago modern classics}, publisher={Virago}, author={Du Maurier, Daphne}, year={2003} }
@book{Dunleavy_2009, address={Basingstoke}, title={Television drama: form, agency, innovation}, publisher={Palgrave Macmillan}, author={Dunleavy, Trisha}, year={2009} }
@misc{Eisenstein_Aleksandrov_Antonov_Shostakovich_Barskiĭ_Gomorov_Soviet Union. Gosudarstvennyĭ komitet po kinematografii_2000, address={[London?]}, title={The Battleship Potemkin}, url={https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.nottingham.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F01FCF8C0%3Fbcast%3D99885053}, publisher={Eureka Video}, author={Eisenstein, Sergei and Aleksandrov, Grigoriĭ Vasilʹevich and Antonov, Aleksandr Pavlovich and Shostakovich, Dmitriĭ Dmitrievich and Barskiĭ, Vladmir and Gomorov, Mikhail and Soviet Union. Gosudarstvennyĭ komitet po kinematografii}, year={2000} }
@inbook{Fabe_2004, address={Oakland, California}, title={The Art of Montage: Sergei Eisenstein’s Battleship Potemkin}, url={https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=1711019}, booktitle={Closely watched films: an introduction to the art of narrative film technique}, publisher={University of California Press}, author={Fabe, Marilyn}, year={2004} }
@book{Fabe_ebrary_2004, address={Oakland, California}, title={Closely watched films: an introduction to the art of narrative film technique}, url={https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=1711019}, publisher={University of California Press}, author={Fabe, Marilyn and ebrary}, year={2004} }
@book{Fauer_2008, address={Hollywood, Calif}, title={Cinematographer style: the complete interviews}, publisher={American Society of Cinematographers}, author={Fauer, Jon}, year={2008} }
@book{Feuer_1993, address={Bloomington}, edition={2nd ed}, title={The Hollywood musical}, publisher={Indiana University Press}, author={Feuer, Jane}, year={1993} }
@book{Geiger_Rutsky_2013, address={New York}, edition={2nd ed}, title={Film analysis: a Norton reader}, publisher={W.W. Norton}, author={Geiger, Jeffrey and Rutsky, R. L.}, year={2013} }
@book{Gledhill_British Film Institute_1987, address={London}, title={Home is where the heart is: studies in melodrama and the woman’s film}, publisher={British Film Institute}, author={Gledhill, Christine and British Film Institute}, year={1987} }
@book{Gomery_British Film Institute_2005, address={London}, title={The Hollywood studio system: a history}, publisher={BFI Publishing}, author={Gomery, Douglas and British Film Institute}, year={2005} }
@book{Grant_2008, address={Malden, Mass}, title={Auteurs and authorship: a film reader}, publisher={Blackwell Publishing}, author={Grant, Barry Keith}, year={2008} }
@book{Grant_ebrary, Inc_2012, address={Austin, Tex}, title={Film genre reader IV}, url={https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=3443619}, publisher={University of Texas Press}, author={Grant, Barry Keith and ebrary, Inc}, year={2012} }
@article{Gray_1960, title={The Ontology of the Photographic Image}, volume={13}, DOI={10.2307/1210183}, number={4}, journal={Film Quarterly}, author={Gray, Hugh}, year={1960}, month={Jul}, pages={4–9} }
@book{Gunning_1991, address={Urbana}, title={D.W. Griffith and the origins of American narrative film: the early years at Biograph}, publisher={University of Illinois Press}, author={Gunning, Tom}, year={1991} }
@inbook{Hanson_2007a, title={Narrative Journeys of the Female Gothic Heroine}, booktitle={Hollywood Heroines : Women in Film Noir and the Female Gothic Film}, publisher={I.B.Tauris}, author={Hanson, Helen}, year={2007}, pages={63–96} }
@book{Hanson_2007b, address={London}, title={Hollywood heroines: women in film noir and the female gothic film}, publisher={I.B. Tauris}, author={Hanson, Helen}, year={2007} }
@misc{Hitchcock_Selznick_Du Maurier_FremantleMedia_2007, address={[S.l.]}, edition={Digitally remastered ed}, title={Rebecca}, url={https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.nottingham.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F000B52ED%3Fbcast%3D131653129}, publisher={FremantleMedia}, author={Hitchcock, Alfred and Selznick, David O. and Du Maurier, Daphne and FremantleMedia}, year={2007} }
@book{Hopkins_ebrary, Inc_2005, address={Austin, TX}, edition={1st ed}, title={Screening the gothic}, url={https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=3443053}, publisher={University of Texas Press}, author={Hopkins, Lisa and ebrary, Inc}, year={2005} }
@inbook{Hubbert_2011, address={Berkeley}, edition={1st ed}, title={The Recession Soundtrack: From Albums to Auteurs, Songs to Serialism (1960-1977)}, url={https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=646810}, booktitle={Celluloid Symphonies: Texts and Contexts in Film Music History}, publisher={University of California Press}, author={Hubbert, Julie}, year={2011}, pages={289–314} }
@book{Jelavich_ebrary, Inc_1996, address={Cambridge, MA}, edition={1st Harvard Univeristy Press pbk. ed}, title={Berlin cabaret}, volume={Studies in cultural history}, url={https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=3300725}, publisher={Harvard University Press}, author={Jelavich, Peter and ebrary, Inc}, year={1996} }
@misc{Kael, title={Raising Kane—I | The New Yorker}, url={https://www.newyorker.com/magazine/1971/02/20/raising-kane-i}, author={Kael, Pauline} }
@book{Kael_British Film Institute_2002, address={London}, title={Raising Kane}, publisher={Methuen Publishing}, author={Kael, Pauline and British Film Institute}, year={2002} }
@book{Kawin_1992, address={Berkeley}, title={How movies work}, publisher={University of California Press}, author={Kawin, Bruce F.}, year={1992} }
@book{Keating_2010, address={New York}, title={Hollywood lighting from the silent era to film noir}, volume={Film and culture}, publisher={Columbia University Press}, author={Keating, Patrick}, year={2010} }
@book{Kessler_2010, address={Basingstoke, Hampshire}, title={Destabilizing the Hollywood musical: music, masculinity and mayhem}, publisher={Palgrave Macmillan}, author={Kessler, Kelly}, year={2010} }
@article{Kinder_2002, title={Moulin Rouge}, volume={55}, DOI={10.1525/fq.2002.55.3.52}, number={3}, journal={Film Quarterly}, author={Kinder, Marsha}, year={2002}, month={Mar}, pages={52–59} }
@misc{Kirby_Rodley_Lee_2 Entertain Video (Firm)_British Broadcasting Corporation_2009, address={London}, title={The genius of photography}, url={https://learningonscreen.ac.uk/ondemand/playlists/349429}, publisher={2 entertain Video}, author={Kirby, Tim and Rodley, Chris and Lee, Deborah and 2 Entertain Video (Firm) and British Broadcasting Corporation}, year={2009} }
@misc{Kirkegaard_2004, title={Preston Sturges • Great Director profile • Senses of Cinema}, url={http://sensesofcinema.com/2004/great-directors/sturges/}, author={Kirkegaard, Jonas Varsted}, year={2004} }
@book{Klinger_1994, address={Bloomington}, title={Melodrama and meaning: history, culture, and the films of Douglas Sirk}, publisher={Indiana University Press}, author={Klinger, Barbara}, year={1994} }
@book{Landy_1991, address={Detroit}, title={Imitations of life: a reader on film and television melodrama}, volume={Contemporary film and television series}, publisher={Wayne State University Press}, author={Landy, Marcia}, year={1991} }
@inbook{Langford_2010a, address={Edinburgh}, edition={1st ed}, title={Introduction}, url={https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=615832}, booktitle={Post-Classical Hollywood: Film Industry, Style and Ideology since 1945}, publisher={Edinburgh University Press}, author={Langford, Barry}, year={2010}, pages={xi–xviii} }
@inbook{Langford_2010b, address={Edinburgh}, edition={1st ed}, title={Part 1: Hollywood in Transition}, url={https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=615832}, booktitle={Post-Classical Hollywood: Film Industry, Style and Ideology since 1945}, publisher={Edinburgh University Press}, author={Langford, Barry}, year={2010}, pages={1–95} }
@article{Le Fanu_1998, title={On Editing}, volume={6}, url={http://pov.imv.au.dk/Issue_06/section_1/artc1A.html}, journal={POV}, author={Le Fanu, Mark}, year={1998}, pages={5–19} }
@misc{Liman_Crowley_Gladstein_Gilroy_Herron_Damon_Universal Pictures (Firm)_2004, address={Universal City, Calif}, edition={Special ed}, title={The Bourne identity}, url={https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.nottingham.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F004CB0E1%3Fbcast%3D135977631}, publisher={Universal}, author={Liman, Doug and Crowley, Patrick and Gladstein, Richard N. and Gilroy, Tony and Herron, William Blake and Damon, Matt and Universal Pictures (Firm)}, year={2004} }
@book{Lisa Kernan_2004, title={Coming Attractions : Reading American Movie Trailers}, url={https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=3443122}, publisher={University of Texas Press}, author={Lisa Kernan}, year={2004} }
@book{Maltby_2003, address={Malden, Mass}, edition={2nd ed}, title={Hollywood cinema}, publisher={Blackwell Publishing}, author={Maltby, Richard}, year={2003} }
@book{Marshall_Stilwell_2000, address={Exeter}, title={Musicals: Hollywood and beyond}, publisher={Intellect}, author={Marshall, Bill and Stilwell, Robynn Jeananne}, year={2000} }
@book{McCullin_Sontag_2003, address={London}, title={Don McCullin}, publisher={Jonathan Cape}, author={McCullin, Don and Sontag, Susan}, year={2003} }
@book{Mercer_Shingler_2004, address={London}, title={Melodrama: genre, style, sensibility}, volume={Short cuts}, publisher={Wallflower}, author={Mercer, John and Shingler, Martin}, year={2004} }
@book{Monaco_2009, address={New York}, edition={4th ed., completely rev. and expanded}, title={How to read a film: movies, media, and beyond : art, technology, language, history, theory}, publisher={Oxford University Press}, author={Monaco, James}, year={2009} }
@book{Mundy_1999, address={Manchester}, title={Popular music on screen: from the Hollywood musical to music video}, volume={Music and society}, publisher={Manchester University Press}, author={Mundy, John}, year={1999} }
@book{Neale_2000, address={London}, title={Genre and Hollywood}, url={http://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=240335}, publisher={Routledge}, author={Neale, Stephen}, year={2000} }
@book{Neale_2002, address={London}, title={Genre and contemporary Hollywood}, publisher={British Film Institute}, author={Neale, Stephen}, year={2002} }
@book{Neale_MyiLibrary_2012, address={London}, title={The classical Hollywood reader}, url={https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=1075077}, publisher={Routledge}, author={Neale, Stephen and MyiLibrary}, year={2012} }
@inbook{Neale_2015, address={London}, title={Gestures, Movements and Actions in Rio Bravo}, booktitle={Howard Hawks: new perspectives}, publisher={BFI}, author={Neale, Steve}, year={2015}, pages={110–121} }
@misc{Netburn_Greene_Shapiro_Andrew J. Kuehn Jr. Foundation_2005, address={Laguna Beach, Calif}, title={Coming attractions: a history of the movie trailer}, publisher={Andrew J. Kuehn Jr. Foundation}, author={Netburn, Stephen and Greene, Frederick and Shapiro, Michael and Andrew J. Kuehn Jr. Foundation}, year={2005} }
@book{Perkins_1972, address={Harmondsworth}, title={Film as film: understanding and judging movies}, volume={Pelican original}, publisher={Penguin}, author={Perkins, V. F.}, year={1972} }
@article{Perkins_2006, title={Moments of Choice}, url={http://www.rouge.com.au/9/moments_choice.html}, journal={Rouge 9}, author={Perkins, V.F.}, year={2006} }
@article{Philip Booth_2007, title={Hemingway’s ‘The Killers’ and Heroic Fatalism: From Page to Screen (Thrice)}, volume={35}, url={https://bit.ly/2B4WC0l}, number={1}, journal={Literature/Film Quarterly}, author={Philip Booth}, year={2007} }
@misc{Ray_Weisbart_Stern_Dean_Wood_Warner Bros. Pictures (1923-1967)_Warner Home Video (Firm)_2000, address={[London]}, title={Rebel without a cause}, url={https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.nottingham.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F000C8F9C%3Fbcast%3D46695138}, publisher={Warner Home Video}, author={Ray, Nicholas and Weisbart, David and Stern, Stewart and Dean, James and Wood, Natalie and Warner Bros. Pictures (1923-1967) and Warner Home Video (Firm)}, year={2000} }
@inbook{Ryall_2015, address={London}, title={Hawks and the Western}, booktitle={Howard Hawks: new perspectives}, publisher={BFI}, author={Ryall, Tom}, year={2015}, pages={97–109} }
@misc{Ryan, title={Dreams of Postmodernism and Thoughts of Mortality: A Twenty-Fifth Anniversary Retrospective of Blade Runner}, url={http://sensesofcinema.com/2007/feature-articles/blade-runner/}, number={43}, journal={Senses of Cinema}, author={Ryan, David C} }
@book{Salt_2009, address={London}, edition={3rd ed}, title={Film style and technology: history and analysis}, publisher={Starword}, author={Salt, Barry}, year={2009} }
@book{Schatz_1997, address={New York}, title={Boom and bust: the American cinema in the 1940s}, volume={History of the American cinema}, publisher={Charles Scribner’s Sons}, author={Schatz, Thomas}, year={1997} }
@book{Schatz_1998, address={London}, title={The genius of the system: Hollywood filmmaking in the studio era}, publisher={Faber and Faber}, author={Schatz, Thomas}, year={1998} }
@article{Scheibel_2016, title={Rebel masculinities of star/director/text: James Dean, Nicholas Ray, and}, volume={25}, DOI={10.1080/09589236.2014.916203}, number={2}, journal={Journal of Gender Studies}, author={Scheibel, Will}, year={2016}, month={Mar}, pages={125–140} }
@misc{Scott_Fancher_Peoples_Perenchio_Ford_Dick_Ladd Company_Warner Bros_Warner Home Video (UK)_Blade Runner Partnership (firm)_2007, address={[London?]}, edition={Ultimate collector’s ed}, title={Blade runner: the final cut}, url={https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.nottingham.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F0002E219%3Fbcast%3D55376018}, publisher={Warner Home Video}, author={Scott, Ridley and Fancher, Hampton and Peoples, David Webb and Perenchio, Jerry and Ford, Harrison and Dick, Philip K. and Ladd Company and Warner Bros and Warner Home Video (UK) and Blade Runner Partnership (firm)}, year={2007} }
@misc{Sirk_2007, address={[London]}, title={Directed by Douglas Sirk}, publisher={Universal Studios}, author={Sirk, Douglas}, year={2007} }
@book{Sirk_Halliday_1971, address={London}, title={Sirk on Sirk: interviews with Jon Halliday}, volume={Cinema one}, publisher={Secker and Warburg in association with the British Film Institute}, author={Sirk, Douglas and Halliday, Jon}, year={1971} }
@misc{Sirk_Universal Pictures Company_2007, address={[London]}, title={All that heaven allows}, url={https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.nottingham.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F00199901%3Fbcast%3D98655032}, journal={Directed by Douglas Sirk}, publisher={Universal Studios}, author={Sirk, Douglas and Universal Pictures Company}, year={2007} }
@book{Sontag_1979, address={Harmondsworth}, title={On photography}, publisher={Penguin}, author={Sontag, Susan}, year={1979} }
@book{Staiger_1995, address={New Brunswick, N.J.}, title={The studio system}, volume={Rutgers depth of field series}, publisher={Rutgers University Press}, author={Staiger, Janet}, year={1995} }
@misc{Sturges_Paramount Publix Corporation_Universal Studios Home Video (Firm)_2005, address={Universal City, Calif}, title={Sullivan’s travels}, publisher={Universal Studios Home Video}, author={Sturges, Preston and Paramount Publix Corporation and Universal Studios Home Video (Firm)}, year={2005} }
@inbook{Taylor_2014, edition={1}, title={Production History}, booktitle={Battleship Potemkin : The Film Companion}, publisher={I.B.Tauris}, author={Taylor, Richard}, year={2014}, pages={1–13} }
@book{Thompson_Bordwell_2010, address={Boston, N.Y.}, edition={3rd ed., International ed}, title={Film history: an introduction}, publisher={McGraw-Hill Higher Education}, author={Thompson, Kristin and Bordwell, David}, year={2010} }
@misc{Welles_Universal Pictures (UK) Ltd_RKO Radio Pictures_2003, address={[London]}, edition={Special ed}, title={Citizen Kane}, url={https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.nottingham.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F01787544%3Fbcast%3D120790147}, publisher={Universal Pictures (U.K.)}, author={Welles, Orson and Universal Pictures (UK) Ltd and RKO Radio Pictures}, year={2003} }
@book{Wells_MyiLibrary_2015, address={London}, edition={5th ed}, title={Photography: a critical introduction}, url={https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=1968918}, publisher={Routledge}, author={Wells, Liz and MyiLibrary}, year={2015} }
@misc{Wilder_Diamond_Deutsch_Lemmon_MacLaine_MacMurray_Metro-Goldwyn-Mayer_United Artists Corporation_Mirisch Company_MGM Home Entertainment Inc_2001, address={[London?]}, title={The apartment}, publisher={MGM Home Entertainment}, author={Wilder, Billy and Diamond, I. A. L. and Deutsch, Adolph and Lemmon, Jack and MacLaine, Shirley and MacMurray, Fred and Metro-Goldwyn-Mayer and United Artists Corporation and Mirisch Company and MGM Home Entertainment Inc}, year={2001} }
@book{Keating_2014, address={New Brunswick, New Jersey}, title={Cinematography}, volume={3}, publisher={Rutgers University Press}, year={2014} }
@misc{All that mise en scène allows: Douglas Sirk’s expressive use of gesture, url={http://www.bfi.org.uk/news-opinion/sight-sound-magazine/comment/bradlands/all-heaven-allows-douglas-sirk-mise-en-scene}, journal={BFI Sight & Sound} }
@misc{Filmsite Move Review: Citizen Kane, url={https://www.filmsite.org/citi.html} }
