Acland, Charles. ‘Cinemagoing as ’Felt Internationalism’. Electronic resource. Screen Traffic: Movies, Multiplexes, and Global Culture. Durham: Duke University Press, 2003. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=1167926.
Ellis, John. ‘Chapter 10, “The Broadcast TV Viewer”’. Pages 160–72 in Visible Fictions: Cinema, Television, Video. Rev. ed. London: Routledge, 1992. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=178323.
Gomery, Douglas. ‘Chapter 5, The Age of the Dream Palace and the Rise of the Star System, of: Film Histories: An Introduction and Reader’. Pages 93–119 in Film Histories: An Introduction and Reader. Edinburgh: Edinburgh University Press, 2007. https://contentstore.cla.co.uk/secure/link?id=4f6dfd79-251c-e611-80bd-0cc47a6bddeb.
Grieveson, Lee. ‘Chapter 5, Why the Audience Mattered in Chicago in 1907, of: American Movie Audiences: From the Turn of the Century to the Early Sound Era’. Pages 79–91 in American Movie Audiences: From the Turn of the Century to the Early Sound Era. London: British Film Institute, 1999. https://contentstore.cla.co.uk/secure/link?id=2b6d6880-251c-e611-80bd-0cc47a6bddeb.
Gripsrud, Jostein. ‘“Television, Broadcasting and Flow: Key Metaphors in TV Theory”’. Pages 17–32 in The Television Studies Book. London: Arnold, 1998.
Hark, Ina Rae. ‘General Introduction, of: Exhibition, the Film Reader’. Pages 16–1 in Exhibition: The Film Reader. London: Routledge, 2002. https://contentstore.cla.co.uk/secure/link?id=e50ec56d-251c-e611-80bd-0cc47a6bddeb.
Hill, Annette, and David Gauntlett. ‘“Television and Everyday Life”’. Pages 21–51 in TV Living: Television, Culture, and Everyday Life. London: Routledge in association with the British Film Institute, 2001. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=165172.
Hilmes, Michele and Jacobs, Jason. ‘“Institutions: From Origins to Stability”’. Pages 22–44 in The Television History Book. London: British Film Institute, 2003.
Jancovich, Mark. ‘Cinema Comes to Life at the Cornerhouse, Nottingham’. Electronic resource. Pages 383–93 in Going to the Movies: Hollywood and the Social Experience of Cinema. Exeter: University of Exeter Press, 2007. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=1611495.
Klinger, Barbara. ‘Chapter 3, Tastemaking: Reviews, Popular Canons, and Soap Operas, of: Melodrama and Meaning: History, Culture, and the Films of Douglas Sirk’. Pages 69–96 in Melodrama and Meaning: History, Culture, and the Films of Douglas Sirk. Bloomington: Indiana University Press, 1994. https://contentstore.cla.co.uk/secure/link?id=8a0168f1-e29d-e611-80c7-005056af4099.
Naremore, James. ‘American Film Noir: The History of an Idea, of: The Film Studies Reader’. Pages 106–13 in The Film Studies Reader. London: Arnold, 2000. https://contentstore.cla.co.uk/secure/link?id=958ec767-251c-e611-80bd-0cc47a6bddeb.
Neupert, Richard. ‘“Cultural Contexts: Where Did the Wave Begin?”’ Pages 3–44 in A History of the French New Wave Cinema. 2nd ed. Madison: University of Wisconsin Press, 2007. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=3444956.
Thompson, Ethan, and Jason Mittel. ‘An Owner’s Manual For Television’. Electronic resource. How to Watch Television. New York: New York University, 2013. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=1336355.
Tryon, Chuck. ‘“Toppling the Gates: Blogging as Networked Film Criticism”, Chapter’. Electronic resource. Pages 125–48 in Reinventing Cinema: Movies in the Age of Media Convergence. New Brunswick, N.J.: Rutgers University Press, 2009. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=892357.
Tryon, Chuck and MyiLibrary. ‘“The Twitter Effect: Social Media and Digital Delivery”, Chapter’. Electronic resource. Pages 117–35 in On-Demand Culture: Digital Delivery and the Future of Movies. New Brunswick, N.J.: Rutgers University Press, 2013. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=1184490.
