Abram Room. 1927. Bed and Sofa (‘Chess Fever’ Included as a Bonus Feature) - Kanopy Streaming. Flicker Alley. https://nottingham.kanopy.com/node/161441.
Abulaże, Tʹengiz, Nana Janeliże, Rezo Kveslava, Avtʹandil Maxaraże, Zeinab Botsvaże, and Gruziafilm. 1989. Repentance: The Last Film of a Trilogy. Heron Communications. Videorecording.
Acton, Edward, and Tom Stableford. 2005. The Soviet Union: A Documentary History. Exeter studies in history. University of Exeter Press.
Albee, Marina, and Christopher Cerf. 1990. Voices of Glasnost: Letters from the Soviet People to Ogonyok Magazine 1987-1990. Cathie.
Arcangeli, Alessandro. 2012. Cultural History: A Concise Introduction. Routledge. Electronic resource. http://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=957800.
‘Arts and Humanities Citation Index - Web of Science Core Collection Home’. n.d. http://apps.webofknowledge.com/WOS_GeneralSearch_input.do?product=WOS&search_mode=GeneralSearch&SID=Z11rHnnUO8gZ1mBL2cY&preferencesSaved=.
Balabanov, Alekseĭ, Sergeĭ Selʹi︠a︡nov, Sergeĭ Bodrov, and Tartan Video (Firm). 2003. Brother. Tartan Video. Videorecording.
Balina, Marina, and M. N. Lipovet︠s︡kiĭ. 2004. Russian Writers since 1980. Dictionary of literary biography. Thomson Gale.
Barber, Sarah, and C. M. Peniston-Bird. 2008. History beyond the Text: A Student’s Guide to Approaching Alternative Sources. Routledge guides to using historical sources. Routledge. http://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=1123059.
Bennett, Tony, Lawrence Grossberg, Meaghan Morris, and Raymond Williams. 2005. New Keywords: A Revised Vocabulary of Culture and Society. Blackwell Pub.
Berlin, Isaiah. 2004. The Soviet Mind: Russian Culture under Communism. Brookings Institution Press. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=273532.
Beumers, Birgit. 2009. A History of Russian Cinema. English ed. Berg.
Beumers, Birgit, and Sergeĭ Bodrov. 2007. The Cinema of Russia and the Former Soviet Union. 24 frames. Wallflower Press.
Bibikova, I. M., Catherine Cooke, and Vladimir Pavlovich Tolstoĭ. 1990a. Street Art of the Revolution: Festivals and Celebrations in Russia, 1918-33. Thames and Hudson.
Bibikova, I. M., Catherine Cooke, and Vladimir Pavlovich Tolstoĭ. 1990b. Street Art of the Revolution: Festivals and Celebrations in Russia, 1918-33. Thames and Hudson.
Billington, James H. 1970. The Icon and the Axe: An Interpretive History of Russian Culture. Vintage Books.
Bonnell, Victoria E. 1997. Iconography of Power: Soviet Political Posters under Lenin and Stalin. Studies on the history of society and Culture. University of California Press.
Bowlt, John E. 2017. Russian Art of the Avant-Garde: Theory and Criticism, 1902-1934. New ed. Thames & Hudson.
Brown, Clarence. 1993. The Portable Twentieth-Century Russian Reader. Rev. and Updated ed. Penguin classics. Penguin Books. http://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=6044039.
Brown, Edward J. 1982. Russian Literature since the Revolution. Rev. and enl. Ed. Harvard University Press.
Bulgakov, Mikhail. 1987. ‘Russian Literature of the Twenties - The Fatal Eggs’. In Russian Literature of the Twenties: An Anthology. Ardis Publishers.
Bulgakov, Mikhail. n.d. The Fateful Eggs. http://www.lib.ru/BULGAKOW/eggs_engl.txt.
Bulgakov, Mikhail Afanasʹevich, and Michael Glenny. 1999. The Heart of a Dog. Harvill Press.
Burke, Peter. 2019. What Is Cultural History? Third edition. Polity. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=5837329.
Chukovskai︠a︡, Lidii︠a︡ Korneevna, and Aline Werth. 1994. Sofia Petrovna. European classics. Northwestern University Press.
Clark, Katerina, E. A. Dobrenko, Andreĭ Artizov, and Oleg V. Naumov. 2007. Soviet Culture and Power: A History in Documents, 1917-1953. Annals of Communism. Yale University Press. http://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=4625074.
Cohen, Stephen F., ed. 1982. An End to Silence: Uncensored Opinion in the Soviet Union : From Roy Medvedev’s Underground Magazine Political Diary. Norton.
Cook, Pam. 2007. The Cinema Book. 3rd ed. British Film Institute.
Cornwell, Neil. 2001. The Routledge Companion to Russian Literature. Routledge. http://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=168716.
Cornwell, Neil, and Nicole Christian. 1998. Reference Guide to Russian Literature. Fitzroy Dearborn.
Daniels, Robert V., ed. 2001. Documentary History of Communism in Russia. 3rd edn. University of Vermont Press. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=1084975.
Dobrenko, E. A., and Marina Balina. 2011. The Cambridge Companion to Twentieth-Century Russian Literature. Cambridge University Press. https://www.cambridge.org/core/books/cambridge-companion-to-twentiethcentury-russian-literature/882A270BFF44629DFB2AC8D24314F9A2.
Dobson, Miriam, and Benjamin Ziemann, eds. 2020. Reading Primary Sources: The Interpretation of Texts from Nineteenth and Twentieth Century History. Second edition. Routledge.
Dovz︠h︡enko, Oleksandr Petrovych. 1973. Earth. Classic film scripts. Lorrimer.
Draitser, Emil. 1998. Taking Penguins to the Movies: Ethnic Humor in Russia. Humor in life and Letters. Wayne State University Press.
Eisenstein, Sergei, Grigoriĭ Vasilʹevich Aleksandrov, and International Historic Films Inc. 2006. The General Line. Historic film classics. International Historic Films. Videorecording.
Eisenstein, Sergei, Grigoriĭ Vasilʹevich Aleksandrov, and Dmitriĭ Dmitrievich Shostakovich. 2000. October 1917. Eureka Video. Videorecording. https://www.kanopy.com/en/nottingham/video/120957.
Eisenstein, Sergei, Sergey Prokofiev, and Eureka Video (Firm). 2000. Ivan the Terrible Pt 1 - Hallward Copy. Eureka special ed. 2-DVD set. Eureka Video. Videorecording.
Emerson, Caryl. n.d. The Cambridge Introduction to Russian Literature. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=352967.
Epstein, Mikhail. 1995. ‘Re-Entering the Sign: Articulating New Russian Culture - “The Origins and Meanings of Russian Postmodernism”’. In Re-Entering the Sign: Articulating New Russian Culture. University of Michigan Press.
Erofeev, Venedikt, and Stephen Mulrine. 1997. Moscow Stations: A Poem. Faber and Faber in association with Brian Brolly.
Erofeev, Venedikt, and H. William Tjalsma. 1994. Moscow to the End of the Line. European classics. Northwestern University Press.
Evans, Jessica, Stuart Hall, and Open University. 1999. Visual Culture: The Reader. SAGE.
Evtuhov, Catherine, and Richard Stites. 2004. A History of Russia: Peoples, Legends, Events, Forces since 1800. Houghton Mifflin.
Garros, Véronique, Natalia Korenevskaya, and Thomas Lahusen. 1995. Intimacy and Terror: Soviet Diaries of the 1930’s. New Press.
Giller, Boris, Sergeĭ Bodrov, Arif Aliev, and MGM Home Entertainment Inc. 2003. Kavkazskiĭ Plennik: Prisoner of the Mountains. MGM Home Entertainment. Videorecording =.
Gillespie, David C. 2000. Early Soviet Cinema: Innovation, Ideology and Propaganda. Short cuts. Wallflower.
Gillespie, David C. 2003. Russian Cinema. Inside film. Longman. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=1798385.
Gorbachev, Mikhail. 1988. ‘Chapters 1 and 2 (Section I - Society Is Put in Motion)’. In Perestroika: New Thinking for Our Country and the World, New, updated ed. Fontana.
Harvey, Karen. 2018. History and Material Culture: A Student’s Guide to Approaching Alternative Sources. 2nd ed. Routledge.
Hill, John, and Pamela Church Gibson. 1998. The Oxford Guide to Film Studies. Oxford University Press.
‘History of the Communist Party of the Soviet Union - Chapter 7 - ‘The Bolshevik Party in Period of Preparation and Realization of October Socialist Revolution (April 1917-1918)’. 1972. In History of the Communist Party of the Soviet Union: Bolsheviks : Short Course. Red Star Press. http://ebookcentral.proquest.com/lib/nottingham/reader.action?docID=5721842&ppg=364.
Hosking, Geoffrey A. 1990. A History of the Soviet Union. Rev. ed. Fontana.
Howells, Richard, and Joaquim Negreiros. 2018. Visual Culture. Third edition. Polity.
Hughes-Warrington, Marnie. 2007. History Goes to the Movies: Studying History on Film. Routledge.
Hughes-Warrington, Marnie. 2009. History on Film Reader. Routledge readers in history. Routledge.
‘IMDb - Movies, TV and Celebrities - IMDb’. n.d. http://www.imdb.com/.
‘Introductory Page to Russian and Soviet Cinema: Bibliography’. n.d. http://www.pitt.edu/~slavic/video/cinema_biblio.html.
‘JSTOR’. n.d. http://www.jstor.org/.
Kagarlitsky, Boris, and Brian Pearce. 1988. The Thinking Reed: Intellectuals and the Soviet State from 1917 to the Present. Verso.
Kalatozov, Mikhail, Viktor Rozov, Sergeĭ Urusevskiĭ, Moskovskai︠a︡ kinostudii︠a︡ ‘Mosfilʹm’, and Ruscico (Firm). 1999. Leti︠a︡t Zhuravli (The Cranes Are Flying). RUSCICO. Videorecording. https://www.kanopy.com/en/nottingham/video/10978351.
Kasack, Wolfgang, and Rebecca Atack. 1988. Dictionary of Russian Literature since 1917. Columbia University Press.
Kelly, Catriona. 1999a. ‘Parts 1 and 4’. In Utopias: Russian Modernist Texts 1905-1940. Penguin.
Kelly, Catriona. 1999b. Utopias: Russian Modernist Texts 1905-1940. Penguin.
Kelly, Catriona, and David Shepherd. 1998a. Constructing Russian Culture in the Age of Revolution: 1881-1940. Oxford University Press.
Kelly, Catriona, and David Shepherd. 1998b. Russian Cultural Studies: An Introduction. Oxford University Press.
Kenez, Peter. 2017. A History of the Soviet Union from the Beginning to Its Legacy. 3rd ed. Cambridge University Press.
Khrushchev, Nikita S. 1957. ‘Khrushchev and Stalin’s Ghost - “Crimes of the Stalin Era, Special Report to the 20th Congress of the Communist Party of the Soviet Union, Closed Session, February 24-25, 1956”’. In Khrushchev and Stalin’s Ghost: Text, Background and Meaning of Khrushchev’s Secret Report to the Twentiern Congress on the Night of February 24-25, 1956. Atlantic Press. https://www.marxists.org/archive/khrushchev/1956/02/24.htm.
‘Kinoeye | New Perspectives on European Film’. n.d. http://www.kinoeye.org/.
Kivelson, Valerie A., and Joan Neuberger. 2008. Picturing Russia: Explorations in Visual Culture. Yale University Press. http://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=4585620.
Kollontaĭ, A., and Alix Holt. 1980. ‘Selected Writings of Alexandra Kollontai - Part 6 - “Morality and the New Society”’. In Selected Writings of Alexandra Kollontai. Norton.
Leyda, Jay. 1983. Kino: A History of the Russian and Soviet Film. 3rd ed. Princeton University Press.
Lissitzky, El, and Eric Dluhosch. 1984a. Russia: An Architecture for World Revolution. M.I.T. Press.
Lissitzky, El, and Eric Dluhosch. 1984b. Russia: An Architecture for World Revolution. M.I.T. Press.
Lovell, Stephen. 2009. The Soviet Union: A Very Short Introduction. Very short introductions. Oxford University Press. http://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=472319.
Lovell, Stephen. 2010. The Shadow of War: The Soviet Union and Russia, 1941 to the Present. Blackwell history of Russia. Wiley-Blackwell.
Łoziński, Paweł. 1999. The Century of Cinema: Russia and Poland. Connoisseur/Academy Video release from the British Film Institute.
Malia, Martin E. 1996. The Soviet Tragedy: A History of Socialism in Russia, 1917-1991. 1st Free Press pbk. ed. The Free Press.
Menʹshov, Vladimir, Valentin Chernykh, Sergeĭ Nikitin, Moskovskai︠a︡ kinostudii︠a︡ ‘Mosfilʹm’, Sovėksportfilʹm (Firm), and Kino International Corporation. 2004. Moscow Does Not Believe in Tears. Full-Frame. Kino International. Videorecording.
Mikhalkov, Nikita, Rustam Ibragimbekov, Vilen Kali︠u︡ta, et al. 200 AD. Burnt by the Sun. Second Sight. Videorecording =. https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.nottingham.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2FC4PP138983%3Fbcast%3D130139880.
Millar, James R. 2004a. Encyclopedia of Russian History. Macmillan Reference. https://go.gale.com/ps/eToc.do?tabID=&searchId=&docId=0PFU&userGroupName=univnott&action=DO_BROWSE_ETOC&inPS=true&contentSegment=&source=&prodId=GVRL&etocId=GALE%7CCX3404199001&isDownLoadOptionDisabled=true.
Millar, James R. 2004b. Encyclopedia of Russian History. Macmillan Reference. https://go.gale.com/ps/eToc.do?tabID=&searchId=&docId=0PFU&userGroupName=univnott&action=DO_BROWSE_ETOC&inPS=true&contentSegment=&source=&prodId=GVRL&etocId=GALE%7CCX3404199001&isDownLoadOptionDisabled=true.
Milner-Gulland, R. R. 1997. The Russians. Peoples of Europe. Blackwell.
Mirzoeff, Nicholas. 2009. An Introduction to Visual Culture. 2nd ed. Routledge.
Mirzoeff, Nicholas. 2013. The Visual Culture Reader. 3rd ed. Routledge.
‘Modern Language Association of America (MLA) International Bibliography, 1963-2004’. n.d. https://nusearch.nottingham.ac.uk/permalink/44NOTTS_UNUK/11megrm/alma9923110261705561.
Monaco, James. 2009. How to Read a Film: Movies, Media, and beyond : Art, Technology, Language, History, Theory. 4th ed., Completely rev. and Expanded. Oxford University Press.
‘Mosfilm (Films with Subtitles in English)’. n.d. https://mosfilm.ru/movies/.
‘Mosfilm Website’. n.d. https://www.mosfilm.ru/.
‘Mosfilm YouTube Channel’. n.d. https://www.youtube.com/user/mosfilm.
Nelmes, Jill. 2012. Introduction to Film Studies. 5th ed. Routledge.
‘Nostalghia.Com - An Andrei Tarkovsky Information Site’. n.d. http://people.ucalgary.ca/~tstronds/nostalghia.com/.
Olesha, Yurii. 1985. ‘The Portable Twentieth-Century Russian Reader - Envy’. In The Portable Twentieth-Century Russian Reader, Viking portable library. Penguin. http://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=6044039.
Pelevin, Viktor, and Andrew Bromfield. 1994. Omon Ra: With the Novella The Yellow Arrow. Harbord Publishing.
Pichul, Vasiliĭ, Marii︠a︡ Khmelik, T︠S︡entralʹnai︠a︡ kinostudii︠a︡ detskikh i i︠u︡nosheskikh filʹmov imeni M. Gorʹkogo, Water Bearer Films (Firm), and International Film Exchange. 2000. Little Vera. Water Bearer Films, Inc. Videorecording.
Protazanov, I͡Akov Aleksandrovich and Kanopy (Firm). 1924. Aelita. Kanopy Streaming. https://nottingham.kanopy.com/node/120749.
Protazanov, I︠A︡kov Aleksandrovich, Aleksey Nikolayevich Tolstoy, Kino International Corporation, and Mezhrabpom-Rusʹ (Firm). 2009. Aelita - Hallward Copy. Kino Eye. Videorecording.
‘REESWeb | The World Wide Web Virtual Library for Russian and East European Studies’. n.d. http://www.ucis.pitt.edu/reesweb/.
Room, Abram Matveevich, Viktor Shklovskiĭ, Julian Graffy, et al. 2004. Bed and Sofa - Hallward Copy. Image Entertainment. Videorecording.
Rose, Gillian. 2016. Visual Methodologies: An Introduction to Researching with Visual Materials. 4th ed. SAGE.
Rydel, Christine. 2003. Russian Prose Writers between the World Wars. Dictionary of literary biography. Gale.
Rzhevsky, Nicholas. 2012. The Cambridge Companion to Modern Russian Culture. 2nd ed. Cambridge companions to culture. Cambridge University Press. Electronic resource. http://cco.cambridge.org/book?id=ccol9781107002524_CCOL9781107002524.
Sakwa, Richard. 1999. The Rise and Fall of the Soviet Union, 1917-1991. Routledge sources in history. Routledge. http://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=242189.
Salys, Rimgaila. 2013a. The Russian Cinema Reader: Volume I, 1908 to the Stalin Era. 1st ed. Academic Studies Press. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=3110536.
Salys, Rimgaila. 2013b. The Russian Cinema Reader: Volume II, the Thaw to the Present. 1st ed. V.2. Academic Studies Press. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=3110539.
Selianov, Sergei, Daniil Dondurei, and Nikita Mikhalkov. 1999. ‘Russia on Reels - Russian Cinema - National Cinema?’ Three Views’’. In Russia on Reels: The Russian Idea in Post-Soviet Cinema, KINO, the Russian cinema series. I.B. Tauris.
Sergi Eisenstein. 1944. Ivan the Terrible, Part 1 - Kanopy Streaming. Criterion Collection/Janus Films. https://nottingham.kanopystreaming.com/node/113222?gathStatIcon=true.
‘Seventeen Moments in Soviet History’. n.d. http://soviethistory.msu.edu/.
Sharlamov, Varlam. 1993. ‘The Portable Twentieth-Century Russian Reader - “Prosthetic Appliances”, “A Child’s Drawings” and “Lend-Lease”’. In The Portable Twentieth-Century Russian Reader, Rev. and updated ed, Penguin classics. Penguin Books. http://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=6044039.
Sharlamov, Varlam. 1994. ‘Kolyma Tales - “Prosthetic Appliances”, “A Child’s Drawings” and “Lend-Lease”’. In Kolyma Tales, Penguin twentieth-century classics. Penguin.
Sinyavsky, Andrei. 1993. ‘The Portable Twentieth-Century Russian Reader - “Pkhentz”’. In The Portable Twentieth-Century Russian Reader, Rev. and updated ed, Penguin classics. Penguin Books. http://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=6044039.
Sokurov, Aleksandr, Andrey Deryabin, Jens Meuer, et al. 2002. Russian Ark. Artificial Eye. Videorecording. https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.nottingham.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F004BECE9%3Fbcast%3D38631545.
Solzhenit︠s︡yn, Aleksandr Isaevich, and Ralph Parker. 2000. One Day in the Life of Ivan Denisovich. Penguin modern classics. Penguin.
Solzhenitsyn, Alexander. 1985. ‘The Portable Twentieth-Century Russian Reader - “Matryona’s Home”’. In The Portable Twentieth-Century Russian Reader, Viking portable library. Penguin. http://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=6044039.
‘SovLit.Net - Soviet Literature’. n.d. http://www.sovlit.net/.
Stites, Richard. 1992. Russian Popular Culture: Entertainment and Society since 1900. Cambridge Soviet paperbacks. Cambridge University Press.
Sturken, Marita, and Lisa Cartwright. 2009. Practices of Looking: An Introduction to Visual Culture. 2nd ed. Oxford University Press.
Suny, Ronald Grigor. 2011. The Soviet Experiment: Russia, the USSR, and the Successor States. 2nd ed. Oxford University Press.
Suny, Ronald Grigor. 2014. The Structure of Soviet History: Essays and Documents. 2nd ed. Oxford University Press.
Szeman, Imre, and Timothy Kaposy. 2011. Cultural Theory: An Anthology. Wiley-Blackwell.
Tarkhanov, Alexei, and Sergei Kaftaradze. 1992. Stalinist Architecture. Laurence King.
Tarkovskiĭ, Andreĭ Arsenʹevich, A. Misharin, and Moskovskai︠a︡ kinostudii︠a︡ ‘Mosfilʹm’. 2002. Mirror. Artificial Eye. Videorecording.
The Current Digest of the Russian Press (Formally the Current Digest of the Soviet/Post-Soviet Press). n.d. https://dlib.eastview.com/browse/publication/6765.
Vasilʹev, Georgiĭ Nikolaevich, Sergeĭ Dmitrievich Vasilʹev, Boris Babochkin, et al. 2007. Chapaev. Kinoklassika. Gosfilʹmofond Rossii. Videorecording.
Vertov, Dziga, Mikhail Abramovich Kaufman, and British Film Institute. 2002. Man with a Movie Camera. British Film Institute. Videorecording.
Von Geldern, James, and Richard Stites. 1995a. Mass Culture in Soviet Russia: Tales, Poems, Songs, Movies, Plays, and Folklore, 1917-1953. Indiana University Press. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=2198474.
Von Geldern, James, and Richard Stites. 1995b. Mass Culture in Soviet Russia: Tales, Poems, Songs, Movies, Plays, and Folklore, 1917-1953. Indiana University Press. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=2198474.
Wachtel, Andrew, and I. I︠U︡ Vinit︠s︡kiĭ. 2009. Russian Literature. Cultural history of literature. Polity. http://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=1175978.
Weeks, Theodore R. 2011. Across the Revolutionary Divide: Russia and the USSR, 1861-1945. Wiley-Blackwell. http://www.vlebooks.com/vleweb/product/openreader?id=Nottingham&isbn=9781444325423.
Zami︠a︡tin, Evgeniĭ Ivanovich, and Clarence Brown. 1993. We. Penguin classics. Penguin Books. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=4086659.
Zamyatin, E. 1987. ‘Russian Literature of the Twenties: An Anthology - “We”’. In Russian Literature of the Twenties: An Anthology. Ardis Publishers.
Zorkai︠a︡, Nei︠a︡ Markovna. 1991. The Illustrated History of the Soviet Cinema. Hippocrene Books.
