Ahmed AS, Postmodernism and Islam: Predicament and Promise (Routledge 1992) <https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=1433566>
Alexander M. Bain, ‘International Settlements: Ishiguro, Shanghai, Humanitarianism’ (2007) 40 NOVEL: A Forum on Fiction 240 <http://www.jstor.org/stable/40267702>
Appiah A, Cosmopolitanism: Ethics in a World of Strangers (Allen Lane 2006)
Auden WH, ‘The Guilty Vicarage’ Harper’s <https://harpers.org/archive/1948/05/the-guilty-vicarage/>
Berberich C, ‘Chapter 9, Kazuo Ishiguro’s The Remains of the Day: Working Through England’s Traumatic Past as a Critique of Thatcherism, from: Kazuo Ishiguro : New Critical Visions of the Novels’, Kazuo Ishiguro: new critical visions of the novels (Palgrave Macmillan 2011) <https://contentstore.cla.co.uk/secure/link?id=38e4058f-de7c-e611-80c6-005056af4099>
Brouillette S, ‘Authorship as Crisis in Salman Rushdie’s Fury’ (2005) 40 The Journal of Commonwealth Literature 137
Clements M, Writing Islam from a South Asian Muslim Perspective: Rushdie, Hamid, Aslam, Shamsie (Palgrave Macmillan 2015) <https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=4185102>
Craig C, The Modern Scottish Novel: Narrative and the National Imagination (Edinburgh University Press 1999)
Ema Jelínková, ‘Traumatized Selves in Janice Galloway’s The Trick Is to Keep Breathing and A. L. Kennedy’s Night Geometry and the Garscadden Trains’ 10 Ars Aeterna 1 <https://content.sciendo.com/view/journals/aa/10/2/article-p1.xml>
Ernst CW and Martin RC, Rethinking Islamic Studies: From Orientalism to Cosmopolitanism (University of South Carolina Press 2010) <https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=2054759>
Frangos M, ‘The Future of Disillusionment: Rushdie’s                            and the Politics of Time’ (2013) 48 The Journal of Commonwealth Literature 237
Gilroy P, The Black Atlantic: Modernity and Double Consciousness (Verso 1993)
Harris G, ‘Compulsory Masculinity, Britain, and the Great War: The Literary-Historical Work of Pat Barker’ (1998) 39 Critique: Studies in Contemporary Fiction 290
Harvey D, Cosmopolitanism and the Geographies of Freedom (Columbia University Press 2009) <https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=908665>
Head D, ‘Chapter 5, Unravelling the Binaries : The Innocent and Black Dogs’, Ian McEwan, vol Contemporary British novelists (Manchester University Press 2007) <https://ebookcentral.proquest.com/lib/nottingham/reader.action?docID=1069496&amp;ppg=104>
Ishiguro K, When We Were Orphans (Pbk ed, Faber & Faber 2005) <https://www.vlebooks.com/Vleweb/Product/Index/826618?page=0>
Johnson P, ‘Embodying Losses in Pat Barker’s Regeneration Trilogy’ (2005) 46 Critique: Studies in Contemporary Fiction 307
Jones C, ‘Chapter 24, Burying the Man That Was: Janice Galloway and Gender Disorientation’, The Edinburgh companion to contemporary Scottish literature (Edinburgh University Press 2007) <https://ebookcentral.proquest.com/lib/nottingham/reader.action?docID=448748&amp;ppg=219>
‘Jouvert 7.1: Brian Finney, Figuring the Real: Ishiguro’s When We Were Orphans’ <https://legacy.chass.ncsu.edu/jouvert/v7is1/ishigu.htm>
‘Kazuo Ishiguro - Nobel Lecture’ (2017) <https://www.nobelprize.org/nobel_prizes/literature/laureates/2017/ishiguro-lecture.html>
King B, ‘Chapter 13, The New Internationalism: Shiva Naipaul, Salman Rushdie, Buchi Emecheta, Timothy Mo and Kazuo Ishiguro’, The British and Irish novel since 1960 (Palgrave Macmillan 1991) <https://contentstore.cla.co.uk/secure/link?id=201f991d-e57c-e611-80c6-005056af4099>
Laing RD, Self and Others (2nd ed, Penguin 1969) <https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=169295>
Lehner S, ‘CHAPTER 17 “Dangerous Liaisons”: Gender Politics in the Contemporary Scottish and Irish ImagiNation’, Scottish literature and postcolonial literature: comparative texts and critical perspectives (Edinburgh University Press 2011) <https://ebookcentral.proquest.com/lib/nottingham/reader.action?docID=744022&amp;ppg=226>
Machinal H, ‘When We Were Orphans: Narration and Detection in the Case of Christopher Banks’, Kazuo Ishiguro: contemporary critical perspectives (Continuum 2009)
Malcolm D, ‘Chapter 7, Brushes with History (II): Black Dogs’, Understanding Ian McEwan, vol Understanding contemporary British literature (University of South Carolina Press 2002) <https://contentstore.cla.co.uk/secure/link?id=79a82d72-176a-e611-80c6-005056af4099>
Matthews S and Groes S, Kazuo Ishiguro: Contemporary Critical Perspectives (Continuum 2009) <https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=601543>
Maurer Y, ‘Rage against the Machine: Cyberspace Narratives in Rushdie’s’ (2012) 47 The Journal of Commonwealth Literature 121
McGlynn M, ‘“I Didn’t Need to Eat”: Janice Galloway’s Anorexic Text and the National Body’ (2008) 49 Critique: Studies in Contemporary Fiction 221
Monteith S, Critical Perspectives on Pat Barker (University of South Carolina Press 2005)
——, Pat Barker (Northcote House Publishers Ltd 2017)
Ng AHS, ‘Coping with Reality: The Solace of Objects and Language in Janice Galloway’s’ (2012) 53 Critique: Studies in Contemporary Fiction 238
Norquay G, ‘Chapter 10, Janice Galloway’s Novels: Fraudulent Mooching’, Contemporary Scottish women writers (Edinburgh University Press 2000)
Patrick Parrinder, ,  Andrew Nash, , and  Nicola Wilson, New Directions in the History of the Novel (Palgrave Macmillan Limited 2014) <https://ebookcentral.proquest.com/lib/nottingham/reader.action?docID=1645527&amp;ppg=62>
Priestman M, Detective Fiction and Literature: The Figure on the Carpet (St Martin’s Press 1991)
Raphael-Hernandez H, Blackening Europe: The African American Presence (Routledge 2004)
Reitz C, Detecting the Nation: Fictions of Detection and the Imperial Venture (Ohio State University Press 2004) <https://www.vlebooks.com/Vleweb/Product/Index/971568?page=0>
Ringrose C, ‘”In the End It Has to Shatter”: The Ironic Doubleness of Kazuo Ishiguro’s When We Were Orphans’, Kazuo Ishiguro: new critical visions of the novels (Palgrave Macmillan 2011) <https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=6234499>
Rushdie S, ‘The New Empire Within Britain’, Imaginary homelands: essays and criticism 1981-1991 (Granta in association with Penguin 1991) <https://contentstore.cla.co.uk/secure/link?id=331f612e-e37c-e611-80c6-005056af4099>
——, Fury (Jonathan Cape 2001)
——, Step across This Line: Collected Non-Fiction, 1992-2002 (Jonathan Cape 2002)
——, Joseph Anton: A Memoir (Jonathan Cape 2012)
Ryan K, ‘Chapter 10, Feeding the Void: Black Dogs’, Ian McEwan, vol Writers and their work (Northcote House in association with the British Council 1994) <https://contentstore.cla.co.uk/secure/link?id=e14e73ff-a96a-e611-80c6-005056af4099>
‘Salman Rushdie and Rosemary Magee, Emory University Creativity Conversation’ (2011) <http://creativity.emory.edu/events/creativity-conversations/rushdie-cc-0211.html>
Slay J, ‘Chapter 8, And the Walls Came Tumbling Down: The Innocent and Black Dogs’, Ian McEwan, vol Twayne’s English authors series (Twayne Publishers 1996) <https://contentstore.cla.co.uk/secure/link?id=9c81aa57-0566-e611-80c6-005056af4099>
Smethurst T, ‘The Making of Torture in Pat Barker’s’ (2014) 55 Critique: Studies in Contemporary Fiction 406
Walkowitz RL, Cosmopolitan Style: Modernism beyond the Nation (Columbia University Press 2006)
Webley A, ‘”Shanghaied” into Service: Double Binds in When We Were Orphans’, Kazuo Ishiguro: new critical visions of the novels (Palgrave Macmillan 2011)
Wells L, ‘Chapter 5, The Innocent and Black Dogs’, Ian McEwan, vol New British fiction (Palgrave Macmillan 2010) <https://contentstore.cla.co.uk/secure/link?id=f2274599-657a-e611-80c6-005056af4099>
Whitehead A, ‘Open to Suggestion: Hypnosis and History in Pat Barker’s Regeneration’ (1998) 44 MFS Modern Fiction Studies 674
Whyte C, Gendering the Nation: Studies in Modern Scottish Literature (Edinburgh University Press 1995)
Wong C, ‘Introduction’, Kazuo Ishiguro, vol Writers and their work (Northcote House 2000)
Zimring R, ‘The Passionate Cosmopolitan in Salman Rushdie’s’ (2010) 46 Journal of Postcolonial Writing 5
Zucker DJ, ‘Fury Meets and Greets Sabbath’s Theater: Salman Rushdie’s Homage to Philip Roth’ (2013) Fall Philip Roth Studies 85 <https://literature.proquest.com/pageImage.do?ftnum=3123036761&amp;fmt=page&amp;area=abell&amp;journalid=15473929&amp;articleid=R04916895&amp;pubdate=2013&amp;queryid=3033418720322>