Ahmed, Akbar S. 1992. Postmodernism and Islam: Predicament and Promise (London: Routledge) <https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=1433566>
Alexander M. Bain. 2007. ‘International Settlements: Ishiguro, Shanghai, Humanitarianism’, NOVEL: A Forum on Fiction, 40.3 (Duke University Press): 240–64 <http://www.jstor.org/stable/40267702>
Appiah, Anthony. 2006. Cosmopolitanism: Ethics in a World of Strangers (London: Allen Lane)
Auden, W.H. [n.d.]. ‘The Guilty Vicarage’, Harper’s <https://harpers.org/archive/1948/05/the-guilty-vicarage/>
Berberich, Christine. 2011. ‘Chapter 9, Kazuo Ishiguro’s The Remains of the Day: Working Through England’s Traumatic Past as a Critique of Thatcherism, from: Kazuo Ishiguro : New Critical Visions of the Novels’, in Kazuo Ishiguro: New Critical Visions of the Novels (Basingstoke: Palgrave Macmillan), pp. 118–32 <https://contentstore.cla.co.uk/secure/link?id=38e4058f-de7c-e611-80c6-005056af4099>
Brouillette, Sarah. 2005. ‘Authorship as Crisis in Salman Rushdie’s Fury’, The Journal of Commonwealth Literature, 40.1: 137–56 <https://doi.org/10.1177/0021989405050669>
Clements, Madeline. 2015. Writing Islam from a South Asian Muslim Perspective: Rushdie, Hamid, Aslam, Shamsie (Basingstoke: Palgrave Macmillan) <https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=4185102>
Craig, Cairns. 1999. The Modern Scottish Novel: Narrative and the National Imagination (Edinburgh: Edinburgh University Press)
Ema Jelínková. [n.d.]. ‘Traumatized Selves in Janice Galloway’s The Trick Is to Keep Breathing and A. L. Kennedy’s Night Geometry and the Garscadden Trains’, Ars Aeterna, 10.2: 1–7 <https://doi.org/https://doi.org/10.1515/aa-2018-0007>
Ernst, Carl W., and Richard C. Martin. 2010. Rethinking Islamic Studies: From Orientalism to Cosmopolitanism (Columbia, S.C.: University of South Carolina Press) <https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=2054759>
Frangos, Mike. 2013. ‘The Future of Disillusionment: Rushdie’s and the Politics of Time’, The Journal of Commonwealth Literature, 48.2: 237–52 <https://doi.org/10.1177/0021989412466402>
Gilroy, Paul. 1993. The Black Atlantic: Modernity and Double Consciousness (London: Verso)
Harris, Greg. 1998. ‘Compulsory Masculinity, Britain, and the Great War: The Literary-Historical Work of Pat Barker’, Critique: Studies in Contemporary Fiction, 39.4: 290–304 <https://doi.org/10.1080/00111619809599537>
Harvey, David. 2009. Cosmopolitanism and the Geographies of Freedom (New York: Columbia University Press) <https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=908665>
Head, Dominic. 2007. ‘Chapter 5, Unravelling the Binaries : The Innocent and Black Dogs’, in Ian McEwan (Manchester: Manchester University Press), pp. 91–119 <https://ebookcentral.proquest.com/lib/nottingham/reader.action?docID=1069496&ppg=104>
Ishiguro, Kazuo. 2005. When We Were Orphans, Pbk. ed (London: Faber & Faber) <https://www.vlebooks.com/Vleweb/Product/Index/826618?page=0>
Johnson, Patricia. 2005. ‘Embodying Losses in Pat Barker’s Regeneration Trilogy’, Critique: Studies in Contemporary Fiction, 46.4: 307–19 <https://doi.org/10.3200/CRIT.46.4.307-319>
Jones, Carole. 2007. ‘Chapter 24, Burying the Man That Was: Janice Galloway and Gender Disorientation’, in The Edinburgh Companion to Contemporary Scottish Literature (Edinburgh: Edinburgh University Press) <https://ebookcentral.proquest.com/lib/nottingham/reader.action?docID=448748&ppg=219>
‘Jouvert 7.1: Brian Finney, Figuring the Real: Ishiguro’s When We Were Orphans’. [n.d.]. <https://legacy.chass.ncsu.edu/jouvert/v7is1/ishigu.htm>
‘Kazuo Ishiguro - Nobel Lecture’. 2017. <https://www.nobelprize.org/nobel_prizes/literature/laureates/2017/ishiguro-lecture.html>
King, Bruce. 1991. ‘Chapter 13, The New Internationalism: Shiva Naipaul, Salman Rushdie, Buchi Emecheta, Timothy Mo and Kazuo Ishiguro’, in The British and Irish Novel since 1960 (Basingstoke: Palgrave Macmillan), pp. 192–211 <https://contentstore.cla.co.uk/secure/link?id=201f991d-e57c-e611-80c6-005056af4099>
Laing, R. D. 1969. Self and Others, 2nd ed (Harmondsworth: Penguin) <https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=169295>
Lehner, Stefanie. 2011. ‘CHAPTER 17 “Dangerous Liaisons”: Gender Politics in the Contemporary Scottish and Irish ImagiNation’, in Scottish Literature and Postcolonial Literature: Comparative Texts and Critical Perspectives (Edinburgh: Edinburgh University Press) <https://ebookcentral.proquest.com/lib/nottingham/reader.action?docID=744022&ppg=226>
Machinal, Helene. 2009. ‘When We Were Orphans: Narration and Detection in the Case of Christopher Banks’, in Kazuo Ishiguro: Contemporary Critical Perspectives (London: Continuum)
Malcolm, David. 2002. ‘Chapter 7, Brushes with History (II): Black Dogs’, in Understanding Ian McEwan (Columbia: University of South Carolina Press), pp. 131–54 <https://contentstore.cla.co.uk/secure/link?id=79a82d72-176a-e611-80c6-005056af4099>
Matthews, Sean, and Sebastian Groes. 2009. Kazuo Ishiguro: Contemporary Critical Perspectives (London: Continuum) <https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=601543>
Maurer, Yael. 2012. ‘Rage against the Machine: Cyberspace Narratives in Rushdie’s’, The Journal of Commonwealth Literature, 47.1: 121–35 <https://doi.org/10.1177/0021989411425480>
McGlynn, Mary. 2008. ‘“I Didn’t Need to Eat”: Janice Galloway’s Anorexic Text and the National Body’, Critique: Studies in Contemporary Fiction, 49.2: 221–40 <https://doi.org/10.3200/CRIT.49.2.221-240>
Monteith, Sharon. 2005. Critical Perspectives on Pat Barker (Columbia: University of South Carolina Press)
———. 2017. Pat Barker (Northcote House Publishers Ltd)
Ng, Andrew Hock Soon. 2012. ‘Coping with Reality: The Solace of Objects and Language in Janice Galloway’s’, Critique: Studies in Contemporary Fiction, 53.3: 238–50 <https://doi.org/10.1080/00111611003792769>
Norquay, Glenda. 2000. ‘Chapter 10, Janice Galloway’s Novels: Fraudulent Mooching’, in Contemporary Scottish Women Writers (Edinburgh: Edinburgh University Press), pp. 131–43
Patrick Parrinder, , Andrew Nash, , and Nicola Wilson. 2014. New Directions in the History of the Novel (Palgrave Macmillan Limited) <https://ebookcentral.proquest.com/lib/nottingham/reader.action?docID=1645527&ppg=62>
Priestman, Martin. 1991. Detective Fiction and Literature: The Figure on the Carpet (New York: St. Martin’s Press)
Raphael-Hernandez, Heike. 2004. Blackening Europe: The African American Presence (New York: Routledge)
Reitz, Caroline. 2004. Detecting the Nation: Fictions of Detection and the Imperial Venture (Columbus: Ohio State University Press) <https://www.vlebooks.com/Vleweb/Product/Index/971568?page=0>
Ringrose, Chris. 2011. ‘”In the End It Has to Shatter”: The Ironic Doubleness of Kazuo Ishiguro’s When We Were Orphans’, in Kazuo Ishiguro: New Critical Visions of the Novels (Basingstoke: Palgrave Macmillan) <https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=6234499>
Rushdie, Salman. 1991. ‘The New Empire Within Britain’, in Imaginary Homelands: Essays and Criticism 1981-1991 (London: Granta in association with Penguin), pp. 129–38 <https://contentstore.cla.co.uk/secure/link?id=331f612e-e37c-e611-80c6-005056af4099>
———. 2001. Fury (London: Jonathan Cape)
———. 2002. Step across This Line: Collected Non-Fiction, 1992-2002 (London: Jonathan Cape)
———. 2012. Joseph Anton: A Memoir (London: Jonathan Cape)
Ryan, Kiernan. 1994. ‘Chapter 10, Feeding the Void: Black Dogs’, in Ian McEwan (Plymouth: Northcote House in association with the British Council), pp. 61–68 <https://contentstore.cla.co.uk/secure/link?id=e14e73ff-a96a-e611-80c6-005056af4099>
‘Salman Rushdie and Rosemary Magee, Emory University Creativity Conversation’. 2011. <http://creativity.emory.edu/events/creativity-conversations/rushdie-cc-0211.html>
Slay, Jack. 1996. ‘Chapter 8, And the Walls Came Tumbling Down: The Innocent and Black Dogs’, in Ian McEwan (New York: Twayne Publishers), pp. 134–45 <https://contentstore.cla.co.uk/secure/link?id=9c81aa57-0566-e611-80c6-005056af4099>
Smethurst, Toby. 2014. ‘The Making of Torture in Pat Barker’s’, Critique: Studies in Contemporary Fiction, 55.4: 406–21 <https://doi.org/10.1080/00111619.2013.783781>
Walkowitz, Rebecca L. 2006. Cosmopolitan Style: Modernism beyond the Nation (New York: Columbia University Press)
Webley, Alyn. 2011. ‘”Shanghaied” into Service: Double Binds in When We Were Orphans’, in Kazuo Ishiguro: New Critical Visions of the Novels (Basingstoke: Palgrave Macmillan)
Wells, Lynn. 2010. ‘Chapter 5, The Innocent and Black Dogs’, in Ian McEwan (Basingstoke: Palgrave Macmillan), pp. 56–67 <https://contentstore.cla.co.uk/secure/link?id=f2274599-657a-e611-80c6-005056af4099>
Whitehead, Anne. 1998. ‘Open to Suggestion: Hypnosis and History in Pat Barker’s Regeneration’, MFS Modern Fiction Studies, 44.3: 674–94 <https://doi.org/10.1353/mfs.1998.0071>
Whyte, C. 1995. Gendering the Nation: Studies in Modern Scottish Literature (Edinburgh: Edinburgh University Press)
Wong, Cynthia. 2000. ‘Introduction’, in Kazuo Ishiguro (Plymouth: Northcote House), pp. 1–6
Zimring, Rishona. 2010. ‘The Passionate Cosmopolitan in Salman Rushdie’s’, Journal of Postcolonial Writing, 46.1: 5–16 <https://doi.org/10.1080/17449850903478130>
Zucker, David J. 2013. ‘Fury Meets and Greets Sabbath’s Theater: Salman Rushdie’s Homage to Philip Roth’, Philip Roth Studies, Fall: 85–91 <https://literature.proquest.com/pageImage.do?ftnum=3123036761&fmt=page&area=abell&journalid=15473929&articleid=R04916895&pubdate=2013&queryid=3033418720322>
