Abram Room. 1927. ‘Bed and Sofa (“Chess Fever” Included as a Bonus Feature) - Kanopy Streaming’. Flicker Alley. https://nottingham.kanopy.com/node/161441.
Abulaże, Tʹengiz, Nana Janeliże, Rezo Kveslava, Avtʹandil Maxaraże, Zeinab Botsvaże, and Gruziafilm. 1989. ‘Repentance: The Last Film of a Trilogy’. Videorecording. Los Angeles, Calif: Heron Communications.
Acton, Edward, and Tom Stableford. 2005. The Soviet Union: A Documentary History. Vol. Exeter studies in history. Exeter: University of Exeter Press.
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Arcangeli, Alessandro. 2012. Cultural History: A Concise Introduction. Electronic resource. London: Routledge. http://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=957800.
‘Arts and Humanities Citation Index - Web of Science Core Collection Home’. n.d. http://apps.webofknowledge.com/WOS_GeneralSearch_input.do?product=WOS&search_mode=GeneralSearch&SID=Z11rHnnUO8gZ1mBL2cY&preferencesSaved=.
Balabanov, Alekseĭ, Sergeĭ Selʹi︠a︡nov, Sergeĭ Bodrov, and Tartan Video (Firm). 2003. ‘Brother’. Videorecording. London: Tartan Video.
Balina, Marina, and M. N. Lipovet︠s︡kiĭ. 2004. Russian Writers since 1980. Vol. Dictionary of literary biography. Detroit: Thomson Gale.
Barber, Sarah, and C. M. Peniston-Bird. 2008. History beyond the Text: A Student’s Guide to Approaching Alternative Sources. Vol. Routledge guides to using historical sources. Abingdon: Routledge. http://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=1123059.
Bennett, Tony, Lawrence Grossberg, Meaghan Morris, and Raymond Williams. 2005. New Keywords: A Revised Vocabulary of Culture and Society. Malden, Mass: Blackwell Pub.
Berlin, Isaiah. 2004. The Soviet Mind: Russian Culture under Communism. Brookings Institution Press. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=273532.
Beumers, Birgit. 2009. A History of Russian Cinema. English ed. Oxford: Berg.
Beumers, Birgit, and Sergeĭ Bodrov. 2007. The Cinema of Russia and the Former Soviet Union. Vol. 24 frames. London: Wallflower Press.
Bibikova, I. M., Catherine Cooke, and Vladimir Pavlovich Tolstoĭ. 1990a. Street Art of the Revolution: Festivals and Celebrations in Russia, 1918-33. London: Thames and Hudson.
———. 1990b. Street Art of the Revolution: Festivals and Celebrations in Russia, 1918-33. London: Thames and Hudson.
Billington, James H. 1970. The Icon and the Axe: An Interpretive History of Russian Culture. New York: Vintage Books.
Bonnell, Victoria E. 1997. Iconography of Power: Soviet Political Posters under Lenin and Stalin. Vol. Studies on the history of society and culture. Berkeley: University of California Press.
Bowlt, John E. 2017. Russian Art of the Avant-Garde: Theory and Criticism, 1902-1934. New ed. London: Thames & Hudson.
Brown, Clarence. 1993. The Portable Twentieth-Century Russian Reader. Rev. and Updated ed. Vol. Penguin classics. London: Penguin Books. http://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=6044039.
Brown, Edward J. 1982. Russian Literature since the Revolution. Rev. and enl. Ed. Cambridge, Mass: Harvard University Press.
Bulgakov, Mikhail. 1987. ‘Russian Literature of the Twenties - The Fatal Eggs’. In Russian Literature of the Twenties: An Anthology. Dana Point, Calif: Ardis Publishers.
———. n.d. The Fateful Eggs. http://www.lib.ru/BULGAKOW/eggs_engl.txt.
Bulgakov, Mikhail Afanasʹevich, and Michael Glenny. 1999. The Heart of a Dog. London: Harvill Press.
Burke, Peter. 2019. What Is Cultural History? Third edition. Cambridge, UK: Polity. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=5837329.
Chukovskai︠a︡, Lidii︠a︡ Korneevna, and Aline Werth. 1994. Sofia Petrovna. Vol. European classics. Evanston, Ill: Northwestern University Press.
Clark, Katerina, E. A. Dobrenko, Andreĭ Artizov, and Oleg V. Naumov. 2007. Soviet Culture and Power: A History in Documents, 1917-1953. Vol. Annals of Communism. New Haven, Conn: Yale University Press. http://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=4625074.
Cohen, Stephen F., ed. 1982. An End to Silence: Uncensored Opinion in the Soviet Union : From Roy Medvedev’s Underground Magazine Political Diary. New York: Norton.
Cook, Pam. 2007. The Cinema Book. 3rd ed. London: British Film Institute.
Cornwell, Neil. 2001. The Routledge Companion to Russian Literature. London: Routledge. http://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=168716.
Cornwell, Neil, and Nicole Christian. 1998. Reference Guide to Russian Literature. London: Fitzroy Dearborn.
Daniels, Robert V., ed. 2001. Documentary History of Communism in Russia. 3rd ed. University of Vermont Press. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=1084975.
Dobrenko, E. A., and Marina Balina. 2011. The Cambridge Companion to Twentieth-Century Russian Literature. Cambridge: Cambridge University Press. https://www.cambridge.org/core/books/cambridge-companion-to-twentiethcentury-russian-literature/882A270BFF44629DFB2AC8D24314F9A2.
Dobson, Miriam, and Benjamin Ziemann, eds. 2020. Reading Primary Sources: The Interpretation of Texts from Nineteenth and Twentieth Century History. Second edition. Abingdon, Oxon ; New York, NY: Routledge.
Dovz︠h︡enko, Oleksandr Petrovych. 1973. Earth. Vol. Classic film scripts. London: Lorrimer.
Draitser, Emil. 1998. Taking Penguins to the Movies: Ethnic Humor in Russia. Vol. Humor in life and letters. Detroit: Wayne State University Press.
Eisenstein, Sergei, Grigoriĭ Vasilʹevich Aleksandrov, and International Historic Films Inc. 2006. ‘The General Line’. Videorecording. [Chicago, Ill.]: International Historic Films.
Eisenstein, Sergei, Grigoriĭ Vasilʹevich Aleksandrov, and Dmitriĭ Dmitrievich Shostakovich. 2000. ‘October 1917’. Videorecording. [London?]: Eureka Video. https://www.kanopy.com/en/nottingham/video/120957.
Eisenstein, Sergei, Sergey Prokofiev, and Eureka Video (Firm). 2000. ‘Ivan the Terrible Pt 1 - Hallward Copy’. Videorecording. [London]: Eureka Video.
Emerson, Caryl. n.d. The Cambridge Introduction to Russian Literature. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=352967.
Epstein, Mikhail. 1995. ‘Re-Entering the Sign: Articulating New Russian Culture - “The Origins and Meanings of Russian Postmodernism”’. In Re-Entering the Sign: Articulating New Russian Culture, 25–47. Ann Arbor: University of Michigan Press.
Erofeev, Venedikt, and Stephen Mulrine. 1997. Moscow Stations: A Poem. London: Faber and Faber in association with Brian Brolly.
Erofeev, Venedikt, and H. William Tjalsma. 1994. Moscow to the End of the Line. Vol. European classics. Evanston, Ill: Northwestern University Press.
Evans, Jessica, Stuart Hall, and Open University. 1999. Visual Culture: The Reader. London: SAGE.
Evtuhov, Catherine, and Richard Stites. 2004. A History of Russia: Peoples, Legends, Events, Forces since 1800. Boston, Mass: Houghton Mifflin.
Garros, Véronique, Natalia Korenevskaya, and Thomas Lahusen. 1995. Intimacy and Terror: Soviet Diaries of the 1930’s. New York: New Press.
Giller, Boris, Sergeĭ Bodrov, Arif Aliev, and MGM Home Entertainment Inc. 2003. ‘Kavkazskiĭ Plennik: Prisoner of the Mountains’. Videorecording =. Santa Monica, CA: MGM Home Entertainment.
Gillespie, David C. 2000. Early Soviet Cinema: Innovation, Ideology and Propaganda. Vol. Short cuts. London: Wallflower.
———. 2003. Russian Cinema. Vol. Inside film. Harlow: Longman. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=1798385.
Gorbachev, Mikhail. 1988. ‘Chapters 1 and 2 (Section I - Society Is Put in Motion)’. In Perestroika: New Thinking for Our Country and the World, New, updated ed. London: Fontana.
Harvey, Karen. 2018. History and Material Culture: A Student’s Guide to Approaching Alternative Sources. 2nd ed. New York: Routledge.
Hill, John, and Pamela Church Gibson. 1998. The Oxford Guide to Film Studies. Oxford: Oxford University Press.
‘History of the Communist Party of the Soviet Union - Chapter 7 - ‘The Bolshevik Party in Period of Preparation and Realization of October Socialist Revolution (April 1917-1918)’. 1972. In History of the Communist Party of the Soviet Union: Bolsheviks : Short Course. London: Red Star Press. http://ebookcentral.proquest.com/lib/nottingham/reader.action?docID=5721842&ppg=364.
Hosking, Geoffrey A. 1990. A History of the Soviet Union. Rev. ed. London: Fontana.
Howells, Richard, and Joaquim Negreiros. 2018. Visual Culture. Third edition. Cambridge: Polity.
Hughes-Warrington, Marnie. 2007. History Goes to the Movies: Studying History on Film. London: Routledge.
———. 2009. History on Film Reader. Vol. Routledge readers in history. Abingdon: Routledge.
‘IMDb - Movies, TV and Celebrities - IMDb’. n.d. http://www.imdb.com/.
‘Introductory Page to Russian and Soviet Cinema: Bibliography’. n.d. http://www.pitt.edu/~slavic/video/cinema_biblio.html.
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Kagarlitsky, Boris, and Brian Pearce. 1988. The Thinking Reed: Intellectuals and the Soviet State from 1917 to the Present. London: Verso.
Kalatozov, Mikhail, Viktor Rozov, Sergeĭ Urusevskiĭ, Moskovskai︠a︡ kinostudii︠a︡ ‘Mosfilʹm’, and Ruscico (Firm). 1999. ‘Leti︠a︡t Zhuravli (The Cranes Are Flying)’. Videorecording. [Moskva]: RUSCICO. https://www.kanopy.com/en/nottingham/video/10978351.
Kasack, Wolfgang, and Rebecca Atack. 1988. Dictionary of Russian Literature since 1917. New York: Columbia University Press.
Kelly, Catriona. 1999a. ‘Parts 1 and 4’. In Utopias: Russian Modernist Texts 1905-1940. London: Penguin.
———. 1999b. Utopias: Russian Modernist Texts 1905-1940. London: Penguin.
Kelly, Catriona, and David Shepherd. 1998a. Constructing Russian Culture in the Age of Revolution: 1881-1940. Oxford: Oxford University Press.
———. 1998b. Russian Cultural Studies: An Introduction. Oxford: Oxford University Press.
Kenez, Peter. 2017. A History of the Soviet Union from the Beginning to Its Legacy. 3rd ed. New York: Cambridge University Press.
Khrushchev, Nikita S. 1957. ‘Khrushchev and Stalin’s Ghost - “Crimes of the Stalin Era, Special Report to the 20th Congress of the Communist Party of the Soviet Union, Closed Session, February 24-25, 1956”’. In Khrushchev and Stalin’s Ghost: Text, Background and Meaning of Khrushchev’s Secret Report to the Twentiern Congress on the Night of February 24-25, 1956. London: Atlantic Press. https://www.marxists.org/archive/khrushchev/1956/02/24.htm.
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Kivelson, Valerie A., and Joan Neuberger. 2008. Picturing Russia: Explorations in Visual Culture. New Haven, Conn: Yale University Press. http://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=4585620.
Kollontaĭ, A., and Alix Holt. 1980. ‘Selected Writings of Alexandra Kollontai - Part 6 - “Morality and the New Society”’. In Selected Writings of Alexandra Kollontai. New York: Norton.
Leyda, Jay. 1983. Kino: A History of the Russian and Soviet Film. 3rd ed. Princeton, N.J.: Princeton University Press.
Lissitzky, El, and Eric Dluhosch. 1984a. Russia: An Architecture for World Revolution. Cambridge, Mass: M.I.T. Press.
———. 1984b. Russia: An Architecture for World Revolution. Cambridge, Mass: M.I.T. Press.
Lovell, Stephen. 2009. The Soviet Union: A Very Short Introduction. Vol. Very short introductions. Oxford: Oxford University Press. http://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=472319.
———. 2010. The Shadow of War: The Soviet Union and Russia, 1941 to the Present. Vol. Blackwell history of Russia. Chichester: Wiley-Blackwell.
Łoziński, Paweł. 1999. ‘The Century of Cinema: Russia and Poland’. London: Connoisseur/Academy Video release from the British Film Institute.
Malia, Martin E. 1996. The Soviet Tragedy: A History of Socialism in Russia, 1917-1991. 1st Free Press pbk. ed. New York: The Free Press.
Menʹshov, Vladimir, Valentin Chernykh, Sergeĭ Nikitin, Moskovskai︠a︡ kinostudii︠a︡ ‘Mosfilʹm’, Sovėksportfilʹm (Firm), and Kino International Corporation. 2004. ‘Moscow Does Not Believe in Tears’. Videorecording. New York: Kino International.
Mikhalkov, Nikita, Rustam Ibragimbekov, Vilen Kali︠u︡ta, Ėduard Artemʹev, Michel Seydoux, Caméra one (Firm : France), and Studii︠a︡ ‘TRITĖ’. 200AD. ‘Burnt by the Sun’. Videorecording =. [London]: Second Sight. https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.nottingham.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2FC4PP138983%3Fbcast%3D130139880.
Millar, James R. 2004a. Encyclopedia of Russian History. New York: Macmillan Reference. https://go.gale.com/ps/eToc.do?tabID=&searchId=&docId=0PFU&userGroupName=univnott&action=DO_BROWSE_ETOC&inPS=true&contentSegment=&source=&prodId=GVRL&etocId=GALE%7CCX3404199001&isDownLoadOptionDisabled=true.
———. 2004b. Encyclopedia of Russian History. New York: Macmillan Reference. https://go.gale.com/ps/eToc.do?tabID=&searchId=&docId=0PFU&userGroupName=univnott&action=DO_BROWSE_ETOC&inPS=true&contentSegment=&source=&prodId=GVRL&etocId=GALE%7CCX3404199001&isDownLoadOptionDisabled=true.
Milner-Gulland, R. R. 1997. The Russians. Vol. Peoples of Europe. Oxford: Blackwell.
Mirzoeff, Nicholas. 2009. An Introduction to Visual Culture. 2nd ed. London: Routledge.
———. 2013. The Visual Culture Reader. 3rd ed. Abingdon: Routledge.
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Olesha, Yurii. 1985. ‘The Portable Twentieth-Century Russian Reader - Envy’. In The Portable Twentieth-Century Russian Reader. Vol. Viking portable library. Harmondsworth: Penguin. http://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=6044039.
Pelevin, Viktor, and Andrew Bromfield. 1994. Omon Ra: With the Novella The Yellow Arrow. London: Harbord Publishing.
Pichul, Vasiliĭ, Marii︠a︡ Khmelik, T︠S︡entralʹnai︠a︡ kinostudii︠a︡ detskikh i i︠u︡nosheskikh filʹmov imeni M. Gorʹkogo, Water Bearer Films (Firm), and International Film Exchange. 2000. ‘Little Vera’. Videorecording. [New York, N.Y.]: Water Bearer Films, Inc.
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Protazanov, I︠A︡kov Aleksandrovich, Aleksey Nikolayevich Tolstoy, Kino International Corporation, and Mezhrabpom-Rusʹ (Firm). 2009. ‘Aelita - Hallward Copy’. Videorecording. [Korea?]: Kino Eye.
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Room, Abram Matveevich, Viktor Shklovskiĭ, Julian Graffy, Vsevolod Illarionovich Pudovkin, Nikolaĭ Shpikovskiĭ, Sovkino, and Image Entertainment (Firm). 2004. ‘Bed and Sofa - Hallward Copy’. Videorecording. Chatsworth, CA.: Image Entertainment.
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Salys, Rimgaila. 2013a. The Russian Cinema Reader: Volume I, 1908 to the Stalin Era. 1st ed. Boston, MA: Academic Studies Press. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=3110536.
———. 2013b. The Russian Cinema Reader: Volume II, the Thaw to the Present. 1st ed. Vol. v.2. Boston, MA: Academic Studies Press. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=3110539.
Selianov, Sergei, Daniil Dondurei, and Nikita Mikhalkov. 1999. ‘Russia on Reels - Russian Cinema - National Cinema?’ Three Views’’. In Russia on Reels: The Russian Idea in Post-Soviet Cinema, KINO, the Russian cinema series:43–50. London: I.B. Tauris.
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———. 1994. ‘Kolyma Tales - “Prosthetic Appliances”, “A Child’s Drawings” and “Lend-Lease”’. In Kolyma Tales. Vol. Penguin twentieth-century classics. London: Penguin.
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Sokurov, Aleksandr, Andrey Deryabin, Jens Meuer, Karsten Stöter, Anatoly Nikiforov, Studii︠a︡ Ėrmitazhnyĭ most, and Egoli Tossell Film AG. 2002. ‘Russian Ark’. Videorecording. London: Artificial Eye. https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.nottingham.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F004BECE9%3Fbcast%3D38631545.
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Stites, Richard. 1992. Russian Popular Culture: Entertainment and Society since 1900. Vol. Cambridge Soviet paperbacks. Cambridge: Cambridge University Press.
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Vasilʹev, Georgiĭ Nikolaevich, Sergeĭ Dmitrievich Vasilʹev, Boris Babochkin, Dm Furmanov, Anna Furmanova, Lenfilʹm, Gosfilʹmofond Rossii, and Kinovideoobʺedinenie ‘Krupnyĭ plan’. 2007. ‘Chapaev’. Videorecording. Moskva: Gosfilʹmofond Rossii.
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———. 1995b. Mass Culture in Soviet Russia: Tales, Poems, Songs, Movies, Plays, and Folklore, 1917-1953. Bloomington: Indiana University Press. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=2198474.
Wachtel, Andrew, and I. I︠U︡ Vinit︠s︡kiĭ. 2009. Russian Literature. Vol. Cultural history of literature. Cambridge: Polity. http://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=1175978.
Weeks, Theodore R. 2011. Across the Revolutionary Divide: Russia and the USSR, 1861-1945. Chichester, West Sussex: Wiley-Blackwell. http://www.vlebooks.com/vleweb/product/openreader?id=Nottingham&isbn=9781444325423.
Zami︠a︡tin, Evgeniĭ Ivanovich, and Clarence Brown. 1993. We. Vol. Penguin classics. New York: Penguin Books. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=4086659.
Zamyatin, E. 1987. ‘Russian Literature of the Twenties: An Anthology - “We”’. In Russian Literature of the Twenties: An Anthology. Dana Point, Calif: Ardis Publishers.
Zorkai︠a︡, Nei︠a︡ Markovna. 1991. The Illustrated History of the Soviet Cinema. New York: Hippocrene Books.
