Abts, Tomma and others, Tomma Abts (Phaidon 2008)
Albers, Josef and Josef and Anni Albers Foundation, Interaction of Color (New complete ed, Yale University Press, in association with The Josef and Anni Albers Foundation 2009)
Alison, Jane and others, Colour after Klein: Re-Thinking Colour in Modern and Contemporary Art (Black Dog 2005)
‘A-N Magazine’
‘Art Monthly’
Batchelor, David, Chromophobia, vol Focus on contemporary issues (Reaktion 2000)
Bayrle, Thomas, Vitamin P: New Perspectives in Painting (Phaidon 2002)
Berger, John, Ways of Seeing (Penguin 2008)
Bradley, Fiona, Paula Rego, vol Modern artists series (Tate 2002)
Carrier, David, Sean Scully (Thames & Hudson 2004)
Chipp, Herschel Browning, Selz, Peter Howard, and Taylor, Joshua Charles, Theories of Modern Art: A Source Book by Artists and Critics, vol California studies in the history of art (University of California Press 1996)
‘Contemporary’
Deitch, Jeffrey and others, Jean-Michel Basquiat 1981: The Studio of the Street (Edizioni Charta 2007)
Dumas, Marlene and Bonacossa, Ilaria, Marlene Dumas, vol Supercontemporanea (Electa 2006)
Fer, Briony, On Abstract Art (Yale University Press 1997)
Foster, Hal, Postmodern Culture, vol Pluto classics (Pluto 1985)
Gage, John, Colour and Meaning: Art, Science and Symbolism (Thames and Hudson 1999)
——, Colour in Art, vol World of art (Thames & Hudson 2006)
Garrels, Gary and Museum of Modern Art (New York, N.Y.), Plane Image: A Brice Marden Retrospective (Museum of Modern Art 2006)
Gohr, Siegfried and Kirkeby, Per, Per Kirkeby: Reisen in Der Malerei Und Anderswo = Journeys in Painting and Elsewhere (Hatje Cantz 2008)
Gooding, Mel, Abstract Art, vol Movements in modern art (Tate Gallery 2000)
Harrison, Charles and Wood, Paul, Art in Theory, 1900-2000: An Anthology of Changing Ideas (2nd ed, Blackwell Publishing 2003)
Innes, Callum and others, Callum Innes (Hatje Cantz and Fruitmarket Gallery in association with Frith Street Gallery, Sean Kelly Gallery and Ingleby Gallery 2006)
Jennings, Simon, Collins Artist’s Colour Manual (Collins 2003)
Kirsh, Andrea and Levenson, Rustin S., Seeing through Paintings: Physical Examination in Art Historical Studies, vol Materials and meaning in the fine arts (Yale University Press 2000)
Klein, Yves and others, Yves Klein (Hatje Cantz 2004)
Kusama, Yayoi and others, Yayoi Kusama (Tate Publishing 2011)
Leiris, Michel and Weightman, John, Francis Bacon (Ediciones Polígrafa 1987)
Livingston, Jane and others, The Paintings of Joan Mitchell (Whitney Museum 2002)
‘Modern Painters’
‘New Exhibitions of Contemporary Art’ <http://www.newexhibitions.com/>
Peyton, Elizabeth and others, Live Forever (Phaidon 2008)
Polke, Sigmar and others, Sigmar Polke: The Three Lies of Painting (Cantz 1997)
Rae, Fiona, Collings, Matthew, and Timothy Taylor Gallery, Fiona Rae (Timothy Taylor Gallery 2008)
Riley, Bridget and others, Bridget Riley: Rétrospective (Musées de la ville de Paris 2008)
Sloane, Patricia, Colour: Basic Principles [and] New Directions, vol Studio Vista/Reinhold art paperback (Studio Vista, Reinhold Book Corp)
Stephens, Chris and Lanyon, Peter, Peter Lanyon: At the Edge of Landscape (21 2000)
Temkin, Ann and Museum of Modern Art (New York, N.Y.), Color Chart: Reinventing Color, 1950 to Today (Museum of Modern Art 2008)
Tufnell, Ben and others, Prunella Clough (Tate 2007)
Tuymans, Luc and others, Luc Tuymans (Tate 2004)
Wylie, Charles and others, Robert Ryman (Dallas Museum of Art 2006)
