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Ross A. Listen to This. Fourth Estate; 2011.
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Katz M. Capturing Sound: How Technology Has Changed Music. Rev. ed. University of California Press; 2010. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=579794
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Manning P. Electronic and Computer Music. 4th ed. Oxford University Press; 2013.
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Braun HJ, Symposium ICOHTEC. Music and Technology in the Twentieth Century. John Hopkins University Press; 2002.
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Prendergast MJ. The Ambient Century: From Mahler to Trance, the Evolution of Sound in the Electronic Age. Bloomsbury; 2000.
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Heifetz RJ. On the Wires of Our Nerves: The Art of Electroacoustic Music. Bucknell University Press; 1989.
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Russolo L, Pratella FB. The Art of Noise: Destruction of Music by Futurist Machines. Sun Vision Press; 2012.
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Cox C, Warner D. Audio Culture: Readings in Modern Music. Continuum; 2004.
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Schaeffer P, North C, Dack J. In Search of a Concrete Music. Vol California studies in 20th-century music. University of California Press; 2012.
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Toop D. Ocean of Sound: Aether Talk, Ambient Sound and Imaginary Worlds. Serpent’s Tail; 2001.
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Milner G. Perfecting Sound Forever: The Story of Recorded Music. Pbk. ed. Granta; 2010.
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Shapiro P. Modulations: A History of Electronic Music, Throbbing Words on Sound. Caipirinha Productions; 2000.
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Cook PR. Music, Cognition, and Computerized Sound: An Introduction to Psychoacoustics. 1st MIT Press pbk. ed. MIT Press; 2001.
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Levitin DJ. This Is Your Brain on Music: Understanding a Human Obsession. Atlantic; 2007.
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Ross A. The Rest Is Noise: Listening to the Twentieth Century. Fourth Estate; 2012.
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Kivy P. Sound Sentiment: An Essay on the Musical Emotions, Including the Complete Text of The Corded Shell. Vol Arts and their philosophies. Temple University Press; 1989.
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Deutsch D. The Psychology of Music. Third edition. Academic; 2013. https://www.sciencedirect.com/book/9780123814609/the-psychology-of-music
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Sethares WA. Tuning, Timbre, Spectrum, Scale. 2nd ed. Springer; 2005. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=303730
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McLeod K, DiCola P. Creative License: The Law and Culture of Digital Sampling. Duke University Press; 2011.
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Collins N, Schedel M, Wilson S. Electronic Music. Cambridge University Press; 2013.
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Collins N, Escrivan Rincón J d’. The Cambridge Companion to Electronic Music (2nd Edition). Cambridge University Press https://doi.org/10.1017/9781316459874
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Pinch TJ, Trocco F, ebrary, Inc. Analog Days: The Invention and Impact of the Moog Synthesizer. Harvard University Press; 2002. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=3300076