Acland, Charles. 2003. ‘Cinemagoing as ’Felt Internationalism’. Electronic resource. In Screen Traffic: Movies, Multiplexes, and Global Culture. Durham: Duke University Press. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=1167926.
Ellis, John. 1992. ‘Chapter 10, “The Broadcast TV Viewer”’. In Visible Fictions: Cinema, Television, Video, Rev. ed, 160–72. London: Routledge. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=178323.
Gomery, Douglas. 2007. ‘Chapter 5, The Age of the Dream Palace and the Rise of the Star System, of: Film Histories: An Introduction and Reader’. In Film Histories: An Introduction and Reader, 93–119. Edinburgh: Edinburgh University Press. https://contentstore.cla.co.uk/secure/link?id=4f6dfd79-251c-e611-80bd-0cc47a6bddeb.
Grieveson, Lee. 1999. ‘Chapter 5, Why the Audience Mattered in Chicago in 1907, of: American Movie Audiences: From the Turn of the Century to the Early Sound Era’. In American Movie Audiences: From the Turn of the Century to the Early Sound Era, 79–91. London: British Film Institute. https://contentstore.cla.co.uk/secure/link?id=2b6d6880-251c-e611-80bd-0cc47a6bddeb.
Gripsrud, Jostein. 1998. ‘“Television, Broadcasting and Flow: Key Metaphors in TV Theory”’. In The Television Studies Book, 17–32. London: Arnold.
Hark, Ina Rae. 2002. ‘General Introduction, of: Exhibition, the Film Reader’. In Exhibition: The Film Reader, In focus--Routledge film readers:16–1. London: Routledge. https://contentstore.cla.co.uk/secure/link?id=e50ec56d-251c-e611-80bd-0cc47a6bddeb.
Hill, Annette, and David Gauntlett. 2001. ‘“Television and Everyday Life”’. In TV Living: Television, Culture, and Everyday Life, 21–51. London: Routledge in association with the British Film Institute. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=165172.
Hilmes, Michele and Jacobs, Jason. 2003. ‘“Institutions: From Origins to Stability”’. In The Television History Book, 22–44. London: British Film Institute.
Jancovich, Mark. 2007. ‘Cinema Comes to Life at the Cornerhouse, Nottingham’. Electronic resource. In Going to the Movies: Hollywood and the Social Experience of Cinema, Exeter studies in film history:383–93. Exeter: University of Exeter Press. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=1611495.
Klinger, Barbara. 1994. ‘Chapter 3, Tastemaking: Reviews, Popular Canons, and Soap Operas, of: Melodrama and Meaning: History, Culture, and the Films of Douglas Sirk’. In Melodrama and Meaning: History, Culture, and the Films of Douglas Sirk, 69–96. Bloomington: Indiana University Press. https://contentstore.cla.co.uk/secure/link?id=8a0168f1-e29d-e611-80c7-005056af4099.
Naremore, James. 2000. ‘American Film Noir: The History of an Idea, of: The Film Studies Reader’. In The Film Studies Reader, 106–13. London: Arnold. https://contentstore.cla.co.uk/secure/link?id=958ec767-251c-e611-80bd-0cc47a6bddeb.
Neupert, Richard. 2007. ‘“Cultural Contexts: Where Did the Wave Begin?”’ In A History of the French New Wave Cinema, 2nd ed, Wisconsin studies in film:3–44. Madison: University of Wisconsin Press. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=3444956.
Thompson, Ethan, and Jason Mittel. 2013. ‘An Owner’s Manual For Television’. Electronic resource. In How to Watch Television. New York: New York University. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=1336355.
Tryon, Chuck. 2009. ‘“Toppling the Gates: Blogging as Networked Film Criticism”, Chapter’. Electronic resource. In Reinventing Cinema: Movies in the Age of Media Convergence, 125–48. New Brunswick, N.J.: Rutgers University Press. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=892357.
Tryon, Chuck and MyiLibrary. 2013. ‘“The Twitter Effect: Social Media and Digital Delivery”, Chapter’. Electronic resource. In On-Demand Culture: Digital Delivery and the Future of Movies, 117–35. New Brunswick, N.J.: Rutgers University Press. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=1184490.
