Acland, C. (2003). Cinemagoing as ’Felt Internationalism [Electronic resource]. In Screen traffic: movies, multiplexes, and global culture. Duke University Press. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=1167926
Ellis, J. (1992). Chapter 10, ‘The Broadcast TV Viewer’. In Visible fictions: cinema, television, video (Rev. ed, pp. 160–172). Routledge. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=178323
Gomery, D. (2007). Chapter 5, The Age of the Dream Palace and the Rise of the Star System, of: Film histories: an introduction and reader. In Film histories: an introduction and reader (pp. 93–119). Edinburgh University Press. https://contentstore.cla.co.uk/secure/link?id=4f6dfd79-251c-e611-80bd-0cc47a6bddeb
Grieveson, L. (1999). Chapter 5, Why the Audience Mattered in Chicago in 1907, of: American movie audiences: from the turn of the century to the early sound era. In American movie audiences: from the turn of the century to the early sound era (pp. 79–91). British Film Institute. https://contentstore.cla.co.uk/secure/link?id=2b6d6880-251c-e611-80bd-0cc47a6bddeb
Gripsrud, J. (1998). ‘Television, Broadcasting and Flow: Key Metaphors in TV Theory’. In The television studies book (pp. 17–32). Arnold.
Hark, I. R. (2002). General Introduction, of: Exhibition, the film reader. In Exhibition: the film reader: Vol. In focus--Routledge film readers (pp. 16–1). Routledge. https://contentstore.cla.co.uk/secure/link?id=e50ec56d-251c-e611-80bd-0cc47a6bddeb
Hill, A., & Gauntlett, D. (2001). ‘Television and Everyday Life’. In TV living: television, culture, and everyday life (pp. 21–51). Routledge in association with the British Film Institute. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=165172
Hilmes, Michele & Jacobs, Jason. (2003). ‘Institutions: From Origins to Stability’. In The television history book (pp. 22–44). British Film Institute.
Jancovich, M. (2007). Cinema comes to life at the Cornerhouse, Nottingham [Electronic resource]. In Going to the movies: Hollywood and the social experience of cinema: Vol. Exeter studies in film history (pp. 383–393). University of Exeter Press. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=1611495
Klinger, B. (1994). Chapter 3, Tastemaking: Reviews, Popular Canons, and Soap Operas, of: Melodrama and meaning: history, culture, and the films of Douglas Sirk. In Melodrama and meaning: history, culture, and the films of Douglas Sirk (pp. 69–96). Indiana University Press. https://contentstore.cla.co.uk/secure/link?id=8a0168f1-e29d-e611-80c7-005056af4099
Naremore, J. (2000). American Film Noir: The History of an Idea, of: The film studies reader. In The film studies reader (pp. 106–113). Arnold. https://contentstore.cla.co.uk/secure/link?id=958ec767-251c-e611-80bd-0cc47a6bddeb
Neupert, R. (2007). ‘Cultural Contexts: Where Did the Wave Begin?’ In A history of the French new wave cinema: Vol. Wisconsin studies in film (2nd ed, pp. 3–44). University of Wisconsin Press. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=3444956
Thompson, E., & Mittel, J. (2013). An Owner’s Manual For Television [Electronic resource]. In How to watch television. New York University. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=1336355
Tryon, C. (2009). ‘Toppling the Gates: Blogging as Networked Film Criticism’, chapter [Electronic resource]. In Reinventing cinema: movies in the age of media convergence (pp. 125–148). Rutgers University Press. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=892357
Tryon, C. & MyiLibrary. (2013). ‘The Twitter Effect: Social Media and Digital Delivery’, Chapter [Electronic resource]. In On-demand culture: digital delivery and the future of movies (pp. 117–135). Rutgers University Press. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=1184490