Braun, Hans-Joachim and Symposium ICOHTEC. 2002. Music and Technology in the Twentieth Century. Baltimore: John Hopkins University Press.
Collins, Nick, and Julio d’Escrivan Rincón. n.d. The Cambridge Companion to Electronic Music (2nd Edition). Cambridge: Cambridge University Press. https://doi.org/10.1017/9781316459874.
Collins, Nick, Margaret Schedel, and Scott Wilson. 2013. Electronic Music. Cambridge: Cambridge University Press.
Cook, Perry R. 2001. Music, Cognition, and Computerized Sound: An Introduction to Psychoacoustics. 1st MIT Press pbk. ed. Cambridge, Mass: MIT Press.
Cox, Christoph, and Daniel Warner. 2004. Audio Culture: Readings in Modern Music. New York: Continuum.
Deutsch, Diana. 2013. The Psychology of Music. Third edition. Oxford: Academic. https://www.sciencedirect.com/book/9780123814609/the-psychology-of-music.
Heifetz, Robin Julian. 1989. On the Wires of Our Nerves: The Art of Electroacoustic Music. Lewisburg: Bucknell University Press.
Katz, Mark. 2010. Capturing Sound: How Technology Has Changed Music. Rev. ed. Berkeley, Calif: University of California Press. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=579794.
Kivy, Peter. 1989. Sound Sentiment: An Essay on the Musical Emotions, Including the Complete Text of The Corded Shell. Vol. Arts and their philosophies. Philadelphia: Temple University Press.
Levitin, Daniel J. 2007. This Is Your Brain on Music: Understanding a Human Obsession. London: Atlantic.
Manning, Peter. 2013. Electronic and Computer Music. 4th ed. New York: Oxford University Press.
McLeod, Kembrew, and Peter DiCola. 2011. Creative License: The Law and Culture of Digital Sampling. Durham [NC]: Duke University Press.
Milner, Greg. 2010. Perfecting Sound Forever: The Story of Recorded Music. Pbk. ed. London: Granta.
Pinch, T. J., Frank Trocco, and ebrary, Inc. 2002. Analog Days: The Invention and Impact of the Moog Synthesizer. Cambridge, MA: Harvard University Press. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=3300076.
Prendergast, Mark J. 2000. The Ambient Century: From Mahler to Trance, the Evolution of Sound in the Electronic Age. London: Bloomsbury.
Ross, Alex. 2011. Listen to This. London: Fourth Estate.
———. 2012. The Rest Is Noise: Listening to the Twentieth Century. London: Fourth Estate.
Russolo, Luigi, and Francesco Balilla Pratella. 2012. The Art of Noise: Destruction of Music by Futurist Machines. [S.l.]: Sun Vision Press.
Schaeffer, Pierre, Christine North, and John Dack. 2012. In Search of a Concrete Music. Vol. California studies in 20th-century music. Berkeley, Calif: University of California Press.
Sethares, William A. 2005. Tuning, Timbre, Spectrum, Scale. 2nd ed. London: Springer. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=303730.
Shapiro, Peter. 2000. Modulations: A History of Electronic Music, Throbbing Words on Sound. New York: Caipirinha Productions.
Toop, David. 2001. Ocean of Sound: Aether Talk, Ambient Sound and Imaginary Worlds. London: Serpent’s Tail.