Ahmed, A. S. (1992). Postmodernism and Islam: predicament and promise. Routledge. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=1433566
Alexander M. Bain. (2007). International Settlements: Ishiguro, Shanghai, Humanitarianism. NOVEL: A Forum on Fiction, 40(3), 240–264. http://www.jstor.org/stable/40267702
Appiah, A. (2006). Cosmopolitanism: ethics in a world of strangers. Allen Lane.
Auden, W. H. (n.d.). The Guilty Vicarage. Harper’s. https://harpers.org/archive/1948/05/the-guilty-vicarage/
Berberich, C. (2011). Chapter 9, Kazuo Ishiguro’s The Remains of the Day: Working Through England’s Traumatic Past as a Critique of Thatcherism, from: Kazuo Ishiguro : new critical visions of the novels. In Kazuo Ishiguro: new critical visions of the novels (pp. 118–132). Palgrave Macmillan. https://contentstore.cla.co.uk/secure/link?id=38e4058f-de7c-e611-80c6-005056af4099
Brouillette, S. (2005). Authorship as Crisis in Salman Rushdie’s Fury. The Journal of Commonwealth Literature, 40(1), 137–156. https://doi.org/10.1177/0021989405050669
Clements, M. (2015). Writing Islam from a South Asian Muslim perspective: Rushdie, Hamid, Aslam, Shamsie. Palgrave Macmillan. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=4185102
Craig, C. (1999). The modern Scottish novel: narrative and the national imagination. Edinburgh University Press.
Ema Jelínková. (n.d.). Traumatized selves in Janice Galloway’s The Trick Is to Keep Breathing and A. L. Kennedy’s Night Geometry and the Garscadden Trains. Ars Aeterna, 10(2), 1–7. https://doi.org/https://doi.org/10.1515/aa-2018-0007
Ernst, C. W., & Martin, R. C. (2010). Rethinking Islamic studies: from orientalism to cosmopolitanism. University of South Carolina Press. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=2054759
Frangos, M. (2013). The future of disillusionment: Rushdie’s and the politics of time. The Journal of Commonwealth Literature, 48(2), 237–252. https://doi.org/10.1177/0021989412466402
Gilroy, P. (1993). The black Atlantic: modernity and double consciousness. Verso.
Harris, G. (1998). Compulsory Masculinity, Britain, and the Great War: The Literary-Historical Work of Pat Barker. Critique: Studies in Contemporary Fiction, 39(4), 290–304. https://doi.org/10.1080/00111619809599537
Harvey, D. (2009). Cosmopolitanism and the geographies of freedom. Columbia University Press. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=908665
Head, D. (2007). Chapter 5, Unravelling the Binaries : The innocent and black dogs. In Ian McEwan: Vol. Contemporary British novelists (pp. 91–119). Manchester University Press. https://ebookcentral.proquest.com/lib/nottingham/reader.action?docID=1069496&ppg=104
Ishiguro, K. (2005). When we were orphans (Pbk. ed). Faber & Faber. https://www.vlebooks.com/Vleweb/Product/Index/826618?page=0
Johnson, P. (2005). Embodying Losses in Pat Barker’s Regeneration Trilogy. Critique: Studies in Contemporary Fiction, 46(4), 307–319. https://doi.org/10.3200/CRIT.46.4.307-319
Jones, C. (2007). Chapter 24, Burying the Man that was: Janice Galloway and Gender Disorientation. In The Edinburgh companion to contemporary Scottish literature. Edinburgh University Press. https://ebookcentral.proquest.com/lib/nottingham/reader.action?docID=448748&ppg=219
Jouvert 7.1: Brian Finney, Figuring the Real: Ishiguro’s When We Were Orphans. (n.d.). https://legacy.chass.ncsu.edu/jouvert/v7is1/ishigu.htm
Kazuo Ishiguro - Nobel Lecture. (2017). https://www.nobelprize.org/nobel_prizes/literature/laureates/2017/ishiguro-lecture.html
King, B. (1991). Chapter 13, The New Internationalism: Shiva Naipaul, Salman Rushdie, Buchi Emecheta, Timothy Mo and Kazuo Ishiguro. In The British and Irish novel since 1960 (pp. 192–211). Palgrave Macmillan. https://contentstore.cla.co.uk/secure/link?id=201f991d-e57c-e611-80c6-005056af4099
Laing, R. D. (1969). Self and others (2nd ed). Penguin. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=169295
Lehner, S. (2011). CHAPTER 17 ‘Dangerous Liaisons’: Gender Politics in the Contemporary Scottish and Irish ImagiNation. In Scottish literature and postcolonial literature: comparative texts and critical perspectives. Edinburgh University Press. https://ebookcentral.proquest.com/lib/nottingham/reader.action?docID=744022&ppg=226
Machinal, H. (2009). When We Were Orphans: Narration and Detection in the case of Christopher Banks. In Kazuo Ishiguro: contemporary critical perspectives. Continuum.
Malcolm, D. (2002). Chapter 7, Brushes with History (II): Black Dogs. In Understanding Ian McEwan: Vol. Understanding contemporary British literature (pp. 131–154). University of South Carolina Press. https://contentstore.cla.co.uk/secure/link?id=79a82d72-176a-e611-80c6-005056af4099
Matthews, S., & Groes, S. (2009). Kazuo Ishiguro: contemporary critical perspectives. Continuum. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=601543
Maurer, Y. (2012). Rage against the machine: Cyberspace narratives in Rushdie’s. The Journal of Commonwealth Literature, 47(1), 121–135. https://doi.org/10.1177/0021989411425480
McGlynn, M. (2008). ‘I Didn’t Need to Eat’: Janice Galloway’s Anorexic Text and the National Body. Critique: Studies in Contemporary Fiction, 49(2), 221–240. https://doi.org/10.3200/CRIT.49.2.221-240
Monteith, S. (2005). Critical perspectives on Pat Barker. University of South Carolina Press.
Monteith, S. (2017). Pat Barker. Northcote House Publishers Ltd.
Ng, A. H. S. (2012). Coping with Reality: The Solace of Objects and Language in Janice Galloway’s. Critique: Studies in Contemporary Fiction, 53(3), 238–250. https://doi.org/10.1080/00111611003792769
Norquay, G. (2000). Chapter 10, Janice Galloway’s Novels: Fraudulent Mooching. In Contemporary Scottish women writers (pp. 131–143). Edinburgh University Press.
Patrick Parrinder, , Andrew Nash, , and Nicola Wilson. (2014). New Directions in the History of the Novel. Palgrave Macmillan Limited. https://ebookcentral.proquest.com/lib/nottingham/reader.action?docID=1645527&ppg=62
Priestman, M. (1991). Detective fiction and literature: the figure on the carpet. St. Martin’s Press.
Raphael-Hernandez, H. (2004). Blackening Europe: the African American presence. Routledge.
Reitz, C. (2004). Detecting the nation: fictions of detection and the imperial venture. Ohio State University Press. https://www.vlebooks.com/Vleweb/Product/Index/971568?page=0
Ringrose, C. (2011). ”In the end it has to shatter”: The Ironic Doubleness of Kazuo Ishiguro’s When We Were Orphans. In Kazuo Ishiguro: new critical visions of the novels. Palgrave Macmillan. https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=6234499
Rushdie, S. (1991). The New Empire Within Britain. In Imaginary homelands: essays and criticism 1981-1991 (pp. 129–138). Granta in association with Penguin. https://contentstore.cla.co.uk/secure/link?id=331f612e-e37c-e611-80c6-005056af4099
Rushdie, S. (2001). Fury. Jonathan Cape.
Rushdie, S. (2002). Step across this line: collected non-fiction, 1992-2002. Jonathan Cape.
Rushdie, S. (2012). Joseph Anton: a memoir. Jonathan Cape.
Ryan, K. (1994). Chapter 10, Feeding the Void: Black Dogs. In Ian McEwan: Vol. Writers and their work (pp. 61–68). Northcote House in association with the British Council. https://contentstore.cla.co.uk/secure/link?id=e14e73ff-a96a-e611-80c6-005056af4099
Salman Rushdie and Rosemary Magee, Emory University Creativity Conversation. (2011). http://creativity.emory.edu/events/creativity-conversations/rushdie-cc-0211.html
Slay, J. (1996). Chapter 8, And the Walls Came Tumbling Down: The Innocent and Black Dogs. In Ian McEwan: Vol. Twayne’s English authors series (pp. 134–145). Twayne Publishers. https://contentstore.cla.co.uk/secure/link?id=9c81aa57-0566-e611-80c6-005056af4099
Smethurst, T. (2014). The Making of Torture in Pat Barker’s. Critique: Studies in Contemporary Fiction, 55(4), 406–421. https://doi.org/10.1080/00111619.2013.783781
Walkowitz, R. L. (2006). Cosmopolitan style: modernism beyond the nation. Columbia University Press.
Webley, A. (2011). ”Shanghaied” into service: Double Binds in When We Were Orphans. In Kazuo Ishiguro: new critical visions of the novels. Palgrave Macmillan.
Wells, L. (2010). Chapter 5, The Innocent and Black Dogs. In Ian McEwan: Vol. New British fiction (pp. 56–67). Palgrave Macmillan. https://contentstore.cla.co.uk/secure/link?id=f2274599-657a-e611-80c6-005056af4099
Whitehead, A. (1998). Open to Suggestion: Hypnosis and History in Pat Barker’s Regeneration. MFS Modern Fiction Studies, 44(3), 674–694. https://doi.org/10.1353/mfs.1998.0071
Whyte, C. (1995). Gendering the nation: studies in modern Scottish literature. Edinburgh University Press.
Wong, C. (2000). Introduction. In Kazuo Ishiguro: Vol. Writers and their work (pp. 1–6). Northcote House.
Zimring, R. (2010). The passionate cosmopolitan in Salman Rushdie’s. Journal of Postcolonial Writing, 46(1), 5–16. https://doi.org/10.1080/17449850903478130
Zucker, D. J. (2013). Fury meets and greets Sabbath’s Theater: Salman Rushdie’s homage to Philip Roth. Philip Roth Studies, Fall, 85–91. https://literature.proquest.com/pageImage.do?ftnum=3123036761&fmt=page&area=abell&journalid=15473929&articleid=R04916895&pubdate=2013&queryid=3033418720322
