Acland C, ‘Cinemagoing as ’Felt Internationalism’, Screen traffic: movies, multiplexes, and global culture (Duke University Press 2003) <https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=1167926>
Ellis J, ‘Chapter 10, “The Broadcast TV Viewer”’, Visible fictions: cinema, television, video (Rev ed, Routledge 1992) <https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=178323>
Gomery D, ‘Chapter 5, The Age of the Dream Palace and the Rise of the Star System, of: Film Histories: An Introduction and Reader’, Film histories: an introduction and reader (Edinburgh University Press 2007) <https://contentstore.cla.co.uk/secure/link?id=4f6dfd79-251c-e611-80bd-0cc47a6bddeb>
Grieveson L, ‘Chapter 5, Why the Audience Mattered in Chicago in 1907, of: American Movie Audiences: From the Turn of the Century to the Early Sound Era’, American movie audiences: from the turn of the century to the early sound era (British Film Institute 1999) <https://contentstore.cla.co.uk/secure/link?id=2b6d6880-251c-e611-80bd-0cc47a6bddeb>
Gripsrud J, ‘“Television, Broadcasting and Flow: Key Metaphors in TV Theory”’, The television studies book (Arnold 1998)
Hark IR, ‘General Introduction, of: Exhibition, the Film Reader’, Exhibition: the film reader, vol In focus--Routledge film readers (Routledge 2002) <https://contentstore.cla.co.uk/secure/link?id=e50ec56d-251c-e611-80bd-0cc47a6bddeb>
Hill A and Gauntlett D, ‘“Television and Everyday Life”’, TV living: television, culture, and everyday life (Routledge in association with the British Film Institute 2001) <https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=165172>
Hilmes, Michele and Jacobs, Jason, ‘“Institutions: From Origins to Stability”’, The television history book (British Film Institute 2003)
Jancovich M, ‘Cinema Comes to Life at the Cornerhouse, Nottingham’, Going to the movies: Hollywood and the social experience of cinema, vol Exeter studies in film history (University of Exeter Press 2007) <https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=1611495>
Klinger B, ‘Chapter 3, Tastemaking: Reviews, Popular Canons, and Soap Operas, of: Melodrama and Meaning: History, Culture, and the Films of Douglas Sirk’, Melodrama and meaning: history, culture, and the films of Douglas Sirk (Indiana University Press 1994) <https://contentstore.cla.co.uk/secure/link?id=8a0168f1-e29d-e611-80c7-005056af4099>
Naremore J, ‘American Film Noir: The History of an Idea, of: The Film Studies Reader’, The film studies reader (Arnold 2000) <https://contentstore.cla.co.uk/secure/link?id=958ec767-251c-e611-80bd-0cc47a6bddeb>
Neupert R, ‘“Cultural Contexts: Where Did the Wave Begin?”’, A history of the French new wave cinema, vol Wisconsin studies in film (2nd ed, University of Wisconsin Press 2007) <https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=3444956>
Thompson E and Mittel J, ‘An Owner’s Manual For Television’, How to watch television (New York University 2013) <https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=1336355>
Tryon C, ‘“Toppling the Gates: Blogging as Networked Film Criticism”, Chapter’, Reinventing cinema: movies in the age of media convergence (Rutgers University Press 2009) <https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=892357>
Tryon C and MyiLibrary, ‘“The Twitter Effect: Social Media and Digital Delivery”, Chapter’, On-demand culture: digital delivery and the future of movies (Rutgers University Press 2013) <https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=1184490>
