[1]
E. Bentley, The theory of the modern stage: from Artaud to Zola, an introduction to modern theatre and drama. London: Penguin.
[2]
S. W. Dawson, Drama & the dramatic, vol. Critical idiom. London: Methuen, 1970 [Online]. Available: http://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=4904013
[3]
G. Steiner, The death of tragedy. London: Faber, 1963.
[4]
M. Wallis and S. Shepherd, Studying plays, 4th ed. London: Bloomsbury Academic, 2017.
[5]
G. Büchner, T. Kopfermann, and H. Stirner, Woyzeck: Lese- und Bühnenfassung : mit Materialien, vol. Editionen für den Literaturunterricht. Stuttgart: E. Klett, 1983.
[6]
G. Büchner and G. Motton, Woyzeck, vol. Drama classics. London: Nick Hern Books, 1996 [Online]. Available: https://www-dramaonlinelibrary-com.nottingham.idm.oclc.org/playtext-overview?docid=do-9781784603557&tocid=do-9781784603557-div-00000002
[7]
G. Büchner and M. Jacobs, Dantons Tod: and, Woyzeck, 3rd, rev.reset, ed ed., vol. German texts. Manchester: Manchester University Press, 1971.
[8]
M. B. Benn, The drama of revolt: a critical study of Georg Büchner, vol. Anglica Germanica. Series 2. Cambridge: Cambridge University Press, 1976.
[9]
S. Giles, The problem of action in modern European drama, vol. Stuttgarter Arbeiten zur Germanistik. Stuttgart: Akademischer Verlag Hans-Dieter Heinz, 1981.
[10]
J. Hilton, Georg Büchner, vol. Macmillan modern dramatists. London: Macmillan, 1982.
[11]
H. Lindenberger, Georg Büchner, vol. Crosscurrents/modern critiques. Carbondale, Ill: Southern Illinois University Press, 1964.
[12]
H. Mayer, Georg Büchner und seine Zeit, [Neuaufl.]., vol. Suhrkamp Taschenbuch. Frankfurt am Main: Suhrkamp, 1972.
[13]
H. Poschmann, Georg Büchner: Dichtung der Revolution und Revolution der Dichtung, vol. Dokumentation, Essayistik, Literaturwissenschaft. Berlin: Aufbau, 1983.
[14]
J. Reddick, Georg Büchner: the shattered whole. Oxford: Clarendon Press, 1994.
[15]
J. P. Stern, Re-interpretations: seven studies in nineteenth-century German literature. London: Thames and Hudson, 1964.
[16]
D. G. Richards, Georg Büchner and the birth of the modern drama, 1st ed. Albany: State University of New York Press, 1977.
[17]
D. James, ‘The “Interesting Case” of Buchner’s Woyzeck’, in Patterns of change: German drama and the European tradition : essays in honour of Ronald Peacock, vol. Studies in European thought, New York: Peter Lang, 1990, pp. 103–119.
[18]
M. Ewans and G. Büchner, Georg Büchner’s Woyzeck: translation and theatrical commentary, vol. American university studies. New York: Peter Lang, 1989.
[19]
Joseph H. Stodder, ‘Influences of “Othello” on Büchner’s “Woyzeck”’, The Modern Language Review, vol. 69, no. 1, 1974 [Online]. Available: http://www.jstor.org/stable/3725204
[20]
F. Wedekind and H. Schmidt-Bergmann, Frühlings Erwachen: eine Kindertragödie, vol. Suhrkamp BasisBibliothek. Frankfurt am Main: Suhrkamp, 2002.
[21]
D. Sheik, S. Sater, F. Wedekind, and ebrary, Inc, Spring awakening, 1st ed. New York: Theatre Communications Group, 2007 [Online]. Available: https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=478369
[22]
E. Boa and University of Nottingham, The sexual circus: Wedekind’s theatre of subversion. Oxford: Basil Blackwell, 1987.
[23]
S. Gittleman, Frank Wedekind. New York: Ungar, 1969.
[24]
G. Pickerodt, Frank Wedekind, Frühlings Erwachen, vol. Grundlagen und Gedanken zum Verständnis des Dramas. Frankfurt am Main: Diesterweg, 1984.
[25]
F. Rothe, Frank Wederkinds Dramen: Jugendstil und Lebensphilosophie, vol. Germanistische Abhandlungen. Stuttgart: Metzler, 1968.
[26]
F. Rothe, ‘Fruhlings erwachen. Zum verhaltnis von sexueller und sozialer emanzipation bei Frank Wedekind’. 1969.
[27]
L. R. Shaw, The playwright and historical change: dramatic strategies in Brecht, Hauptmann, Kaiser and Wedekind. Madison: University of Wisconsin Press, 1970.
[28]
H. Wagener, Frank Wedekind, Frühlings Erwachen, vol. Universal-Bibliothek. Stuttgart: Reclam, 1980.
[29]
G. Seehaus, Frank Wedekind in Selbstzeugnissen und Bilddokumenten, vol. Rowohlts Monographien. Reinbek: Rowohlt, 1974.
[30]
Audrone B. Willeke, ‘Frank Wedekind and the “Frauenfrage”’, Monatshefte, vol. 72, no. 1, pp. 26–38, 1980 [Online]. Available: http://www.jstor.org/stable/30157020?seq=1#page_scan_tab_contents
[31]
Audrone B. Willeke, ‘Frank Wedekind and the “Frauenfrage”’, Monatshefte, vol. 72, no. 1, pp. 26–38, 1980 [Online]. Available: http://www.jstor.org/stable/30157020?seq=1#page_scan_tab_contents
[32]
B. Brecht and W. Jeske, Mutter Courage und ihre Kinder: eine Chronik aus dem Dreissigjährigen Krieg, Originalausg., vol. Suhrkamp BasisBibliothek. Frankfurt am Main: Suhrkamp, 1999.
[33]
B. Brecht and T. Kushner, Mother Courage and her children: a chronicle of the Thirty Years’ War. London: Methuen Drama, 2009.
[34]
G. Bartram and A. E. Waine, Brecht in perspective. London: Longman, 1982.
[35]
P. Brooker, Bertolt Brecht: dialectics, poetry and politics. London: Croom Helm, 1988.
[36]
S. Bryant-Bertail, ‘Women, space, ideology:mutter courage und ihre Kinder’, The Brecht yearbook, vol. 12, pp. 43–61, 1983.
[37]
K. A. Dickson, Towards Utopia: a study of Brecht. Oxford: Clarendon Press, 1978.
[38]
S. Giles and R. Livingstone, Bertolt Brecht: centenary essays, vol. German monitor. Amsterdam: Rodopi, 1998.
[39]
W. Hecht, Materialien zu Brechts ‘Mutter Courage und ihre Kinder’, 5. Aufl., vol. Edition Suhrkamp. Frankfurt am Main: Suhrkamp, 1968.
[40]
J. Knopf, B. Bergheim, and J. Lucchesi, Brecht-Handbuch: in fünf Bänden. Stuttgart: Metzler, 2001.
[41]
R. Speirs, Bertolt Brecht, vol. Macmillan modern dramatists. Basingstoke: Macmillan, 1987.
[42]
P. Thomson and V. Gardner, Brecht: Mother Courage and her children, vol. Plays in production. Cambridge: Cambridge University Press, 1997.
[43]
P. Thomson and G. Sacks, The Cambridge companion to Brecht, 2nd ed., vol. Cambridge companions to literature. Cambridge: Cambridge University Press, 2006 [Online]. Available: http://cco.cambridge.org/login2%3Fdest%3D%252Fbook%253Fid%253Dccol0521857090_CCOL0521857090
[44]
J. J. White, Bertolt Brecht’s dramatic theory, vol. Studies in German literature, linguistics, and culture. Rochester, N.Y.: Camden House, 2004.
[45]
J. Willett, The theatre of Bertolt Brecht: a study from eight aspects, Rev. ed. London: Methuen Drama, 1977.