1.
Harrison, Charles & Wood, Paul. Art in Theory, 1900-2000: An Anthology of Changing Ideas. (Blackwell Publishing, Malden, Mass, 2003).
2.
Foster, Hal. Postmodern Culture. vol. Pluto classics (Pluto, London, 1985).
3.
Berger, John. Ways of Seeing. (Penguin, London, 2008).
4.
Chipp, Herschel Browning, Selz, Peter Howard, & Taylor, Joshua Charles. Theories of Modern Art: A Source Book by Artists and Critics. vol. California studies in the history of art (University of California Press, Berkeley, Calif, 1996).
5.
Bayrle, Thomas. Vitamin P: New Perspectives in Painting. (Phaidon, London, 2002).
6.
Gage, John. Colour in Art. vol. World of art (Thames & Hudson, London, 2006).
7.
Gage, John. Colour and Meaning: Art, Science and Symbolism. (Thames and Hudson, London, 1999).
8.
Gooding, Mel. Abstract Art. vol. Movements in modern art (Tate Gallery, London, 2000).
9.
Jennings, Simon. Collins Artist’s Colour Manual. (Collins, London, 2003).
10.
Sloane, Patricia. Colour: Basic Principles [and] New Directions. vol. Studio Vista/Reinhold art paperback (Studio Vista, Reinhold Book Corp, London :, New York).
11.
Leiris, Michel & Weightman, John. Francis Bacon. (Ediciones Polígrafa, Barcelona, 1987).
12.
Gohr, Siegfried & Kirkeby, Per. Per Kirkeby: Reisen in Der Malerei Und Anderswo = Journeys in Painting and Elsewhere. (Hatje Cantz, Ostfildern, 2008).
13.
Riley, Bridget, Hergott, Fabrice, Montfort, Anne, & Musée d’art moderne de la ville de Paris. Bridget Riley: Rétrospective. (Musées de la ville de Paris, London, 2008).
14.
Temkin, Ann & Museum of Modern Art (New York, N.Y.). Color Chart: Reinventing Color, 1950 to Today. (Museum of Modern Art, New York, 2008).
15.
Garrels, Gary & Museum of Modern Art (New York, N.Y.). Plane Image: A Brice Marden Retrospective. (Museum of Modern Art, New York, 2006).
16.
Dumas, Marlene & Bonacossa, Ilaria. Marlene Dumas. vol. Supercontemporanea (Electa, Milan, 2006).
17.
Abts, Tomma et al. Tomma Abts. (Phaidon, London, 2008).
18.
Bradley, Fiona. Paula Rego. vol. Modern artists series (Tate, London, 2002).
19.
Kusama, Yayoi, Morris, Frances, Applin, Jo, & Tate Modern (Gallery). Yayoi Kusama. (Tate Publishing, London, 2011).
20.
Polke, Sigmar, Hentschel, Martin, Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, & Hamburger Bahnhof, Museum für Gegenwartskunst. Sigmar Polke: The Three Lies of Painting. (Cantz, Ostfildern-Ruit, Germany, 1997).
21.
Innes, Callum et al. Callum Innes. (Hatje Cantz and Fruitmarket Gallery in association with Frith Street Gallery, Sean Kelly Gallery and Ingleby Gallery, London, 2006).
22.
Tufnell, Ben et al. Prunella Clough. (Tate, London, 2007).
23.
Fer, Briony. On Abstract Art. (Yale University Press, New Haven, Conn, 1997).
24.
Kirsh, Andrea & Levenson, Rustin S. Seeing through Paintings: Physical Examination in Art Historical Studies. vol. Materials and meaning in the fine arts (Yale University Press, London, 2000).
25.
Stephens, Chris & Lanyon, Peter. Peter Lanyon: At the Edge of Landscape. (21, London, 2000).
26.
Deitch, Jeffrey, Sirmans, Franklin, Vassell, Nicola, & Dietch Projects. Jean-Michel Basquiat 1981: The Studio of the Street. (Edizioni Charta, Milan, 2007).
27.
Tuymans, Luc, Dexter, Emma, Heynen, Julian, Tate Modern (Gallery), & Kunstsammlung Nordrhein-Westfalen (Germany). Luc Tuymans. (Tate, London, 2004).
28.
Klein, Yves et al. Yves Klein. (Hatje Cantz, Ostfildern-Ruit, 2004).
29.
Carrier, David. Sean Scully. (Thames & Hudson, London, 2004).
30.
Wylie, Charles, Ryman, Robert, Rifelj, Claire de Dobay, & Dallas Museum of Art. Robert Ryman. (Dallas Museum of Art, [Dallas], 2006).
31.
Livingston, Jane, Mitchell, Joan, Nochlin, Linda, Lee, Yvette Y., & Whitney Museum of American Art. The Paintings of Joan Mitchell. (Whitney Museum, Berkeley, Calif, 2002).
32.
Peyton, Elizabeth, Hoptman, Laura J., Blazwick, Iwona, & Giorno, John. Live Forever. (Phaidon, London, 2008).
33.
Rae, Fiona, Collings, Matthew, & Timothy Taylor Gallery. Fiona Rae. (Timothy Taylor Gallery, London, 2008).
34.
Albers, Josef & Josef and Anni Albers Foundation. Interaction of Color. (Yale University Press, in association with The Josef and Anni Albers Foundation, London, 2009).
35.
Alison, Jane et al. Colour after Klein: Re-Thinking Colour in Modern and Contemporary Art. (Black Dog, London, 2005).
36.
Batchelor, David. Chromophobia. vol. Focus on contemporary issues (Reaktion, London, 2000).
37.
Art monthly.
38.
Modern painters.
39.
A-N magazine.
40.
Contemporary. (2002).
41.
New exhibitions of contemporary art. http://www.newexhibitions.com/.