Acland, Charles. ‘Cinemagoing as ’Felt Internationalism’. Screen Traffic: Movies, Multiplexes, and Global Culture. Durham: Duke University Press, 2003. Web. <https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=1167926>.
Ellis, John. ‘Chapter 10, “The Broadcast TV Viewer”’. Visible Fictions: Cinema, Television, Video. Rev. ed. London: Routledge, 1992. 160–172. Web. <https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=178323>.
Gomery, Douglas. ‘Chapter 5, The Age of the Dream Palace and the Rise of the Star System, of: Film Histories: An Introduction and Reader’. Film Histories: An Introduction and Reader. Edinburgh: Edinburgh University Press, 2007. 93–119. Web. <https://contentstore.cla.co.uk/secure/link?id=4f6dfd79-251c-e611-80bd-0cc47a6bddeb>.
Grieveson, Lee. ‘Chapter 5, Why the Audience Mattered in Chicago in 1907, of: American Movie Audiences: From the Turn of the Century to the Early Sound Era’. American Movie Audiences: From the Turn of the Century to the Early Sound Era. London: British Film Institute, 1999. 79–91. Web. <https://contentstore.cla.co.uk/secure/link?id=2b6d6880-251c-e611-80bd-0cc47a6bddeb>.
Gripsrud, Jostein. ‘“Television, Broadcasting and Flow: Key Metaphors in TV Theory”’. The Television Studies Book. London: Arnold, 1998. 17–32. Print.
Hark, Ina Rae. ‘General Introduction, of: Exhibition, the Film Reader’. Exhibition: The Film Reader. In focus--Routledge film readers. London: Routledge, 2002. 16–1. Web. <https://contentstore.cla.co.uk/secure/link?id=e50ec56d-251c-e611-80bd-0cc47a6bddeb>.
Hill, Annette, and David Gauntlett. ‘“Television and Everyday Life”’. TV Living: Television, Culture, and Everyday Life. London: Routledge in association with the British Film Institute, 2001. 21–51. Web. <https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=165172>.
Hilmes, Michele and Jacobs, Jason. ‘“Institutions: From Origins to Stability”’. The Television History Book. London: British Film Institute, 2003. 22–44. Print.
Jancovich, Mark. ‘Cinema Comes to Life at the Cornerhouse, Nottingham’. Going to the Movies: Hollywood and the Social Experience of Cinema. Exeter studies in film history. Exeter: University of Exeter Press, 2007. 383–393. Web. <https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=1611495>.
Klinger, Barbara. ‘Chapter 3, Tastemaking: Reviews, Popular Canons, and Soap Operas, of: Melodrama and Meaning: History, Culture, and the Films of Douglas Sirk’. Melodrama and Meaning: History, Culture, and the Films of Douglas Sirk. Bloomington: Indiana University Press, 1994. 69–96. Web. <https://contentstore.cla.co.uk/secure/link?id=8a0168f1-e29d-e611-80c7-005056af4099>.
Naremore, James. ‘American Film Noir: The History of an Idea, of: The Film Studies Reader’. The Film Studies Reader. London: Arnold, 2000. 106–113. Web. <https://contentstore.cla.co.uk/secure/link?id=958ec767-251c-e611-80bd-0cc47a6bddeb>.
Neupert, Richard. ‘“Cultural Contexts: Where Did the Wave Begin?”’ A History of the French New Wave Cinema. 2nd ed. Wisconsin studies in film. Madison: University of Wisconsin Press, 2007. 3–44. Web. <https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=3444956>.
Thompson, Ethan, and Jason Mittel. ‘An Owner’s Manual For Television’. How to Watch Television. New York: New York University, 2013. Web. <https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=1336355>.
Tryon, Chuck. ‘“Toppling the Gates: Blogging as Networked Film Criticism”, Chapter’. Reinventing Cinema: Movies in the Age of Media Convergence. New Brunswick, N.J.: Rutgers University Press, 2009. 125–148. Web. <https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=892357>.
Tryon, Chuck and MyiLibrary. ‘“The Twitter Effect: Social Media and Digital Delivery”, Chapter’. On-Demand Culture: Digital Delivery and the Future of Movies. New Brunswick, N.J.: Rutgers University Press, 2013. 117–135. Web. <https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=1184490>.
