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I. R. Hark, ‘General Introduction, of: Exhibition, the film reader’, in Exhibition: the film reader, vol. In focus--Routledge film readers, London: Routledge, 2002, pp. 16–1 [Online]. Available: https://contentstore.cla.co.uk/secure/link?id=e50ec56d-251c-e611-80bd-0cc47a6bddeb
[2]
E. Thompson and J. Mittel, ‘An Owner’s Manual For Television’, in How to watch television, New York: New York University, 2013 [Online]. Available: https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=1336355
[3]
L. Grieveson, ‘Chapter 5, Why the Audience Mattered in Chicago in 1907, of: American movie audiences: from the turn of the century to the early sound era’, in American movie audiences: from the turn of the century to the early sound era, London: British Film Institute, 1999, pp. 79–91 [Online]. Available: https://contentstore.cla.co.uk/secure/link?id=2b6d6880-251c-e611-80bd-0cc47a6bddeb
[4]
D. Gomery, ‘Chapter 5, The Age of the Dream Palace and the Rise of the Star System, of: Film histories: an introduction and reader’, in Film histories: an introduction and reader, Edinburgh: Edinburgh University Press, 2007, pp. 93–119 [Online]. Available: https://contentstore.cla.co.uk/secure/link?id=4f6dfd79-251c-e611-80bd-0cc47a6bddeb
[5]
J. Gripsrud, ‘“Television, Broadcasting and Flow: Key Metaphors in TV Theory”’, in The television studies book, London: Arnold, 1998, pp. 17–32.
[6]
Hilmes, Michele and Jacobs, Jason, ‘“Institutions: From Origins to Stability”’, in The television history book, London: British Film Institute, 2003, pp. 22–44.
[7]
A. Hill and D. Gauntlett, ‘“Television and Everyday Life”’, in TV living: television, culture, and everyday life, London: Routledge in association with the British Film Institute, 2001, pp. 21–51 [Online]. Available: https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=165172
[8]
J. Ellis, ‘Chapter 10, “The Broadcast TV Viewer”’, in Visible fictions: cinema, television, video, Rev. ed., London: Routledge, 1992, pp. 160–172 [Online]. Available: https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=178323
[9]
M. Jancovich, ‘Cinema comes to life at the Cornerhouse, Nottingham’, in Going to the movies: Hollywood and the social experience of cinema, vol. Exeter studies in film history, Exeter: University of Exeter Press, 2007, pp. 383–393 [Online]. Available: https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=1611495
[10]
J. Naremore, ‘American Film Noir: The History of an Idea, of: The film studies reader’, in The film studies reader, London: Arnold, 2000, pp. 106–113 [Online]. Available: https://contentstore.cla.co.uk/secure/link?id=958ec767-251c-e611-80bd-0cc47a6bddeb
[11]
R. Neupert, ‘“Cultural Contexts: Where Did the Wave Begin?”’, in A history of the French new wave cinema, 2nd ed., vol. Wisconsin studies in film, Madison: University of Wisconsin Press, 2007, pp. 3–44 [Online]. Available: https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=3444956
[12]
B. Klinger, ‘Chapter 3, Tastemaking: Reviews, Popular Canons, and Soap Operas, of: Melodrama and meaning: history, culture, and the films of Douglas Sirk’, in Melodrama and meaning: history, culture, and the films of Douglas Sirk, Bloomington: Indiana University Press, 1994, pp. 69–96 [Online]. Available: https://contentstore.cla.co.uk/secure/link?id=8a0168f1-e29d-e611-80c7-005056af4099
[13]
C. Tryon, ‘“Toppling the Gates: Blogging as Networked Film Criticism”, chapter’, in Reinventing cinema: movies in the age of media convergence, New Brunswick, N.J.: Rutgers University Press, 2009, pp. 125–148 [Online]. Available: https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=892357
[14]
C. Tryon and MyiLibrary, ‘“The Twitter Effect: Social Media and Digital Delivery”, Chapter’, in On-demand culture: digital delivery and the future of movies, New Brunswick, N.J.: Rutgers University Press, 2013, pp. 117–135 [Online]. Available: https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=1184490
[15]
C. Acland, ‘Cinemagoing as ’Felt Internationalism’, in Screen traffic: movies, multiplexes, and global culture, Durham: Duke University Press, 2003 [Online]. Available: https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=1167926