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Bennett, T., Grossberg, L., Morris, M., & Williams, R. (2005). New keywords: a revised vocabulary of culture and society. Blackwell Pub.
Berlin, Isaiah. (2004). The Soviet Mind: Russian Culture under Communism. Brookings Institution Press. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=273532
Beumers, B. (2009). A history of Russian cinema (English ed). Berg.
Beumers, B., & Bodrov, S. (2007). The cinema of Russia and the former Soviet Union: Vol. 24 frames. Wallflower Press.
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Brown, E. J. (1982). Russian literature since the revolution (Rev. and enl. ed). Harvard University Press.
Bulgakov, M. (n.d.). The Fateful Eggs. http://www.lib.ru/BULGAKOW/eggs_engl.txt
Bulgakov, M. (1987). Russian literature of the twenties - The Fatal Eggs. In Russian literature of the twenties: an anthology. Ardis Publishers.
Bulgakov, M. A., & Glenny, M. (1999). The heart of a dog. Harvill Press.
Burke, P. (2019). What is cultural history? (Third edition). Polity. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=5837329
Chukovskai︠a︡, L. K., & Werth, A. (1994). Sofia Petrovna: Vol. European classics. Northwestern University Press.
Clark, K., Dobrenko, E. A., Artizov, A., & Naumov, O. V. (2007). Soviet culture and power: a history in documents, 1917-1953: Vol. Annals of Communism. Yale University Press. http://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=4625074
Cohen, S. F. (Ed.). (1982). An end to silence: uncensored opinion in the Soviet Union : from Roy Medvedev’s underground magazine Political diary. Norton.
Cook, P. (2007). The cinema book (3rd ed). British Film Institute.
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Cornwell, N., & Christian, N. (1998). Reference guide to Russian literature. Fitzroy Dearborn.
Daniels, R. V. (Ed.). (2001). Documentary History of Communism in Russia (3rd edn). University of Vermont Press. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=1084975
Dobrenko, E. A., & Balina, M. (2011). The Cambridge companion to twentieth-century Russian literature. Cambridge University Press. https://www.cambridge.org/core/books/cambridge-companion-to-twentiethcentury-russian-literature/882A270BFF44629DFB2AC8D24314F9A2
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Draitser, E. (1998). Taking penguins to the movies: ethnic humor in Russia: Vol. Humor in life and letters. Wayne State University Press.
Eisenstein, S., Aleksandrov, G. V., & International Historic Films Inc. (2006). The general line: Vol. Historic film classics [Videorecording]. International Historic Films.
Eisenstein, S., Aleksandrov, G. V., & Shostakovich, D. D. (2000). October 1917 [Videorecording]. Eureka Video. https://www.kanopy.com/en/nottingham/video/120957
Eisenstein, S., Prokofiev, S., & Eureka Video (Firm). (2000). Ivan the Terrible pt 1 - Hallward copy (Eureka special ed. 2-DVD set) [Videorecording]. Eureka Video.
Emerson, C. (n.d.). The Cambridge Introduction to Russian Literature. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=352967
Epstein, M. (1995). Re-entering the sign: articulating new Russian culture - ‘The Origins and Meanings of Russian Postmodernism’. In Re-entering the sign: articulating new Russian culture (pp. 25–47). University of Michigan Press.
Erofeev, V., & Mulrine, S. (1997). Moscow stations: a poem. Faber and Faber in association with Brian Brolly.
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Evans, J., Hall, S., & Open University. (1999). Visual culture: the reader. SAGE.
Evtuhov, C., & Stites, R. (2004). A history of Russia: peoples, legends, events, forces since 1800. Houghton Mifflin.
Garros, V., Korenevskaya, N., & Lahusen, T. (1995). Intimacy and terror: Soviet diaries of the 1930’s. New Press.
Giller, B., Bodrov, S., Aliev, A., & MGM Home Entertainment Inc. (2003). Kavkazskiĭ plennik: Prisoner of the mountains [Videorecording =]. MGM Home Entertainment.
Gillespie, D. C. (2000). Early Soviet cinema: innovation, ideology and propaganda: Vol. Short cuts. Wallflower.
Gillespie, D. C. (2003). Russian cinema: Vol. Inside film. Longman. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=1798385
Gorbachev, M. (1988). Chapters 1 and 2 (Section I - Society is Put in Motion). In Perestroika: new thinking for our country and the world (New, updated ed). Fontana.
Harvey, K. (2018). History and material culture: a student’s guide to approaching alternative sources (2nd ed). Routledge.
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Hosking, G. A. (1990). A history of the Soviet Union (Rev. ed). Fontana.
Howells, R., & Negreiros, J. (2018). Visual culture (Third edition). Polity.
Hughes-Warrington, M. (2007). History goes to the movies: studying history on film. Routledge.
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Kasack, W., & Atack, R. (1988). Dictionary of Russian literature since 1917. Columbia University Press.
Kelly, C. (1999a). Parts 1 and 4. In Utopias: Russian modernist texts 1905-1940. Penguin.
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Kollontaĭ, A., & Holt, A. (1980). Selected writings of Alexandra Kollontai - Part 6 - ‘Morality and the New Society’. In Selected writings of Alexandra Kollontai. Norton.
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Lovell, S. (2010). The shadow of war: the Soviet Union and Russia, 1941 to the present: Vol. Blackwell history of Russia. Wiley-Blackwell.
Łoziński, P. (1999). The century of cinema: Russia and Poland. Connoisseur/Academy Video release from the British Film Institute.
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Menʹshov, V., Chernykh, V., Nikitin, S., Moskovskai︠a︡ kinostudii︠a︡ ‘Mosfilʹm’, Sovėksportfilʹm (Firm), & Kino International Corporation. (2004). Moscow does not believe in tears (Full-frame) [Videorecording]. Kino International.
Mikhalkov, N., Ibragimbekov, R., Kali︠u︡ta, V., Artemʹev, Ė., Seydoux, M., Caméra one (Firm : France), & Studii︠a︡ ‘TRITĖ’. (200 C.E.). Burnt by the sun [Videorecording =]. Second Sight. https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.nottingham.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2FC4PP138983%3Fbcast%3D130139880
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Millar, J. R. (2004b). Encyclopedia of Russian history. Macmillan Reference. https://go.gale.com/ps/eToc.do?tabID=&searchId=&docId=0PFU&userGroupName=univnott&action=DO_BROWSE_ETOC&inPS=true&contentSegment=&source=&prodId=GVRL&etocId=GALE%7CCX3404199001&isDownLoadOptionDisabled=true
Milner-Gulland, R. R. (1997). The Russians: Vol. Peoples of Europe. Blackwell.
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Pichul, V., Khmelik, M., T︠S︡entralʹnai︠a︡ kinostudii︠a︡ detskikh i i︠u︡nosheskikh filʹmov imeni M. Gorʹkogo, Water Bearer Films (Firm), & International Film Exchange. (2000). Little Vera [Videorecording]. Water Bearer Films, Inc.
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Salys, R. (2013b). The Russian Cinema Reader: Volume II, the Thaw to the Present: Vol. v.2 (1st ed). Academic Studies Press. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=3110539
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Sokurov, A., Deryabin, A., Meuer, J., Stöter, K., Nikiforov, A., Studii︠a︡ Ėrmitazhnyĭ most, & Egoli Tossell Film AG. (2002). Russian ark [Videorecording]. Artificial Eye. https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.nottingham.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F004BECE9%3Fbcast%3D38631545
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Von Geldern, J., & Stites, R. (1995b). Mass culture in Soviet Russia: tales, poems, songs, movies, plays, and folklore, 1917-1953. Indiana University Press. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=2198474
Wachtel, A., & Vinit︠s︡kiĭ, I. I. (2009). Russian literature: Vol. Cultural history of literature. Polity. http://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=1175978
Weeks, T. R. (2011). Across the revolutionary divide: Russia and the USSR, 1861-1945. Wiley-Blackwell. http://www.vlebooks.com/vleweb/product/openreader?id=Nottingham&isbn=9781444325423
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Zamyatin, E. (1987). Russian literature of the twenties: an anthology - ‘We’. In Russian literature of the twenties: an anthology. Ardis Publishers.
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