Ahmed, Akbar S. Postmodernism and Islam: Predicament and Promise. London: Routledge, 1992. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=1433566.
Alexander M. Bain. ‘International Settlements: Ishiguro, Shanghai, Humanitarianism’. NOVEL: A Forum on Fiction 40.3 (2007): 240–64. http://www.jstor.org/stable/40267702.
Appiah, Anthony. Cosmopolitanism: Ethics in a World of Strangers. London: Allen Lane, 2006.
Auden, W.H. ‘The Guilty Vicarage’. Harper’s (n.d.). https://harpers.org/archive/1948/05/the-guilty-vicarage/.
Berberich, Christine. ‘Chapter 9, Kazuo Ishiguro’s The Remains of the Day: Working Through England’s Traumatic Past as a Critique of Thatcherism, from: Kazuo Ishiguro : New Critical Visions of the Novels’. Pages 118–32 in Kazuo Ishiguro: New Critical Visions of the Novels. Basingstoke: Palgrave Macmillan, 2011. https://contentstore.cla.co.uk/secure/link?id=38e4058f-de7c-e611-80c6-005056af4099.
Brouillette, Sarah. ‘Authorship as Crisis in Salman Rushdie’s Fury’. The Journal of Commonwealth Literature 40.1 (2005): 137–56. https://doi.org/10.1177/0021989405050669.
Clements, Madeline. Writing Islam from a South Asian Muslim Perspective: Rushdie, Hamid, Aslam, Shamsie. Basingstoke: Palgrave Macmillan, 2015. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=4185102.
Craig, Cairns. The Modern Scottish Novel: Narrative and the National Imagination. Edinburgh: Edinburgh University Press, 1999.
Ema Jelínková. ‘Traumatized Selves in Janice Galloway’s The Trick Is to Keep Breathing and A. L. Kennedy’s Night Geometry and the Garscadden Trains’. Ars Aeterna 10.2 (n.d.): 1–7. https://doi.org/https://doi.org/10.1515/aa-2018-0007, https://content.sciendo.com/view/journals/aa/10/2/article-p1.xml.
Ernst, Carl W., and Richard C. Martin. Rethinking Islamic Studies: From Orientalism to Cosmopolitanism. Columbia, S.C.: University of South Carolina Press, 2010. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=2054759.
Frangos, Mike. ‘The Future of Disillusionment: Rushdie’s and the Politics of Time’. The Journal of Commonwealth Literature 48.2 (2013): 237–52. https://doi.org/10.1177/0021989412466402.
Gilroy, Paul. The Black Atlantic: Modernity and Double Consciousness. London: Verso, 1993.
Harris, Greg. ‘Compulsory Masculinity, Britain, and the Great War: The Literary-Historical Work of Pat Barker’. Critique: Studies in Contemporary Fiction 39.4 (1998): 290–304. https://doi.org/10.1080/00111619809599537.
Harvey, David. Cosmopolitanism and the Geographies of Freedom. New York: Columbia University Press, 2009. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=908665.
Head, Dominic. ‘Chapter 5, Unravelling the Binaries : The Innocent and Black Dogs’. Pages 91–119 in Ian McEwan. Manchester: Manchester University Press, 2007. https://ebookcentral.proquest.com/lib/nottingham/reader.action?docID=1069496&ppg=104.
Ishiguro, Kazuo. When We Were Orphans. Pbk. ed. London: Faber & Faber, 2005. https://www.vlebooks.com/Vleweb/Product/Index/826618?page=0.
Johnson, Patricia. ‘Embodying Losses in Pat Barker’s Regeneration Trilogy’. Critique: Studies in Contemporary Fiction 46.4 (2005): 307–19. https://doi.org/10.3200/CRIT.46.4.307-319.
Jones, Carole. ‘Chapter 24, Burying the Man That Was: Janice Galloway and Gender Disorientation’. The Edinburgh Companion to Contemporary Scottish Literature. Edinburgh: Edinburgh University Press, 2007. https://ebookcentral.proquest.com/lib/nottingham/reader.action?docID=448748&ppg=219.
King, Bruce. ‘Chapter 13, The New Internationalism: Shiva Naipaul, Salman Rushdie, Buchi Emecheta, Timothy Mo and Kazuo Ishiguro’. Pages 192–211 in The British and Irish Novel since 1960. Basingstoke: Palgrave Macmillan, 1991. https://contentstore.cla.co.uk/secure/link?id=201f991d-e57c-e611-80c6-005056af4099.
Laing, R. D. Self and Others. 2nd ed. Harmondsworth: Penguin, 1969. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=169295.
Lehner, Stefanie. ‘CHAPTER 17 “Dangerous Liaisons”: Gender Politics in the Contemporary Scottish and Irish ImagiNation’. Scottish Literature and Postcolonial Literature: Comparative Texts and Critical Perspectives. Edinburgh: Edinburgh University Press, 2011. https://ebookcentral.proquest.com/lib/nottingham/reader.action?docID=744022&ppg=226.
Machinal, Helene. ‘When We Were Orphans: Narration and Detection in the Case of Christopher Banks’. Kazuo Ishiguro: Contemporary Critical Perspectives. London: Continuum, 2009.
Malcolm, David. ‘Chapter 7, Brushes with History (II): Black Dogs’. Pages 131–54 in Understanding Ian McEwan. Columbia: University of South Carolina Press, 2002. https://contentstore.cla.co.uk/secure/link?id=79a82d72-176a-e611-80c6-005056af4099.
Matthews, Sean, and Sebastian Groes. Kazuo Ishiguro: Contemporary Critical Perspectives. London: Continuum, 2009. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=601543.
Maurer, Yael. ‘Rage against the Machine: Cyberspace Narratives in Rushdie’s’. The Journal of Commonwealth Literature 47.1 (2012): 121–35. https://doi.org/10.1177/0021989411425480.
McGlynn, Mary. ‘“I Didn’t Need to Eat”: Janice Galloway’s Anorexic Text and the National Body’. Critique: Studies in Contemporary Fiction 49.2 (2008): 221–40. https://doi.org/10.3200/CRIT.49.2.221-240.
Monteith, Sharon. Critical Perspectives on Pat Barker. Columbia: University of South Carolina Press, 2005.
———. Pat Barker. Northcote House Publishers Ltd, 2017.
Ng, Andrew Hock Soon. ‘Coping with Reality: The Solace of Objects and Language in Janice Galloway’s’. Critique: Studies in Contemporary Fiction 53.3 (2012): 238–50. https://doi.org/10.1080/00111611003792769.
Norquay, Glenda. ‘Chapter 10, Janice Galloway’s Novels: Fraudulent Mooching’. Pages 131–43 in Contemporary Scottish Women Writers. Edinburgh: Edinburgh University Press, 2000.
Patrick Parrinder, , Andrew Nash, , and Nicola Wilson. New Directions in the History of the Novel. Palgrave Macmillan Limited, 2014. https://ebookcentral.proquest.com/lib/nottingham/reader.action?docID=1645527&ppg=62.
Priestman, Martin. Detective Fiction and Literature: The Figure on the Carpet. New York: St. Martin’s Press, 1991.
Raphael-Hernandez, Heike. Blackening Europe: The African American Presence. New York: Routledge, 2004.
Reitz, Caroline. Detecting the Nation: Fictions of Detection and the Imperial Venture. Columbus: Ohio State University Press, 2004. https://www.vlebooks.com/Vleweb/Product/Index/971568?page=0.
Ringrose, Chris. ‘”In the End It Has to Shatter”: The Ironic Doubleness of Kazuo Ishiguro’s When We Were Orphans’. Kazuo Ishiguro: New Critical Visions of the Novels. Basingstoke: Palgrave Macmillan, 2011. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=6234499.
Rushdie, Salman. Fury. London: Jonathan Cape, 2001.
———. Joseph Anton: A Memoir. London: Jonathan Cape, 2012.
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———. ‘The New Empire Within Britain’. Pages 129–38 in Imaginary Homelands: Essays and Criticism 1981-1991. London: Granta in association with Penguin, 1991. https://contentstore.cla.co.uk/secure/link?id=331f612e-e37c-e611-80c6-005056af4099.
Ryan, Kiernan. ‘Chapter 10, Feeding the Void: Black Dogs’. Pages 61–68 in Ian McEwan. Plymouth: Northcote House in association with the British Council, 1994. https://contentstore.cla.co.uk/secure/link?id=e14e73ff-a96a-e611-80c6-005056af4099.
Slay, Jack. ‘Chapter 8, And the Walls Came Tumbling Down: The Innocent and Black Dogs’. Pages 134–45 in Ian McEwan. New York: Twayne Publishers, 1996. https://contentstore.cla.co.uk/secure/link?id=9c81aa57-0566-e611-80c6-005056af4099.
Smethurst, Toby. ‘The Making of Torture in Pat Barker’s’. Critique: Studies in Contemporary Fiction 55.4 (2014): 406–21. https://doi.org/10.1080/00111619.2013.783781.
Walkowitz, Rebecca L. Cosmopolitan Style: Modernism beyond the Nation. New York: Columbia University Press, 2006.
Webley, Alyn. ‘”Shanghaied” into Service: Double Binds in When We Were Orphans’. Kazuo Ishiguro: New Critical Visions of the Novels. Basingstoke: Palgrave Macmillan, 2011.
Wells, Lynn. ‘Chapter 5, The Innocent and Black Dogs’. Pages 56–67 in Ian McEwan. Basingstoke: Palgrave Macmillan, 2010. https://contentstore.cla.co.uk/secure/link?id=f2274599-657a-e611-80c6-005056af4099.
Whitehead, Anne. ‘Open to Suggestion: Hypnosis and History in Pat Barker’s Regeneration’. MFS Modern Fiction Studies 44.3 (1998): 674–94. https://doi.org/10.1353/mfs.1998.0071.
Whyte, C. Gendering the Nation: Studies in Modern Scottish Literature. Edinburgh: Edinburgh University Press, 1995.
Wong, Cynthia. ‘Introduction’. Pages 1–6 in Kazuo Ishiguro. Plymouth: Northcote House, 2000.
Zimring, Rishona. ‘The Passionate Cosmopolitan in Salman Rushdie’s’. Journal of Postcolonial Writing 46.1 (2010): 5–16. https://doi.org/10.1080/17449850903478130.
Zucker, David J. ‘Fury Meets and Greets Sabbath’s Theater: Salman Rushdie’s Homage to Philip Roth’. Philip Roth Studies Fall (2013): 85–91. https://literature.proquest.com/pageImage.do?ftnum=3123036761&fmt=page&area=abell&journalid=15473929&articleid=R04916895&pubdate=2013&queryid=3033418720322.
‘Jouvert 7.1: Brian Finney, Figuring the Real: Ishiguro’s When We Were Orphans’, n.d. https://legacy.chass.ncsu.edu/jouvert/v7is1/ishigu.htm.
‘Kazuo Ishiguro - Nobel Lecture’, 2017. https://www.nobelprize.org/nobel_prizes/literature/laureates/2017/ishiguro-lecture.html.
‘Salman Rushdie and Rosemary Magee, Emory University Creativity Conversation’, 2011. http://creativity.emory.edu/events/creativity-conversations/rushdie-cc-0211.html.
