Abram Room. ‘Bed and Sofa (“Chess Fever” Included as a Bonus Feature) - Kanopy Streaming’. Flicker Alley, 1927. https://nottingham.kanopy.com/node/161441.
Abulaże, Tʹengiz, Nana Janeliże, Rezo Kveslava, Avtʹandil Maxaraże, Zeinab Botsvaże, and Gruziafilm. ‘Repentance: The Last Film of a Trilogy’. Videorecording. Los Angeles, Calif: Heron Communications, 1989.
Acton, Edward, and Tom Stableford. The Soviet Union: A Documentary History. Vol. Exeter studies in history. Exeter: University of Exeter Press, 2005.
Albee, Marina, and Christopher Cerf. Voices of Glasnost: Letters from the Soviet People to Ogonyok Magazine 1987-1990. Cathie, 1990.
Arcangeli, Alessandro. Cultural History: A Concise Introduction. Electronic resource. London: Routledge, 2012. http://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=957800.
Balabanov, Alekseĭ, Sergeĭ Selʹi︠a︡nov, Sergeĭ Bodrov, and Tartan Video (Firm). ‘Brother’. Videorecording. London: Tartan Video, 2003.
Balina, Marina, and M. N. Lipovet︠s︡kiĭ. Russian Writers since 1980. Vol. Dictionary of literary biography. Detroit: Thomson Gale, 2004.
Barber, Sarah, and C. M. Peniston-Bird. History beyond the Text: A Student’s Guide to Approaching Alternative Sources. Vol. Routledge guides to using historical sources. Abingdon: Routledge, 2008. http://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=1123059.
Bennett, Tony, Lawrence Grossberg, Meaghan Morris, and Raymond Williams. New Keywords: A Revised Vocabulary of Culture and Society. Malden, Mass: Blackwell Pub, 2005.
Berlin, Isaiah. The Soviet Mind: Russian Culture under Communism. Brookings Institution Press, 2004. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=273532.
Beumers, Birgit. A History of Russian Cinema. English ed. Oxford: Berg, 2009.
Beumers, Birgit, and Sergeĭ Bodrov. The Cinema of Russia and the Former Soviet Union. Vol. 24 frames. London: Wallflower Press, 2007.
Bibikova, I. M., Catherine Cooke, and Vladimir Pavlovich Tolstoĭ. Street Art of the Revolution: Festivals and Celebrations in Russia, 1918-33. London: Thames and Hudson, 1990.
———. Street Art of the Revolution: Festivals and Celebrations in Russia, 1918-33. London: Thames and Hudson, 1990.
Billington, James H. The Icon and the Axe: An Interpretive History of Russian Culture. New York: Vintage Books, 1970.
Bonnell, Victoria E. Iconography of Power: Soviet Political Posters under Lenin and Stalin. Vol. Studies on the history of society and culture. Berkeley: University of California Press, 1997.
Bowlt, John E. Russian Art of the Avant-Garde: Theory and Criticism, 1902-1934. New ed. London: Thames & Hudson, 2017.
Brown, Clarence. The Portable Twentieth-Century Russian Reader. Rev. and Updated ed. Vol. Penguin classics. London: Penguin Books, 1993. http://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=6044039.
Brown, Edward J. Russian Literature since the Revolution. Rev. and enl. Ed. Cambridge, Mass: Harvard University Press, 1982.
Bulgakov, Mikhail. ‘Russian Literature of the Twenties - The Fatal Eggs’. Russian Literature of the Twenties: An Anthology. Dana Point, Calif: Ardis Publishers, 1987.
———. The Fateful Eggs, n.d. http://www.lib.ru/BULGAKOW/eggs_engl.txt.
Bulgakov, Mikhail Afanasʹevich, and Michael Glenny. The Heart of a Dog. London: Harvill Press, 1999.
Burke, Peter. What Is Cultural History? Third edition. Cambridge, UK: Polity, 2019. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=5837329.
Chukovskai︠a︡, Lidii︠a︡ Korneevna, and Aline Werth. Sofia Petrovna. Vol. European classics. Evanston, Ill: Northwestern University Press, 1994.
Clark, Katerina, E. A. Dobrenko, Andreĭ Artizov, and Oleg V. Naumov. Soviet Culture and Power: A History in Documents, 1917-1953. Vol. Annals of Communism. New Haven, Conn: Yale University Press, 2007. http://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=4625074.
Cohen, Stephen F., ed. An End to Silence: Uncensored Opinion in the Soviet Union : From Roy Medvedev’s Underground Magazine Political Diary. New York: Norton, 1982.
Cook, Pam. The Cinema Book. 3rd ed. London: British Film Institute, 2007.
Cornwell, Neil. The Routledge Companion to Russian Literature. London: Routledge, 2001. http://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=168716.
Cornwell, Neil, and Nicole Christian. Reference Guide to Russian Literature. London: Fitzroy Dearborn, 1998.
Daniels, Robert V., ed. Documentary History of Communism in Russia. 3rd ed. University of Vermont Press, 2001. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=1084975.
Dobrenko, E. A., and Marina Balina. The Cambridge Companion to Twentieth-Century Russian Literature. Cambridge: Cambridge University Press, 2011. https://www.cambridge.org/core/books/cambridge-companion-to-twentiethcentury-russian-literature/882A270BFF44629DFB2AC8D24314F9A2.
Dobson, Miriam, and Benjamin Ziemann, eds. Reading Primary Sources: The Interpretation of Texts from Nineteenth and Twentieth Century History. Second edition. Abingdon, Oxon ; New York, NY: Routledge, 2020.
Dovz︠h︡enko, Oleksandr Petrovych. Earth. Vol. Classic film scripts. London: Lorrimer, 1973.
Draitser, Emil. Taking Penguins to the Movies: Ethnic Humor in Russia. Vol. Humor in life and letters. Detroit: Wayne State University Press, 1998.
Eisenstein, Sergei, Grigoriĭ Vasilʹevich Aleksandrov, and International Historic Films Inc. ‘The General Line’. Videorecording. [Chicago, Ill.]: International Historic Films, 2006.
Eisenstein, Sergei, Grigoriĭ Vasilʹevich Aleksandrov, and Dmitriĭ Dmitrievich Shostakovich. ‘October 1917’. Videorecording. [London?]: Eureka Video, 2000. https://www.kanopy.com/en/nottingham/video/120957.
Eisenstein, Sergei, Sergey Prokofiev, and Eureka Video (Firm). ‘Ivan the Terrible Pt 1 - Hallward Copy’. Videorecording. [London]: Eureka Video, 2000.
Emerson, Caryl. The Cambridge Introduction to Russian Literature, n.d. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=352967.
Epstein, Mikhail. ‘Re-Entering the Sign: Articulating New Russian Culture - “The Origins and Meanings of Russian Postmodernism”’. Pages 25–47 in Re-Entering the Sign: Articulating New Russian Culture. Ann Arbor: University of Michigan Press, 1995.
Erofeev, Venedikt, and Stephen Mulrine. Moscow Stations: A Poem. London: Faber and Faber in association with Brian Brolly, 1997.
Erofeev, Venedikt, and H. William Tjalsma. Moscow to the End of the Line. Vol. European classics. Evanston, Ill: Northwestern University Press, 1994.
Evans, Jessica, Stuart Hall, and Open University. Visual Culture: The Reader. London: SAGE, 1999.
Evtuhov, Catherine, and Richard Stites. A History of Russia: Peoples, Legends, Events, Forces since 1800. Boston, Mass: Houghton Mifflin, 2004.
Garros, Véronique, Natalia Korenevskaya, and Thomas Lahusen. Intimacy and Terror: Soviet Diaries of the 1930’s. New York: New Press, 1995.
Giller, Boris, Sergeĭ Bodrov, Arif Aliev, and MGM Home Entertainment Inc. ‘Kavkazskiĭ Plennik: Prisoner of the Mountains’. Videorecording =. Santa Monica, CA: MGM Home Entertainment, 2003.
Gillespie, David C. Early Soviet Cinema: Innovation, Ideology and Propaganda. Vol. Short cuts. London: Wallflower, 2000.
———. Russian Cinema. Vol. Inside film. Harlow: Longman, 2003. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=1798385.
Gorbachev, Mikhail. ‘Chapters 1 and 2 (Section I - Society Is Put in Motion)’. Perestroika: New Thinking for Our Country and the World. New, Updated ed. London: Fontana, 1988.
Harvey, Karen. History and Material Culture: A Student’s Guide to Approaching Alternative Sources. 2nd ed. New York: Routledge, 2018.
Hill, John, and Pamela Church Gibson. The Oxford Guide to Film Studies. Oxford: Oxford University Press, 1998.
Hosking, Geoffrey A. A History of the Soviet Union. Rev. ed. London: Fontana, 1990.
Howells, Richard, and Joaquim Negreiros. Visual Culture. Third edition. Cambridge: Polity, 2018.
Hughes-Warrington, Marnie. History Goes to the Movies: Studying History on Film. London: Routledge, 2007.
———. History on Film Reader. Vol. Routledge readers in history. Abingdon: Routledge, 2009.
Kagarlitsky, Boris, and Brian Pearce. The Thinking Reed: Intellectuals and the Soviet State from 1917 to the Present. London: Verso, 1988.
Kalatozov, Mikhail, Viktor Rozov, Sergeĭ Urusevskiĭ, Moskovskai︠a︡ kinostudii︠a︡ ‘Mosfilʹm’, and Ruscico (Firm). ‘Leti︠a︡t Zhuravli (The Cranes Are Flying)’. Videorecording. [Moskva]: RUSCICO, 1999. https://www.kanopy.com/en/nottingham/video/10978351.
Kasack, Wolfgang, and Rebecca Atack. Dictionary of Russian Literature since 1917. New York: Columbia University Press, 1988.
Kelly, Catriona. ‘Parts 1 and 4’. Utopias: Russian Modernist Texts 1905-1940. London: Penguin, 1999.
———. Utopias: Russian Modernist Texts 1905-1940. London: Penguin, 1999.
Kelly, Catriona, and David Shepherd. Constructing Russian Culture in the Age of Revolution: 1881-1940. Oxford: Oxford University Press, 1998.
———. Russian Cultural Studies: An Introduction. Oxford: Oxford University Press, 1998.
Kenez, Peter. A History of the Soviet Union from the Beginning to Its Legacy. 3rd ed. New York: Cambridge University Press, 2017.
Khrushchev, Nikita S. ‘Khrushchev and Stalin’s Ghost - “Crimes of the Stalin Era, Special Report to the 20th Congress of the Communist Party of the Soviet Union, Closed Session, February 24-25, 1956”’. Khrushchev and Stalin’s Ghost: Text, Background and Meaning of Khrushchev’s Secret Report to the Twentiern Congress on the Night of February 24-25, 1956. London: Atlantic Press, 1957. https://www.marxists.org/archive/khrushchev/1956/02/24.htm.
Kivelson, Valerie A., and Joan Neuberger. Picturing Russia: Explorations in Visual Culture. New Haven, Conn: Yale University Press, 2008. http://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=4585620.
Kollontaĭ, A., and Alix Holt. ‘Selected Writings of Alexandra Kollontai - Part 6 - “Morality and the New Society”’. Selected Writings of Alexandra Kollontai. New York: Norton, 1980.
Leyda, Jay. Kino: A History of the Russian and Soviet Film. 3rd ed. Princeton, N.J.: Princeton University Press, 1983.
Lissitzky, El, and Eric Dluhosch. Russia: An Architecture for World Revolution. Cambridge, Mass: M.I.T. Press, 1984.
———. Russia: An Architecture for World Revolution. Cambridge, Mass: M.I.T. Press, 1984.
Lovell, Stephen. The Shadow of War: The Soviet Union and Russia, 1941 to the Present. Vol. Blackwell history of Russia. Chichester: Wiley-Blackwell, 2010.
———. The Soviet Union: A Very Short Introduction. Vol. Very short introductions. Oxford: Oxford University Press, 2009. http://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=472319.
Łoziński, Paweł. ‘The Century of Cinema: Russia and Poland’. London: Connoisseur/Academy Video release from the British Film Institute, 1999.
Malia, Martin E. The Soviet Tragedy: A History of Socialism in Russia, 1917-1991. 1st Free Press pbk. ed. New York: The Free Press, 1996.
Menʹshov, Vladimir, Valentin Chernykh, Sergeĭ Nikitin, Moskovskai︠a︡ kinostudii︠a︡ ‘Mosfilʹm’, Sovėksportfilʹm (Firm), and Kino International Corporation. ‘Moscow Does Not Believe in Tears’. Videorecording. New York: Kino International, 2004.
Mikhalkov, Nikita, Rustam Ibragimbekov, Vilen Kali︠u︡ta, Ėduard Artemʹev, Michel Seydoux, Caméra one (Firm : France), and Studii︠a︡ ‘TRITĖ’. ‘Burnt by the Sun’. Videorecording =. [London]: Second Sight, 200AD. https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.nottingham.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2FC4PP138983%3Fbcast%3D130139880.
Millar, James R. Encyclopedia of Russian History. New York: Macmillan Reference, 2004. https://go.gale.com/ps/eToc.do?tabID=&searchId=&docId=0PFU&userGroupName=univnott&action=DO_BROWSE_ETOC&inPS=true&contentSegment=&source=&prodId=GVRL&etocId=GALE%7CCX3404199001&isDownLoadOptionDisabled=true.
———. Encyclopedia of Russian History. New York: Macmillan Reference, 2004. https://go.gale.com/ps/eToc.do?tabID=&searchId=&docId=0PFU&userGroupName=univnott&action=DO_BROWSE_ETOC&inPS=true&contentSegment=&source=&prodId=GVRL&etocId=GALE%7CCX3404199001&isDownLoadOptionDisabled=true.
Milner-Gulland, R. R. The Russians. Vol. Peoples of Europe. Oxford: Blackwell, 1997.
Mirzoeff, Nicholas. An Introduction to Visual Culture. 2nd ed. London: Routledge, 2009.
———. The Visual Culture Reader. 3rd ed. Abingdon: Routledge, 2013.
Monaco, James. How to Read a Film: Movies, Media, and beyond : Art, Technology, Language, History, Theory. 4th ed., Completely rev. and Expanded. New York: Oxford University Press, 2009.
Nelmes, Jill. Introduction to Film Studies. 5th ed. London: Routledge, 2012.
Olesha, Yurii. ‘The Portable Twentieth-Century Russian Reader - Envy’. The Portable Twentieth-Century Russian Reader. Vol. Viking portable library. Harmondsworth: Penguin, 1985. http://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=6044039.
Pelevin, Viktor, and Andrew Bromfield. Omon Ra: With the Novella The Yellow Arrow. London: Harbord Publishing, 1994.
Pichul, Vasiliĭ, Marii︠a︡ Khmelik, T︠S︡entralʹnai︠a︡ kinostudii︠a︡ detskikh i i︠u︡nosheskikh filʹmov imeni M. Gorʹkogo, Water Bearer Films (Firm), and International Film Exchange. ‘Little Vera’. Videorecording. [New York, N.Y.]: Water Bearer Films, Inc, 2000.
Protazanov, I͡Akov Aleksandrovich and Kanopy (Firm). ‘Aelita’. [San Francisco, California, USA]: Kanopy Streaming, 1924. https://nottingham.kanopy.com/node/120749.
Protazanov, I︠A︡kov Aleksandrovich, Aleksey Nikolayevich Tolstoy, Kino International Corporation, and Mezhrabpom-Rusʹ (Firm). ‘Aelita - Hallward Copy’. Videorecording. [Korea?]: Kino Eye, 2009.
Room, Abram Matveevich, Viktor Shklovskiĭ, Julian Graffy, Vsevolod Illarionovich Pudovkin, Nikolaĭ Shpikovskiĭ, Sovkino, and Image Entertainment (Firm). ‘Bed and Sofa - Hallward Copy’. Videorecording. Chatsworth, CA.: Image Entertainment, 2004.
Rose, Gillian. Visual Methodologies: An Introduction to Researching with Visual Materials. 4th ed. London: SAGE, 2016.
Rydel, Christine. Russian Prose Writers between the World Wars. Vol. Dictionary of literary biography. Detroit: Gale, 2003.
Rzhevsky, Nicholas. The Cambridge Companion to Modern Russian Culture. Electronic resource. 2nd ed. Vol. Cambridge companions to culture. Cambridge: Cambridge University Press, 2012. http://cco.cambridge.org/book?id=ccol9781107002524_CCOL9781107002524.
Sakwa, Richard. The Rise and Fall of the Soviet Union, 1917-1991. Vol. Routledge sources in history. London: Routledge, 1999. http://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=242189.
Salys, Rimgaila. The Russian Cinema Reader: Volume I, 1908 to the Stalin Era. 1st ed. Boston, MA: Academic Studies Press, 2013. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=3110536.
———. The Russian Cinema Reader: Volume II, the Thaw to the Present. 1st ed. Vol. v.2. Boston, MA: Academic Studies Press, 2013. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=3110539.
Selianov, Sergei, Daniil Dondurei, and Nikita Mikhalkov. ‘Russia on Reels - Russian Cinema - National Cinema?’ Three Views’’. Pages 43–50 in Russia on Reels: The Russian Idea in Post-Soviet Cinema. London: I.B. Tauris, 1999.
Sergi Eisenstein. ‘Ivan the Terrible, Part 1 - Kanopy Streaming’. Criterion Collection/Janus Films, 1944. https://nottingham.kanopystreaming.com/node/113222?gathStatIcon=true.
Sharlamov, Varlam. ‘Kolyma Tales - “Prosthetic Appliances”, “A Child’s Drawings” and “Lend-Lease”’. Kolyma Tales. Vol. Penguin twentieth-century classics. London: Penguin, 1994.
———. ‘The Portable Twentieth-Century Russian Reader - “Prosthetic Appliances”, “A Child’s Drawings” and “Lend-Lease”’. The Portable Twentieth-Century Russian Reader. Rev. and Updated ed. Vol. Penguin classics. London: Penguin Books, 1993. http://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=6044039.
Sinyavsky, Andrei. ‘The Portable Twentieth-Century Russian Reader - “Pkhentz”’. The Portable Twentieth-Century Russian Reader. Rev. and Updated ed. Vol. Penguin classics. London: Penguin Books, 1993. http://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=6044039.
Sokurov, Aleksandr, Andrey Deryabin, Jens Meuer, Karsten Stöter, Anatoly Nikiforov, Studii︠a︡ Ėrmitazhnyĭ most, and Egoli Tossell Film AG. ‘Russian Ark’. Videorecording. London: Artificial Eye, 2002. https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.nottingham.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F004BECE9%3Fbcast%3D38631545.
Solzhenit︠s︡yn, Aleksandr Isaevich, and Ralph Parker. One Day in the Life of Ivan Denisovich. Vol. Penguin modern classics. London: Penguin, 2000.
Solzhenitsyn, Alexander. ‘The Portable Twentieth-Century Russian Reader - “Matryona’s Home”’. The Portable Twentieth-Century Russian Reader. Vol. Viking portable library. Harmondsworth: Penguin, 1985. http://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=6044039.
Stites, Richard. Russian Popular Culture: Entertainment and Society since 1900. Vol. Cambridge Soviet paperbacks. Cambridge: Cambridge University Press, 1992.
Sturken, Marita, and Lisa Cartwright. Practices of Looking: An Introduction to Visual Culture. 2nd ed. New York: Oxford University Press, 2009.
Suny, Ronald Grigor. The Soviet Experiment: Russia, the USSR, and the Successor States. 2nd ed. New York: Oxford University Press, 2011.
———. The Structure of Soviet History: Essays and Documents. 2nd ed. New York: Oxford University Press, 2014.
Szeman, Imre, and Timothy Kaposy. Cultural Theory: An Anthology. Oxford: Wiley-Blackwell, 2011.
Tarkhanov, Alexei, and Sergei Kaftaradze. Stalinist Architecture. [London]: Laurence King, 1992.
Tarkovskiĭ, Andreĭ Arsenʹevich, A. Misharin, and Moskovskai︠a︡ kinostudii︠a︡ ‘Mosfilʹm’. ‘Mirror’. Videorecording. [London]: Artificial Eye, 2002.
Vasilʹev, Georgiĭ Nikolaevich, Sergeĭ Dmitrievich Vasilʹev, Boris Babochkin, Dm Furmanov, Anna Furmanova, Lenfilʹm, Gosfilʹmofond Rossii, and Kinovideoobʺedinenie ‘Krupnyĭ plan’. ‘Chapaev’. Videorecording. Moskva: Gosfilʹmofond Rossii, 2007.
Vertov, Dziga, Mikhail Abramovich Kaufman, and British Film Institute. ‘Man with a Movie Camera’. Videorecording. London: British Film Institute, 2002.
Von Geldern, James, and Richard Stites. Mass Culture in Soviet Russia: Tales, Poems, Songs, Movies, Plays, and Folklore, 1917-1953. Bloomington: Indiana University Press, 1995. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=2198474.
———. Mass Culture in Soviet Russia: Tales, Poems, Songs, Movies, Plays, and Folklore, 1917-1953. Bloomington: Indiana University Press, 1995. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=2198474.
Wachtel, Andrew, and I. I︠U︡ Vinit︠s︡kiĭ. Russian Literature. Vol. Cultural history of literature. Cambridge: Polity, 2009. http://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=1175978.
Weeks, Theodore R. Across the Revolutionary Divide: Russia and the USSR, 1861-1945. Chichester, West Sussex: Wiley-Blackwell, 2011. http://www.vlebooks.com/vleweb/product/openreader?id=Nottingham&isbn=9781444325423.
Zami︠a︡tin, Evgeniĭ Ivanovich, and Clarence Brown. We. Vol. Penguin classics. New York: Penguin Books, 1993. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=4086659.
Zamyatin, E. ‘Russian Literature of the Twenties: An Anthology - “We”’. Russian Literature of the Twenties: An Anthology. Dana Point, Calif: Ardis Publishers, 1987.
Zorkai︠a︡, Nei︠a︡ Markovna. The Illustrated History of the Soviet Cinema. New York: Hippocrene Books, 1991.
‘Arts and Humanities Citation Index - Web of Science Core Collection Home’, n.d. http://apps.webofknowledge.com/WOS_GeneralSearch_input.do?product=WOS&search_mode=GeneralSearch&SID=Z11rHnnUO8gZ1mBL2cY&preferencesSaved=.
‘History of the Communist Party of the Soviet Union - Chapter 7 - ‘The Bolshevik Party in Period of Preparation and Realization of October Socialist Revolution (April 1917-1918)’. History of the Communist Party of the Soviet Union: Bolsheviks : Short Course. London: Red Star Press, 1972. http://ebookcentral.proquest.com/lib/nottingham/reader.action?docID=5721842&ppg=364.
‘IMDb - Movies, TV and Celebrities - IMDb’, n.d. http://www.imdb.com/.
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