Braun, Hans-Joachim and Symposium ICOHTEC. 2002. Music and Technology in the Twentieth Century (Baltimore: John Hopkins University Press)
Collins, Nick, and Julio d’Escrivan Rincón. [n.d.]. The Cambridge Companion to Electronic Music (2nd Edition) (Cambridge: Cambridge University Press) <https://doi.org/10.1017/9781316459874>
Collins, Nick, Margaret Schedel, and Scott Wilson. 2013. Electronic Music (Cambridge: Cambridge University Press)
Cook, Perry R. 2001. Music, Cognition, and Computerized Sound: An Introduction to Psychoacoustics, 1st MIT Press pbk. ed (Cambridge, Mass: MIT Press)
Cox, Christoph, and Daniel Warner. 2004. Audio Culture: Readings in Modern Music (New York: Continuum)
Deutsch, Diana. 2013. The Psychology of Music, Third edition (Oxford: Academic) <https://www.sciencedirect.com/book/9780123814609/the-psychology-of-music>
Heifetz, Robin Julian. 1989. On the Wires of Our Nerves: The Art of Electroacoustic Music (Lewisburg: Bucknell University Press)
Katz, Mark. 2010. Capturing Sound: How Technology Has Changed Music, Rev. ed (Berkeley, Calif: University of California Press) <https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=579794>
Kivy, Peter. 1989. Sound Sentiment: An Essay on the Musical Emotions, Including the Complete Text of The Corded Shell (Philadelphia: Temple University Press)
Levitin, Daniel J. 2007. This Is Your Brain on Music: Understanding a Human Obsession (London: Atlantic)
Manning, Peter. 2013. Electronic and Computer Music, 4th ed (New York: Oxford University Press)
McLeod, Kembrew, and Peter DiCola. 2011. Creative License: The Law and Culture of Digital Sampling (Durham [NC]: Duke University Press)
Milner, Greg. 2010. Perfecting Sound Forever: The Story of Recorded Music, Pbk. ed (London: Granta)
Pinch, T. J., Frank Trocco, and ebrary, Inc. 2002. Analog Days: The Invention and Impact of the Moog Synthesizer (Cambridge, MA: Harvard University Press) <https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=3300076>
Prendergast, Mark J. 2000. The Ambient Century: From Mahler to Trance, the Evolution of Sound in the Electronic Age (London: Bloomsbury)
Ross, Alex. 2011. Listen to This (London: Fourth Estate)
———. 2012. The Rest Is Noise: Listening to the Twentieth Century (London: Fourth Estate)
Russolo, Luigi, and Francesco Balilla Pratella. 2012. The Art of Noise: Destruction of Music by Futurist Machines ([S.l.]: Sun Vision Press)
Schaeffer, Pierre, Christine North, and John Dack. 2012. In Search of a Concrete Music (Berkeley, Calif: University of California Press)
Sethares, William A. 2005. Tuning, Timbre, Spectrum, Scale, 2nd ed (London: Springer) <https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=303730>
Shapiro, Peter. 2000. Modulations: A History of Electronic Music, Throbbing Words on Sound (New York: Caipirinha Productions)
Toop, David. 2001. Ocean of Sound: Aether Talk, Ambient Sound and Imaginary Worlds (London: Serpent’s Tail)