1
Ross A. Listen to this. London: : Fourth Estate 2011.
2
Katz M. Capturing sound: how technology has changed music. Rev. ed. Berkeley, Calif: : University of California Press 2010. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=579794
3
Manning P. Electronic and computer music. 4th ed. New York: : Oxford University Press 2013.
4
Braun H-J, Symposium ICOHTEC. Music and technology in the twentieth century. Baltimore: : John Hopkins University Press 2002.
5
Prendergast MJ. The ambient century: from Mahler to trance, the evolution of sound in the electronic age. London: : Bloomsbury 2000.
6
Heifetz RJ. On the wires of our nerves: the art of electroacoustic music. Lewisburg: : Bucknell University Press 1989.
7
Russolo L, Pratella FB. The art of noise: destruction of music by futurist machines. [S.l.]: : Sun Vision Press 2012.
8
Cox C, Warner D. Audio culture: readings in modern music. New York: : Continuum 2004.
9
Schaeffer P, North C, Dack J. In search of a concrete music. Berkeley, Calif: : University of California Press 2012.
10
Toop D. Ocean of sound: aether talk, ambient sound and imaginary worlds. London: : Serpent’s Tail 2001.
11
Milner G. Perfecting sound forever: the story of recorded music. Pbk. ed. London: : Granta 2010.
12
Shapiro P. Modulations: a history of electronic music, throbbing words on sound. New York: : Caipirinha Productions 2000.
13
Cook PR. Music, cognition, and computerized sound: an introduction to psychoacoustics. 1st MIT Press pbk. ed. Cambridge, Mass: : MIT Press 2001.
14
Levitin DJ. This is your brain on music: understanding a human obsession. London: : Atlantic 2007.
15
Ross A. The rest is noise: listening to the twentieth century. London: : Fourth Estate 2012.
16
Kivy P. Sound sentiment: an essay on the musical emotions, including the complete text of The corded shell. Philadelphia: : Temple University Press 1989.
17
Deutsch D. The psychology of music. Third edition. Oxford: : Academic 2013. https://www.sciencedirect.com/book/9780123814609/the-psychology-of-music
18
Sethares WA. Tuning, timbre, spectrum, scale. 2nd ed. London: : Springer 2005. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=303730
19
McLeod K, DiCola P. Creative license: the law and culture of digital sampling. Durham [NC]: : Duke University Press 2011.
20
Collins N, Schedel M, Wilson S. Electronic music. Cambridge: : Cambridge University Press 2013.
21
Collins N, Escrivan Rincón J d’. The Cambridge Companion to Electronic Music (2nd edition). Cambridge: : Cambridge University Press https://doi.org/10.1017/9781316459874
22
Pinch TJ, Trocco F, ebrary, Inc. Analog days: the invention and impact of the Moog synthesizer. Cambridge, MA: : Harvard University Press 2002. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=3300076