Abram Room. 1927. ‘Bed and Sofa (“Chess Fever” Included as a Bonus Feature) - Kanopy Streaming’ (Flicker Alley) <https://nottingham.kanopy.com/node/161441>
Abulaże, Tʹengiz, Nana Janeliże, Rezo Kveslava, Avtʹandil Maxaraże, Zeinab Botsvaże, and others. 1989. ‘Repentance: The Last Film of a Trilogy’ (Los Angeles, Calif: Heron Communications)
Acton, Edward, and Tom Stableford. 2005. The Soviet Union: A Documentary History (Exeter: University of Exeter Press)
Albee, Marina, and Christopher Cerf. 1990. Voices of Glasnost: Letters from the Soviet People to Ogonyok Magazine 1987-1990 (Cathie)
Arcangeli, Alessandro. 2012. Cultural History: A Concise Introduction (London: Routledge) <http://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=957800>
‘Arts and Humanities Citation Index - Web of Science Core Collection Home’. [n.d.]. <http://apps.webofknowledge.com/WOS_GeneralSearch_input.do?product=WOS&search_mode=GeneralSearch&SID=Z11rHnnUO8gZ1mBL2cY&preferencesSaved=>
Balabanov, Alekseĭ, Sergeĭ Selʹi︠a︡nov, Sergeĭ Bodrov, and Tartan Video (Firm). 2003. ‘Brother’ (London: Tartan Video)
Balina, Marina, and M. N. Lipovet︠s︡kiĭ. 2004. Russian Writers since 1980 (Detroit: Thomson Gale)
Barber, Sarah, and C. M. Peniston-Bird. 2008. History beyond the Text: A Student’s Guide to Approaching Alternative Sources (Abingdon: Routledge) <http://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=1123059>
Bennett, Tony, Lawrence Grossberg, Meaghan Morris, and Raymond Williams. 2005. New Keywords: A Revised Vocabulary of Culture and Society (Malden, Mass: Blackwell Pub)
Berlin, Isaiah. 2004. The Soviet Mind: Russian Culture under Communism (Brookings Institution Press) <https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=273532>
Beumers, Birgit. 2009. A History of Russian Cinema, English ed (Oxford: Berg)
Beumers, Birgit, and Sergeĭ Bodrov. 2007. The Cinema of Russia and the Former Soviet Union (London: Wallflower Press)
Bibikova, I. M., Catherine Cooke, and Vladimir Pavlovich Tolstoĭ. 1990a. Street Art of the Revolution: Festivals and Celebrations in Russia, 1918-33 (London: Thames and Hudson)
———. 1990b. Street Art of the Revolution: Festivals and Celebrations in Russia, 1918-33 (London: Thames and Hudson)
Billington, James H. 1970. The Icon and the Axe: An Interpretive History of Russian Culture (New York: Vintage Books)
Bonnell, Victoria E. 1997. Iconography of Power: Soviet Political Posters under Lenin and Stalin (Berkeley: University of California Press)
Bowlt, John E. 2017. Russian Art of the Avant-Garde: Theory and Criticism, 1902-1934, New ed (London: Thames & Hudson)
Brown, Clarence. 1993. The Portable Twentieth-Century Russian Reader, Rev. and updated ed (London: Penguin Books) <http://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=6044039>
Brown, Edward J. 1982. Russian Literature since the Revolution, Rev. and enl. ed (Cambridge, Mass: Harvard University Press)
Bulgakov, Mikhail. 1987. ‘Russian Literature of the Twenties - The Fatal Eggs’, in Russian Literature of the Twenties: An Anthology (Dana Point, Calif: Ardis Publishers)
———. [n.d.]. The Fateful Eggs <http://www.lib.ru/BULGAKOW/eggs_engl.txt>
Bulgakov, Mikhail Afanasʹevich, and Michael Glenny. 1999. The Heart of a Dog (London: Harvill Press)
Burke, Peter. 2019. What Is Cultural History?, Third edition (Cambridge, UK: Polity) <https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=5837329>
Chukovskai︠a︡, Lidii︠a︡ Korneevna, and Aline Werth. 1994. Sofia Petrovna (Evanston, Ill: Northwestern University Press)
Clark, Katerina, E. A. Dobrenko, Andreĭ Artizov, and Oleg V. Naumov. 2007. Soviet Culture and Power: A History in Documents, 1917-1953 (New Haven, Conn: Yale University Press) <http://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=4625074>
Cohen, Stephen F. (ed.). 1982. An End to Silence: Uncensored Opinion in the Soviet Union : From Roy Medvedev’s Underground Magazine Political Diary (New York: Norton)
Cook, Pam. 2007. The Cinema Book, 3rd ed (London: British Film Institute)
Cornwell, Neil. 2001. The Routledge Companion to Russian Literature (London: Routledge) <http://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=168716>
Cornwell, Neil, and Nicole Christian. 1998. Reference Guide to Russian Literature (London: Fitzroy Dearborn)
Daniels, Robert V. (ed.). 2001. Documentary History of Communism in Russia, 3rd edn (University of Vermont Press) <https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=1084975>
Dobrenko, E. A., and Marina Balina. 2011. The Cambridge Companion to Twentieth-Century Russian Literature (Cambridge: Cambridge University Press) <https://www.cambridge.org/core/books/cambridge-companion-to-twentiethcentury-russian-literature/882A270BFF44629DFB2AC8D24314F9A2>
Dobson, Miriam, and Benjamin Ziemann (eds.). 2020. Reading Primary Sources: The Interpretation of Texts from Nineteenth and Twentieth Century History, Second edition (Abingdon, Oxon ; New York, NY: Routledge)
Dovz︠h︡enko, Oleksandr Petrovych. 1973. Earth (London: Lorrimer)
Draitser, Emil. 1998. Taking Penguins to the Movies: Ethnic Humor in Russia (Detroit: Wayne State University Press)
Eisenstein, Sergei, Grigoriĭ Vasilʹevich Aleksandrov, and International Historic Films Inc. 2006. ‘The General Line’ ([Chicago, Ill.]: International Historic Films)
Eisenstein, Sergei, Grigoriĭ Vasilʹevich Aleksandrov, and Dmitriĭ Dmitrievich Shostakovich. 2000a. ‘October 1917’ ([London?]: Eureka Video) <https://www.kanopy.com/en/nottingham/video/120957>
Eisenstein, Sergei, Sergey Prokofiev, and Eureka Video (Firm). 2000b. ‘Ivan the Terrible Pt 1 - Hallward Copy’ ([London]: Eureka Video)
Emerson, Caryl. [n.d.]. The Cambridge Introduction to Russian Literature <https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=352967>
Epstein, Mikhail. 1995. ‘Re-Entering the Sign: Articulating New Russian Culture - “The Origins and Meanings of Russian Postmodernism”’, in Re-Entering the Sign: Articulating New Russian Culture (Ann Arbor: University of Michigan Press), pp. 25–47
Erofeev, Venedikt, and Stephen Mulrine. 1997. Moscow Stations: A Poem (London: Faber and Faber in association with Brian Brolly)
Erofeev, Venedikt, and H. William Tjalsma. 1994. Moscow to the End of the Line (Evanston, Ill: Northwestern University Press)
Evans, Jessica, Stuart Hall, and Open University. 1999. Visual Culture: The Reader (London: SAGE)
Evtuhov, Catherine, and Richard Stites. 2004. A History of Russia: Peoples, Legends, Events, Forces since 1800 (Boston, Mass: Houghton Mifflin)
Garros, Véronique, Natalia Korenevskaya, and Thomas Lahusen. 1995. Intimacy and Terror: Soviet Diaries of the 1930’s (New York: New Press)
Giller, Boris, Sergeĭ Bodrov, Arif Aliev, and MGM Home Entertainment Inc. 2003. ‘Kavkazskiĭ Plennik: Prisoner of the Mountains’ (Santa Monica, CA: MGM Home Entertainment)
Gillespie, David C. 2000. Early Soviet Cinema: Innovation, Ideology and Propaganda (London: Wallflower)
———. 2003. Russian Cinema (Harlow: Longman) <https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=1798385>
Gorbachev, Mikhail. 1988. ‘Chapters 1 and 2 (Section I - Society Is Put in Motion)’, in Perestroika: New Thinking for Our Country and the World, New, updated ed (London: Fontana)
Harvey, Karen. 2018. History and Material Culture: A Student’s Guide to Approaching Alternative Sources, 2nd ed (New York: Routledge)
Hill, John, and Pamela Church Gibson. 1998. The Oxford Guide to Film Studies (Oxford: Oxford University Press)
‘History of the Communist Party of the Soviet Union - Chapter 7 - ‘The Bolshevik Party in Period of Preparation and Realization of October Socialist Revolution (April 1917-1918)’. 1972. in History of the Communist Party of the Soviet Union: Bolsheviks : Short Course (London: Red Star Press) <http://ebookcentral.proquest.com/lib/nottingham/reader.action?docID=5721842&ppg=364>
Hosking, Geoffrey A. 1990. A History of the Soviet Union, Rev. ed (London: Fontana)
Howells, Richard, and Joaquim Negreiros. 2018. Visual Culture, Third edition (Cambridge: Polity)
Hughes-Warrington, Marnie. 2007. History Goes to the Movies: Studying History on Film (London: Routledge)
———. 2009. History on Film Reader (Abingdon: Routledge)
‘IMDb - Movies, TV and Celebrities - IMDb’. [n.d.]. <http://www.imdb.com/>
‘Introductory Page to Russian and Soviet Cinema: Bibliography’. [n.d.]. <http://www.pitt.edu/~slavic/video/cinema_biblio.html>
‘JSTOR’. [n.d.]. <http://www.jstor.org/>
Kagarlitsky, Boris, and Brian Pearce. 1988. The Thinking Reed: Intellectuals and the Soviet State from 1917 to the Present (London: Verso)
Kalatozov, Mikhail, Viktor Rozov, Sergeĭ Urusevskiĭ, Moskovskai︠a︡ kinostudii︠a︡ ‘Mosfilʹm’, and Ruscico (Firm). 1999. ‘Leti︠a︡t Zhuravli (The Cranes Are Flying)’ ([Moskva]: RUSCICO) <https://www.kanopy.com/en/nottingham/video/10978351>
Kasack, Wolfgang, and Rebecca Atack. 1988. Dictionary of Russian Literature since 1917 (New York: Columbia University Press)
Kelly, Catriona. 1999a. ‘Parts 1 and 4’, in Utopias: Russian Modernist Texts 1905-1940 (London: Penguin)
———. 1999b. Utopias: Russian Modernist Texts 1905-1940 (London: Penguin)
Kelly, Catriona, and David Shepherd. 1998a. Constructing Russian Culture in the Age of Revolution: 1881-1940 (Oxford: Oxford University Press)
———. 1998b. Russian Cultural Studies: An Introduction (Oxford: Oxford University Press)
Kenez, Peter. 2017. A History of the Soviet Union from the Beginning to Its Legacy, 3rd ed (New York: Cambridge University Press)
Khrushchev, Nikita S. 1957. ‘Khrushchev and Stalin’s Ghost - “Crimes of the Stalin Era, Special Report to the 20th Congress of the Communist Party of the Soviet Union, Closed Session, February 24-25, 1956”’, in Khrushchev and Stalin’s Ghost: Text, Background and Meaning of Khrushchev’s Secret Report to the Twentiern Congress on the Night of February 24-25, 1956 (London: Atlantic Press) <https://www.marxists.org/archive/khrushchev/1956/02/24.htm>
‘Kinoeye | New Perspectives on European Film’. [n.d.]. <http://www.kinoeye.org/>
Kivelson, Valerie A., and Joan Neuberger. 2008. Picturing Russia: Explorations in Visual Culture (New Haven, Conn: Yale University Press) <http://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=4585620>
Kollontaĭ, A., and Alix Holt. 1980. ‘Selected Writings of Alexandra Kollontai - Part 6 - “Morality and the New Society”’, in Selected Writings of Alexandra Kollontai (New York: Norton)
Leyda, Jay. 1983. Kino: A History of the Russian and Soviet Film, 3rd ed (Princeton, N.J.: Princeton University Press)
Lissitzky, El, and Eric Dluhosch. 1984a. Russia: An Architecture for World Revolution (Cambridge, Mass: M.I.T. Press)
———. 1984b. Russia: An Architecture for World Revolution (Cambridge, Mass: M.I.T. Press)
Lovell, Stephen. 2009. The Soviet Union: A Very Short Introduction (Oxford: Oxford University Press) <http://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=472319>
———. 2010. The Shadow of War: The Soviet Union and Russia, 1941 to the Present (Chichester: Wiley-Blackwell)
Łoziński, Paweł. 1999. ‘The Century of Cinema: Russia and Poland’ (London: Connoisseur/Academy Video release from the British Film Institute)
Malia, Martin E. 1996. The Soviet Tragedy: A History of Socialism in Russia, 1917-1991, 1st Free Press pbk. ed (New York: The Free Press)
Menʹshov, Vladimir, Valentin Chernykh, Sergeĭ Nikitin, Moskovskai︠a︡ kinostudii︠a︡ ‘Mosfilʹm’, Sovėksportfilʹm (Firm), and others. 2004. ‘Moscow Does Not Believe in Tears’ (New York: Kino International)
Mikhalkov, Nikita, Rustam Ibragimbekov, Vilen Kali︠u︡ta, Ėduard Artemʹev, Michel Seydoux, and others. 200AD. ‘Burnt by the Sun’ ([London]: Second Sight) <https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.nottingham.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2FC4PP138983%3Fbcast%3D130139880>
Millar, James R. 2004a. Encyclopedia of Russian History (New York: Macmillan Reference) <https://go.gale.com/ps/eToc.do?tabID=&searchId=&docId=0PFU&userGroupName=univnott&action=DO_BROWSE_ETOC&inPS=true&contentSegment=&source=&prodId=GVRL&etocId=GALE%7CCX3404199001&isDownLoadOptionDisabled=true>
———. 2004b. Encyclopedia of Russian History (New York: Macmillan Reference) <https://go.gale.com/ps/eToc.do?tabID=&searchId=&docId=0PFU&userGroupName=univnott&action=DO_BROWSE_ETOC&inPS=true&contentSegment=&source=&prodId=GVRL&etocId=GALE%7CCX3404199001&isDownLoadOptionDisabled=true>
Milner-Gulland, R. R. 1997. The Russians (Oxford: Blackwell)
Mirzoeff, Nicholas. 2009. An Introduction to Visual Culture, 2nd ed (London: Routledge)
———. 2013. The Visual Culture Reader, 3rd ed (Abingdon: Routledge)
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Monaco, James. 2009. How to Read a Film: Movies, Media, and beyond : Art, Technology, Language, History, Theory, 4th ed., completely rev. and expanded (New York: Oxford University Press)
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Olesha, Yurii. 1985. ‘The Portable Twentieth-Century Russian Reader - Envy’, in The Portable Twentieth-Century Russian Reader (Harmondsworth: Penguin) <http://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=6044039>
Pelevin, Viktor, and Andrew Bromfield. 1994. Omon Ra: With the Novella The Yellow Arrow (London: Harbord Publishing)
Pichul, Vasiliĭ, Marii︠a︡ Khmelik, T︠S︡entralʹnai︠a︡ kinostudii︠a︡ detskikh i i︠u︡nosheskikh filʹmov imeni M. Gorʹkogo, Water Bearer Films (Firm), and International Film Exchange. 2000. ‘Little Vera’ ([New York, N.Y.]: Water Bearer Films, Inc)
Protazanov, I͡Akov Aleksandrovich and Kanopy (Firm). 1924. ‘Aelita’ ([San Francisco, California, USA]: Kanopy Streaming) <https://nottingham.kanopy.com/node/120749>
Protazanov, I︠A︡kov Aleksandrovich, Aleksey Nikolayevich Tolstoy, Kino International Corporation, and Mezhrabpom-Rusʹ (Firm). 2009. ‘Aelita - Hallward Copy’ ([Korea?]: Kino Eye)
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Room, Abram Matveevich, Viktor Shklovskiĭ, Julian Graffy, Vsevolod Illarionovich Pudovkin, Nikolaĭ Shpikovskiĭ, and others. 2004. ‘Bed and Sofa - Hallward Copy’ (Chatsworth, CA.: Image Entertainment)
Rose, Gillian. 2016. Visual Methodologies: An Introduction to Researching with Visual Materials, 4th ed (London: SAGE)
Rydel, Christine. 2003. Russian Prose Writers between the World Wars (Detroit: Gale)
Rzhevsky, Nicholas. 2012. The Cambridge Companion to Modern Russian Culture, 2nd ed (Cambridge: Cambridge University Press) <http://cco.cambridge.org/book?id=ccol9781107002524_CCOL9781107002524>
Sakwa, Richard. 1999. The Rise and Fall of the Soviet Union, 1917-1991 (London: Routledge) <http://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=242189>
Salys, Rimgaila. 2013a. The Russian Cinema Reader: Volume I, 1908 to the Stalin Era, 1st ed (Boston, MA: Academic Studies Press) <https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=3110536>
———. 2013b. The Russian Cinema Reader: Volume II, the Thaw to the Present, 1st ed (Boston, MA: Academic Studies Press) <https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=3110539>
Selianov, Sergei, Daniil Dondurei, and Nikita Mikhalkov. 1999. ‘Russia on Reels - Russian Cinema - National Cinema?’ Three Views’’, in Russia on Reels: The Russian Idea in Post-Soviet Cinema (London: I.B. Tauris), pp. 43–50
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Sharlamov, Varlam. 1993. ‘The Portable Twentieth-Century Russian Reader - “Prosthetic Appliances”, “A Child’s Drawings” and “Lend-Lease”’, in The Portable Twentieth-Century Russian Reader, Rev. and updated ed (London: Penguin Books) <http://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=6044039>
———. 1994. ‘Kolyma Tales - “Prosthetic Appliances”, “A Child’s Drawings” and “Lend-Lease”’, in Kolyma Tales (London: Penguin)
Sinyavsky, Andrei. 1993. ‘The Portable Twentieth-Century Russian Reader - “Pkhentz”’, in The Portable Twentieth-Century Russian Reader, Rev. and updated ed (London: Penguin Books) <http://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=6044039>
Sokurov, Aleksandr, Andrey Deryabin, Jens Meuer, Karsten Stöter, Anatoly Nikiforov, and others. 2002. ‘Russian Ark’ (London: Artificial Eye) <https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.nottingham.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F004BECE9%3Fbcast%3D38631545>
Solzhenit︠s︡yn, Aleksandr Isaevich, and Ralph Parker. 2000. One Day in the Life of Ivan Denisovich (London: Penguin)
Solzhenitsyn, Alexander. 1985. ‘The Portable Twentieth-Century Russian Reader - “Matryona’s Home”’, in The Portable Twentieth-Century Russian Reader (Harmondsworth: Penguin) <http://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=6044039>
‘SovLit.Net - Soviet Literature’. [n.d.]. <http://www.sovlit.net/>
Stites, Richard. 1992. Russian Popular Culture: Entertainment and Society since 1900 (Cambridge: Cambridge University Press)
Sturken, Marita, and Lisa Cartwright. 2009. Practices of Looking: An Introduction to Visual Culture, 2nd ed (New York: Oxford University Press)
Suny, Ronald Grigor. 2011. The Soviet Experiment: Russia, the USSR, and the Successor States, 2nd ed (New York: Oxford University Press)
———. 2014. The Structure of Soviet History: Essays and Documents, 2nd ed (New York: Oxford University Press)
Szeman, Imre, and Timothy Kaposy. 2011. Cultural Theory: An Anthology (Oxford: Wiley-Blackwell)
Tarkhanov, Alexei, and Sergei Kaftaradze. 1992. Stalinist Architecture ([London]: Laurence King)
Tarkovskiĭ, Andreĭ Arsenʹevich, A. Misharin, and Moskovskai︠a︡ kinostudii︠a︡ ‘Mosfilʹm’. 2002. ‘Mirror’ ([London]: Artificial Eye)
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Vasilʹev, Georgiĭ Nikolaevich, Sergeĭ Dmitrievich Vasilʹev, Boris Babochkin, Dm Furmanov, Anna Furmanova, and others. 2007. ‘Chapaev’ (Moskva: Gosfilʹmofond Rossii)
Vertov, Dziga, Mikhail Abramovich Kaufman, and British Film Institute. 2002. ‘Man with a Movie Camera’ (London: British Film Institute)
Von Geldern, James, and Richard Stites. 1995a. Mass Culture in Soviet Russia: Tales, Poems, Songs, Movies, Plays, and Folklore, 1917-1953 (Bloomington: Indiana University Press) <https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=2198474>
———. 1995b. Mass Culture in Soviet Russia: Tales, Poems, Songs, Movies, Plays, and Folklore, 1917-1953 (Bloomington: Indiana University Press) <https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=2198474>
Wachtel, Andrew, and I. I︠U︡ Vinit︠s︡kiĭ. 2009. Russian Literature (Cambridge: Polity) <http://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=1175978>
Weeks, Theodore R. 2011. Across the Revolutionary Divide: Russia and the USSR, 1861-1945 (Chichester, West Sussex: Wiley-Blackwell) <http://www.vlebooks.com/vleweb/product/openreader?id=Nottingham&isbn=9781444325423>
Zami︠a︡tin, Evgeniĭ Ivanovich, and Clarence Brown. 1993. We (New York: Penguin Books) <https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=4086659>
Zamyatin, E. 1987. ‘Russian Literature of the Twenties: An Anthology - “We”’, in Russian Literature of the Twenties: An Anthology (Dana Point, Calif: Ardis Publishers)
Zorkai︠a︡, Nei︠a︡ Markovna. 1991. The Illustrated History of the Soviet Cinema (New York: Hippocrene Books)
