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A. Ross, Listen to this. London: Fourth Estate, 2011.
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M. Katz, Capturing sound: how technology has changed music, Rev. ed. Berkeley, Calif: University of California Press, 2010 [Online]. Available: https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=579794
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P. Manning, Electronic and computer music, 4th ed. New York: Oxford University Press, 2013.
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H.-J. Braun and Symposium ICOHTEC, Music and technology in the twentieth century. Baltimore: John Hopkins University Press, 2002.
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M. J. Prendergast, The ambient century: from Mahler to trance, the evolution of sound in the electronic age. London: Bloomsbury, 2000.
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R. J. Heifetz, On the wires of our nerves: the art of electroacoustic music. Lewisburg: Bucknell University Press, 1989.
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L. Russolo and F. B. Pratella, The art of noise: destruction of music by futurist machines. [S.l.]: Sun Vision Press, 2012.
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C. Cox and D. Warner, Audio culture: readings in modern music. New York: Continuum, 2004.
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P. Schaeffer, C. North, and J. Dack, In search of a concrete music, vol. California studies in 20th-century music. Berkeley, Calif: University of California Press, 2012.
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D. Toop, Ocean of sound: aether talk, ambient sound and imaginary worlds. London: Serpent’s Tail, 2001.
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G. Milner, Perfecting sound forever: the story of recorded music, Pbk. ed. London: Granta, 2010.
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P. Shapiro, Modulations: a history of electronic music, throbbing words on sound. New York: Caipirinha Productions, 2000.
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P. R. Cook, Music, cognition, and computerized sound: an introduction to psychoacoustics, 1st MIT Press pbk. ed. Cambridge, Mass: MIT Press, 2001.
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D. J. Levitin, This is your brain on music: understanding a human obsession. London: Atlantic, 2007.
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A. Ross, The rest is noise: listening to the twentieth century. London: Fourth Estate, 2012.
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P. Kivy, Sound sentiment: an essay on the musical emotions, including the complete text of The corded shell, vol. Arts and their philosophies. Philadelphia: Temple University Press, 1989.
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D. Deutsch, The psychology of music, Third edition. Oxford: Academic, 2013 [Online]. Available: https://www.sciencedirect.com/book/9780123814609/the-psychology-of-music
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W. A. Sethares, Tuning, timbre, spectrum, scale, 2nd ed. London: Springer, 2005 [Online]. Available: https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=303730
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K. McLeod and P. DiCola, Creative license: the law and culture of digital sampling. Durham [NC]: Duke University Press, 2011.
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N. Collins, M. Schedel, and S. Wilson, Electronic music. Cambridge: Cambridge University Press, 2013.
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N. Collins and J. d’Escrivan Rincón, The Cambridge Companion to Electronic Music (2nd edition). Cambridge: Cambridge University Press [Online]. Available: https://doi.org/10.1017/9781316459874
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T. J. Pinch, F. Trocco, and ebrary, Inc, Analog days: the invention and impact of the Moog synthesizer. Cambridge, MA: Harvard University Press, 2002 [Online]. Available: https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=3300076