Bibliography for Aesthetics of Electronic and Computer Music (MUSI1014) (W31C24) BETA

Braun, Hans-Joachim and Symposium ICOHTEC. Music and Technology in the Twentieth Century. Baltimore: John Hopkins University Press, 2002. Print.

Collins, Nick, and Julio d’Escrivan Rincón. The Cambridge Companion to Electronic Music (2nd Edition). Cambridge: Cambridge University Press. Web. <https://doi.org/10.1017/9781316459874>.

Collins, Nick, Margaret Schedel, and Scott Wilson. Electronic Music. Cambridge: Cambridge University Press, 2013. Print.

Cook, Perry R. Music, Cognition, and Computerized Sound: An Introduction to Psychoacoustics. 1st MIT Press pbk. ed. Cambridge, Mass: MIT Press, 2001. Print.

Cox, Christoph, and Daniel Warner. Audio Culture: Readings in Modern Music. New York: Continuum, 2004. Print.

Deutsch, Diana. The Psychology of Music. Third edition. Oxford: Academic, 2013. Web. <https://www.sciencedirect.com/book/9780123814609/the-psychology-of-music>.

Heifetz, Robin Julian. On the Wires of Our Nerves: The Art of Electroacoustic Music. Lewisburg: Bucknell University Press, 1989. Print.

Katz, Mark. Capturing Sound: How Technology Has Changed Music. Rev. ed. Berkeley, Calif: University of California Press, 2010. Web. <https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=579794>.

Kivy, Peter. Sound Sentiment: An Essay on the Musical Emotions, Including the Complete Text of The Corded Shell. Arts and their philosophies. Philadelphia: Temple University Press, 1989. Print.

Levitin, Daniel J. This Is Your Brain on Music: Understanding a Human Obsession. London: Atlantic, 2007. Print.

Manning, Peter. Electronic and Computer Music. 4th ed. New York: Oxford University Press, 2013. Print.

McLeod, Kembrew, and Peter DiCola. Creative License: The Law and Culture of Digital Sampling. Durham [NC]: Duke University Press, 2011. Print.

Milner, Greg. Perfecting Sound Forever: The Story of Recorded Music. Pbk. ed. London: Granta, 2010. Print.

Pinch, T. J., Frank Trocco, and ebrary, Inc. Analog Days: The Invention and Impact of the Moog Synthesizer. Cambridge, MA: Harvard University Press, 2002. Web. <https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=3300076>.

Prendergast, Mark J. The Ambient Century: From Mahler to Trance, the Evolution of Sound in the Electronic Age. London: Bloomsbury, 2000. Print.

Ross, Alex. Listen to This. London: Fourth Estate, 2011. Print.

---. The Rest Is Noise: Listening to the Twentieth Century. London: Fourth Estate, 2012. Print.

Russolo, Luigi, and Francesco Balilla Pratella. The Art of Noise: Destruction of Music by Futurist Machines. [S.l.]: Sun Vision Press, 2012. Print.

Schaeffer, Pierre, Christine North, and John Dack. In Search of a Concrete Music. California studies in 20th-century music. Berkeley, Calif: University of California Press, 2012. Print.

Sethares, William A. Tuning, Timbre, Spectrum, Scale. 2nd ed. London: Springer, 2005. Web. <https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=303730>.

Shapiro, Peter. Modulations: A History of Electronic Music, Throbbing Words on Sound. New York: Caipirinha Productions, 2000. Print.

Toop, David. Ocean of Sound: Aether Talk, Ambient Sound and Imaginary Worlds. London: Serpent’s Tail, 2001. Print.