Acland, Charles. 2003. ‘Cinemagoing as ’Felt Internationalism’. in Screen traffic: movies, multiplexes, and global culture. Durham: Duke University Press.
Ellis, John. 1992. ‘Chapter 10, “The Broadcast TV Viewer”’. Pp. 160–72 in Visible fictions: cinema, television, video. London: Routledge.
Gomery, Douglas. 2007. ‘Chapter 5, The Age of the Dream Palace and the Rise of the Star System, of: Film Histories: An Introduction and Reader’. Pp. 93–119 in Film histories: an introduction and reader. Edinburgh: Edinburgh University Press.
Grieveson, Lee. 1999. ‘Chapter 5, Why the Audience Mattered in Chicago in 1907, of: American Movie Audiences: From the Turn of the Century to the Early Sound Era’. Pp. 79–91 in American movie audiences: from the turn of the century to the early sound era. London: British Film Institute.
Gripsrud, Jostein. 1998. ‘“Television, Broadcasting and Flow: Key Metaphors in TV Theory”’. Pp. 17–32 in The television studies book. London: Arnold.
Hark, Ina Rae. 2002. ‘General Introduction, of: Exhibition, the Film Reader’. Pp. 16–1 in Exhibition: the film reader. Vol. In focus--Routledge film readers. London: Routledge.
Hill, Annette, and David Gauntlett. 2001. ‘“Television and Everyday Life”’. Pp. 21–51 in TV living: television, culture, and everyday life. London: Routledge in association with the British Film Institute.
Hilmes, Michele and Jacobs, Jason. 2003. ‘“Institutions: From Origins to Stability”’. Pp. 22–44 in The television history book. London: British Film Institute.
Jancovich, Mark. 2007. ‘Cinema Comes to Life at the Cornerhouse, Nottingham’. Pp. 383–93 in Going to the movies: Hollywood and the social experience of cinema. Vol. Exeter studies in film history. Exeter: University of Exeter Press.
Klinger, Barbara. 1994. ‘Chapter 3, Tastemaking: Reviews, Popular Canons, and Soap Operas, of: Melodrama and Meaning: History, Culture, and the Films of Douglas Sirk’. Pp. 69–96 in Melodrama and meaning: history, culture, and the films of Douglas Sirk. Bloomington: Indiana University Press.
Naremore, James. 2000. ‘American Film Noir: The History of an Idea, of: The Film Studies Reader’. Pp. 106–13 in The film studies reader. London: Arnold.
Neupert, Richard. 2007. ‘“Cultural Contexts: Where Did the Wave Begin?”’ Pp. 3–44 in A history of the French new wave cinema. Vol. Wisconsin studies in film. Madison: University of Wisconsin Press.
Thompson, Ethan, and Jason Mittel. 2013. ‘An Owner’s Manual For Television’. in How to watch television. New York: New York University.
Tryon, Chuck. 2009. ‘“Toppling the Gates: Blogging as Networked Film Criticism”, Chapter’. Pp. 125–48 in Reinventing cinema: movies in the age of media convergence. New Brunswick, N.J.: Rutgers University Press.
Tryon, Chuck and MyiLibrary. 2013. ‘“The Twitter Effect: Social Media and Digital Delivery”, Chapter’. Pp. 117–35 in On-demand culture: digital delivery and the future of movies. New Brunswick, N.J.: Rutgers University Press.
